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  • Cybele, Bacchus, Ceres and Flora on a chariot drawn by lions surrounded by all forms of natural abundance and cherubs: symbolising the element earth. Etching by F. Bartolozzi, 1796, after F. Albani.
  • The British Museum: the interior of the reading room, in use. Wood engraving by G. F. Sargent.
  • The adoration of the shepherds at the birth of Christ; a bound lamb is placed before the cradle. Engraving by S.F. Ravenet after D. Feti.
  • Abraham falls on his knees before the three angels. Engraving after Lucas van Leyden.
  • Angels playing musical instruments celebrate the ascension of Christ or a saint. Pen and ink drawing attributed to C. Tencalla (Tencala).
  • The Assumption of the Virgin Mary. Mezzotint by R. Dunkarton after P. da Cortona.
  • The baptism of Christ. Drawing by F. Rosaspina, 1830, after F. Albani.
  • Jacob's ladder; Moses' exhausting prayer; Elijah addressing God at a sacrifice. Mezzotint by G. Sanders, 1845, after E. Taylor.
  • The circumcision of Christ. Engraving by F-G. Aliamet, 1765, after R. Earlom after G. Reni.
  • God lifts Eve from sleeping Adam's side. Etching by G.B. Leonetti after C. Cencioni after Nicola Pisano.
  • A tree bearing apples labelled with virtues; representing the life of Christian virtue. Coloured lithograph, 1870, after J. Bakewell, 1771.
  • The Virgin Mary with the Christ child in glory above, with Saint John the Baptist, Saint Mark and Saint Francis below. Drawing by F. Rosaspina, c. 1830, after F. Albani.
  • Putti perform an anatomical dissection on a dog; others hold a jar containing a human foetus; two more play with a spider; representing anatomy and natural history. Etching by B. Picart, 1729.
  • The fall; expelled from Eden, Adam and Eve raise a family and set to work. Engraving by Scotin, c. 1765.
  • The birth of Christ among ruins. Engraving by J. Keller after F. Overbeck.
  • The Annunciation to the Virgin, who kneels at a prie-dieu. Engraving by P. Pontius after C. Schut.
  • The medical practitioner appearing as an angel when he has started to heal sick people. Engraving by Johann Gelle after E. van Panderen.
  • The birth of Jesus Christ, the Virgin Mary presents him to God and the angels. Engraving.
  • Decorated initial T with putti stringing a dog over the bar of the letter. Woodcut and letterpress, 1543.
  • An eye in a star, the spokes of which divide the spectrum of colours; putti hold a prism, a telescope, a rod refracted in water, and a camera obscura; representing optics. Engraving by J. Chapman, 1820, after A.D. Macquin.
  • One of the seven Acts of Mercy: Heal the sick. Line engraving by S. Bourdon after himself.
  • Christ resurrected emerges from his tomb. Line engraving by S.A. Bolswert after P.P. Rubens.
  • A group of figures from antiquity are led into a garden by a woman with a telescope and a hand mirror. Etching.
  • Cupid inspiring plants with Love, in a tropical landscape. Coloured stipple engraving by T.Burke, ca. 1805, after P. Reinagle.
  • Adam and Eve expelled from Eden by an angel. Etching by H. Winstanley after G. Reni, 1728.
  • A goddess sits among a crowd of mythological figures with musical instruments and weapons; representing mineralogy. Coloured stipple engraving by J. Chapman, 1817.
  • Tropium Chlordiazepoxide B P : 'turns' the emotional and behavioural effects of anxiety and stress to normality / DDSA Pharmaceuticals.
  • The angel tells Joseph to awaken and take Jesus and Mary to Egypt.
  • The birth of King Louis XIII. Engraving by B. Audran the elder after J.M. Nattier after P.P. Rubens.
  • A woman representing philosophy. Etching by B. Audran the elder, c. 1700, after Raphael.