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87 results filtered with: Adam (Biblical figure)
  • Adam and Eve committing the primal sin; representing the origin of AIDS. Colour lithograph after Pavel Beneš, 1991.
  • Adam and Eve holding fruit: Four figures. Heliogravure by C. Amand-Durand.
  • A female figure with bowls of fruit and a monkey; Eve picks the apple from the tree of knowledge; representing the sense of taste. Engraving by N. de Bruyn after M. de Vos.
  • Adam and Eve by Albrecht Dürer with a red apple and green serpent; representing sex as a source of transmission of AIDS. Colour lithograph, ca. 1997 (?).
  • A tortoise climbs up a female figure as she reaches out to a bird; in the background Adam and Eve are chased from Eden by the archangel Michael with his sword; representing the sense of touch. Engraving by N. de Bruyn after M. de Vos.
  • A woman looking into a hand-mirror; in the background God shows Adam and Eve the tree of knowledge. Engraving by N. de Bruyn after M. de Vos.
  • Adam and Eve are condemned to a life of work outside Eden. Etching by J.E. Ridinger.
  • Eve tempting Adam. Engraving by J. Massard, 1787, after C. Cignani.
  • Adam overlooks the Garden of Eden. Etching by J.E. Ridinger after himself, c. 1750.
  • God stands in the centre of Eden; to the left he breathes life into Adam. Engraving by Scotin, c. 1765.
  • The Fall: Adam and Eve driven out by the Angel for eating the forbidden fruit. Etching by C. Lasinio after Masaccio and Masolino.
  • A woman-serpent bends around the Tree of Knowledge as Adam and Eve reach into the branches. Line engraving by T. de Bry after J. van Winghe.
  • The temptation of Adam. Lithograph by N. Consoni after Raphael.
  • Jesus and the apostles pass judgement on the dead, who emerge from square holes in the ground. Etching.
  • Adam sacrifices a lamb, which Eve scatters with flowers (left); Thirza mourns by the water (right). Etching by R.B. Peake after T. Uwins.
  • God creating Eve out of Adam and blessing her as she emerges into the splendors of Eden. Wood engraving.
  • Michelangelo's painting of the creation of Adam, adapted to show God offering Adam a condom in order to prevent AIDS. Lithograph by C. Fritschke after Michelangelo, 199-.
  • Adam and Eve are expelled from Eden by a sword-bearing angel. Woodcut.
  • Adam names the animals in the Garden of Eden. Etching by J.E. Ridinger after himself, c. 1750.
  • The garden of Eden illuminated by light symbolising the Trinity. Engraving by A. Collaert after H. Bol.
  • Adam and Eve expelled from Eden by an angel with a flaming sword. Line engraving by R. Sadeler after M. de Vos, 1583.
  • The creation of Adam. Engraving by D. Cunego, 1772, after Michelangelo.
  • Adam and Eve in the Garden of Eden. Red chalk drawing.
  • Episodes in the Pentateuch involving sacrifice, worship and idol-worshipping. Engraving.
  • God creating Eve out of Adam amidst all the wonders of Eden. Woodcut.
  • Adam and Eve cover their nakedness as God makes his wrath felt in the Garden of Eden. Etching by J.E. Ridinger after himself, c. 1750.
  • Eve offers a large condom to Adam as she holds the apple of temptation behind her; the serpent looks on from behind a tree in dismay; a safe-sex and AIDS prevention advertisement by Fondo de Población de las Naciones Unidas and Centro Nacional de Educacion para la salud Ministerio de Salud Publica, Cuba. Colour lithograph by Leonardo, 1993.
  • God (looking female ?) creating Eve from Adam. Wood engraving.
  • God creates man, his hand inspiring life into the head of Adam. Etching by H. Moses after A. Canova.
  • God creating Eve out of Adam and blessing her amidst the natural wonders of Eden. Woodcut after H. Brosamer, 1549.