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1880 THAT

,
Past
  • Free
  • Late
  • British Sign Language
  • British Sign Language interpreted
  • Speech-to-text
  • Relaxed
An audience engaging with a performer using BSL in a gallery space.
BSL performance event, 1880 THAT exhibition, Charlie Swinbourne. Source: Wellcome Collection. Attribution-NonCommercial 4.0 International (CC BY-NC 4.0).

What you’ll do

Experience Wellcome Collection after hours in the first of our new Lates.

Inspired by our ‘1880 THAT’ exhibition, this deaf-led evening features performances, talks, workshops and tours exploring deaf identities, languages, bodies and histories.

Some events have limited spaces and will operate on a first come, first served basis, unless stated otherwise. If an event reaches capacity, access will be one in, one out, and some activities will be repeated throughout the evening.

The exhibitions, café and shop will be open all evening. You can also unwind in our Chill-Out Room if you need a break from the action. It has low lighting, comfortable seating, cushions, mats, ear defenders, earplugs and sensory toys.

BSL interpreters will be on hand for support and orientation. Please check individual event listings below for specific BSL and STT provisions.

Dates

,
Past

Past events

  • Performance
AfterGlow
The Forum
AfterGlow is a live, immersive performance ritual that explores the intersections of deaf identity, shame, grief, horror, catharsis and spirituality. Performed by Deaf dance artists Anna Seymour and Mirabelle Haddon, it's an intimate work that moves through the tensions between the deaf public and private body, inviting you to take part in this shared excavation.

  • Gallery tour
Hands that Hold History BSL Tour
Gallery 2Being Human gallery
Artist Nadia Nadarajah will guide you through an immersive, performative BSL tour where movement and memories uncover hidden histories held within our hands and bodies.
  • British Sign Language interpreted

  • Gallery tour
BSL Tour of '1880 THAT'
Gallery 2
Join Deaf historian Peter Brown for a tour of our exhibition ‘1880 THAT’. The tour will explore the Milan Conference of 1880, which banned sign language, and the lasting impact this had on deaf communities. It also traces the beginning of a new chapter in 1960, when campaigners called for sign language to be recognised as a language in its own right – a shift that helped bring deaf communities back from the brink of obscurity. During the tour, you’ll have the chance to ask questions and share your thoughts.
  • British Sign Language interpreted

  • Workshop
Shadow Signs
The Studio
In this gentle movement workshop, you'll learn how to create silhouettes with your hands and body, inspired by the Victorian pastime of shadowgraphy. Artists from Spectroscope will guide you through a range of silhouette techniques using an illuminated screen. The workshop will be delivered in BSL, with voice-over interpreters available for non-signers.
  • British Sign Language
  • British Sign Language interpreted

  • Discussion
Artists in Conversation
Reading Room
Join curator Laurie Britton Newell in conversation with artists Christine Sun Kim and Thomas Mader, whose exhibition ‘1880 THAT’ explores sign language, the right to communicate, and the lasting impact of the 1880 Milan Conference on deaf education.
  • British Sign Language interpreted
  • Speech-to-text

  • Session
Explore the Collections
Viewing Room
Explore a selection of material from our library and archive, including manuscripts, zines, artist books and more.
  • British Sign Language interpreted

  • Session
Handle with Care: Conversations Through Objects
Ground floor Atrium
Join our Visitor Experience and Engagement team for a drop-in object-handling session, where you can get up close to some of the items in our collection. There will be different stations in the space, each with objects that you can touch.
  • British Sign Language interpreted

Need to know

Location

This is an event with several different activities. Check specific sub-events for their locations.

Place not guaranteed

Booking a ticket for a free, in-person event does not guarantee you a place. You should aim to arrive 15 minutes before the event is scheduled to start to claim your place.

Limited spaces available

Spaces are limited for some sub-events and may run out if we are busy. We will operate these limited sub-events on a first come, first served basis, so you may wish to arrive early. If a sub-event reaches capacity, access will be one in, one out, and some activities will be repeated.

British Sign Language

This event will be delivered in British Sign Language.

British Sign Language interpreted

This event will have British Sign Language interpretation.

Speech-to-text

This event will be live-transcribed. The captions will be displayed on a screen in-venue.

Relaxed

This is a relaxed event, which means that if you need to, you are welcome to move around and make noise at any time.

For more information, please visit our Accessibility page. If you have any queries about accessibility, please email us at access@wellcomecollection.org or call 0 2 0. 7 6 1 1. 2 2 2 2

Our event terms and conditions

About your contributors

Head and shoulder photo of Anna Seymour, a person with curly brown hair wearing a dark top photographed in front of a softly lit green background. They are faintly smiling and looking to camera.

Anna Seymour

Artist

Anna Seymour is a Deaf dance artist, actress and creative producer based in London. She trained in contemporary dance in Melbourne and has worked with a range of choreographers and companies, as well as creating her own work. She is also a dance researcher with the International Contemporary Dance Collective. Most recently, Anna appeared in 'RETREAT', a thriller feature film by Ted Evans.

Headshot of Mirabelle Haddon, a person with short curly hair wearing a black vest. They are looking to camera.

Mirabelle Haddon

Artist

Mirabelle is a deaf dance artist and performance maker whose work explores deaf identity and the human condition. She has performed with artists and companies including Luca Signoetti, Alessandra Seutin, Thick and Tight and Holly Blakey, and created work for Touretteshero and Wiesbaden Biennale. Mirabelle also teaches with Candoco Dance Company, developing Crip-informed movement and education practices that centre care, curiosity and embodied dialogue.

Photo of Temitope Ajose, a person with dark hair in a high bun, wearing a white high-neck vest. They are looking to camera, with their body angled to the side.

Temitope Ajose

Choreographer

Temitope is a London-based dance artist interested in myth, psychology and magic. She has worked with a range of artists and companies, including Punchdrunk, director Carrie Cracknell at The Gate Theatre and The National, Theo Clinkard and Protein Dance Company. Temitope has also performed for visual artists and makers such as Florence Peake, Adelaide Cioni, Sam Williams and Megan Rooney. She continues to create her own work ‘My Name is my Own’, presented at The Southbank, and her solo piece 'Lady M', commissioned by The Place.

Peter Brown, a man with glasses and a blue shirt, holds a historical book with illustrations of sign language.

Peter Brown

Guide

Peter was born Deaf and attended the Royal School for Deaf Children in Margate in 1967. He has taught BSL and deaf history at City Lit in London for over 20 years. Peter’s work has featured in the Sign Language Studies journal, the Deaf History Journal and BATOD magazine. He recently hosted an exhibition on the roots of BSL as part of City Lit’s annual Deaf Day.

Nadia Nadarajah

Nadia Nadarajah

Performer

Nadia is an artist who creates and performs plays in BSL. She is a Shakespeare’s Globe Associate Artist who has performed in 'Anthony and Cleopatra', ‘As you like it’ and ‘Hamlet’. Recent performances elsewhere include Royal Court Theatre’s ‘Midnight Movie’ and ‘A Christmas Carol’ at Bristol Old Vic Theatre.

Spectroscope

Contributor

Spectroscope is a Bristol-based artist collective with an international practice creating mesmerising, otherworldly artworks. Their work shines a light on lost histories and hidden communities, using emotive, taboo-breaking and uplifting storytelling. Spectroscope also looks to the future, inviting audiences into dreamscapes that explore what our world could become.

Head and shoulder photo of Laurie Britton Newell, a person with brown hair wearing a black blazer and white collared shirt. They are looking to their left.

Laurie Britton Newell

Facilitator

Laurie is an independent curator and art consultant with over 25 years' experience in exhibition-making, curatorial strategy, art commissioning, cultural master planning and inclusive programming for public museums and private clients. Working across art, design, architecture and health, she has curated exhibitions including Wellcome Collection's '1880 THAT' and 'In Plain Sight', as well as 'Memory Palace' and others at the Victoria and Albert Museum. She has also written and lectured extensively on inclusive practice, art and design.

A photo of Christine Sun Kim (left) and Thomas Mader (right) embracing, looking at the camera. Taken in front of a large sign with details of their 1880 THAT exhibited on it.

Christine Sun Kim and Thomas Mader

Christine Sun Kim and Thomas Mader have collaborated for over ten years to explore the possibilities and limitations of communication, inviting audiences to consider different perceptual worlds and the power dynamics between signed and spoken languages. Christine's native language is American Sign Language (ASL), while Mader is learning ASL.