6. Definition of terms
6.1 Access
We consider access to mean that our audiences, partners and users experience as few barriers as possible and feel welcome to engage with our public spaces, collections, programmes and content, onsite and online, in a range of ways.
We acknowledge that different audiences experience varied and changing barriers that can exclude them from the museum and library or restrict their access. For example, barriers can stem from the physical and sensory environment of the building, economic impacts of travelling to and taking part in activities, or lack of accessible communications about our collections and services. Barriers can also be cultural, stemming from a focus on dominant cultural heritages or interests that exclude marginalised audiences from engaging with and co-creating more diverse interpretations.
Wellcome Collection as an organisation takes responsibility for dismantling the barriers to access that can exclude and restrict audiences. We recognise that this is an ongoing process that takes continual commitment and must be done in collaboration with our audiences, partners and users.
Our approach to this work is underpinned by the social model of disability, a way of viewing the world that says that people are disabled by barriers in society, not by their impairment or condition. We also draw on the principles of justice and accountability supported by the Museums Association’s 2021 guidance ‘Supporting Decolonising in Museums’.
We support our staff to understand the impact of societal barriers to access and inclusion through the Social Justice Curriculum that all members of staff must undertake, which unpacks how racism and ableism impact museums, library and archival practices.
Practical examples of how we are working to reduce barriers to access include:
- Making information on our spaces, collections and programmes accessible in different ways in response to the needs of our audiences.
- Collaborating on content for exhibitions and programme that platforms marginalised experiences of health.
- Co-developing ideas for making the library entrance and spaces more accessible and welcoming to everyone.
- Working to actively identify barriers in the physical space and content of our collection and work proactively to address these barriers sensitively and appropriately, for example through our approach to enhanced safeguarding.
6.2 Audiences
Through our vision and mission, we aim to work with communities most affected by the urgent health challenges facing everyone. Within the museum and library setting, this particularly includes those most affected by the lack of representation and misrepresentation in our collections, and those with connection to the material in our collection.
We use ‘audiences’ to refer to a range of different groups and individuals who engage with Wellcome Collection across varied services and platforms, including the museum and library’s collections and resources onsite and online. We recognise the limitations of the term ‘audiences’ that fails to convey the rich and varied nature of the relationships we want to build with different groups and use it here to also refer to visitors, users, researchers, constituents, publics, participants, and all our communities.
Audiences include those who visit the museum, library and archive, those who request records to consult and those who use our books and library resources. Those who attend programmed events, including conferences and commercial events, those who access our digital content including our digital stories and our collections databases. It includes those in short- and long-term collaborative relationships, individuals and groups who are conducting long term research; sector colleagues who seek and give advice and those we loan our collection items to and those who lend to us. It includes artists and creatives we commission and collaborate with to create new responses to global issues; our international partners who engage with our research through Wellcome’s wider funding and research; it includes those who read our published material including our manuscripts and zines; and those who visit our shop, café and enter to use our toilet and locker provision.
6.3 Collections
Our collections comprise Core Collections (visual and material culture, printed and published rare materials, and archives and manuscripts) and Support Collections (printed and published reference collection, digital reference collection, auxiliary material such as handling collections, and reserve collection such as contemporary artworks commissioned for display). Further information about our collections can be found in the Collections Development Policy.
6.4 Research and Researcher
In this Access Policy we use an open definition of the terms ‘research’ and ‘researcher’.
Research is defined as a creative, disruptive and purposeful act through which anyone can explore ideas that matter to them and create new knowledge and understanding which goes out into the world in different ways. Everyone experiences the world differently: and we think research should therefore value different types of knowledge, experiences, and ways of thinking across traditional boundaries and borders.
Researchers are defined as anyone who engages with our collections, creates knowledge about them and shares this knowledge. Many definitions of ‘researcher’ are narrow and focus on academic research, with restrictive interpretations of who gets to define research questions, who participates, how research is conducted, and how research findings are interpreted and shared. We acknowledge that the term ‘researcher’ can feel exclusionary for some audiences. We work actively to ensure that all our audiences feel comfortable, respected, and empowered to contribute their knowledge and experiences.