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  • A man conducts an alchemical experiment with an alembic, in the foreground, in the background a female figure representing the world observes a man of the new school of chemistry who prepares an oxygen experiment with a glass jar and a candle: a representation of the historical transition between alchemy and chemistry. Coloured stipple engraving by J. Chapman, 1805, after R. Corbould.
  • Nathan Lacy. Engraving by A. Della Via.
  • Four scenes from W. Combe's verse Dr. Last or the devil upon two sticks, a parody of the Royal college of physicians and in particular John Fothergill. Engraving after W. Combe.
  • Two alchemists seeming to produce gold from a furnace; the accompanying text satirises those who pursue alchemy for gold alone. Engraving by C. Weigel, 1698.
  • An alchemist using bellows at a furnace in his laboratory. Etching by T. Major, 1750, after D. Teniers the younger.
  • Richard Burdon Haldane as an alchemist using bellows, representing his eloquence, to distil a new military unit from three older units. Pen drawing by A.S. Boyd, 1907.
  • Chemists and workers operating distilling apparatus in a laboratory. Engraving by P. Galle (?) after J. van der Straet.
  • An alchemist reading a book; his assistants stirring the crucible on the other side of the room. Engraving by P.F. Basan after D. Teniers the younger.
  • Michael Sendivogius (Sędziwój), the alchemist, demonstrating the art in the court of Rudolf II. Drawing after V. Brožik.
  • An infant blowing bellows into a furnace; allegory of the role of N. Lefevre in chemistry. Etching (portrait) after R.M. Pariset, and etching (border) by J-G. Blanchon after himself.
  • A large chemical laboratory filled with apparatus and types of glass vessel. Engraving, 1778.
  • A chemical laboratory with four chemists; one looks into a furnace. Engraving.
  • The chemical laboratory of Ambrose Godfrey: : the distilling room. Etching attributed to W.H. Toms after H. Gravelot.
  • A chemist's laboratory, with the apparatus numbered for a key. Engraving, 1748.
  • A cherubic Aesculapius fends off death with medicine. Engraving by Le Roy after C-P. Marillier.
  • An alchemist in a long robe standing reading above an open chest of books which he has rifled through; a large vaulted hall surrounds him, littered with alchemical apparatus. Pen and pencil drawing by J. Nasmyth, 1854.
  • A dwarf alchemist and his assistant standing by a crucible. Etching, 18th century.
  • An alchemist of the 'puffer' (uninitiated) type, surrounded by equipment. Engraving by W. French after D. Teniers the younger.
  • A large chemical laboratory filled with distilling apparatus and many types of glass vessel. Engraving, 177-.
  • Jean-Baptiste-André Dumas carrying out a chemical procedure. Coloured lithograph by H. Daumier.
  • A three-headed eagle in a crowned alchemical flask, representing mercury sublimated three times. Watercolour painting by E.A. Ibbs.
  • A three-headed eagle in a crowned alchemical flask, representing mercury sublimated three times. Watercolour painting by E.A. Ibbs.
  • M0012701: Illustration of glass apparatus
  • A coal porter, an alchemist and a rich man who hopes vainly to profit from alchemy. Etching, 18th century.
  • A man performing a chemical procedure is approached from behind behind by another man who strangles him with a scarf. Process print by V&C after P. Chase.
  • An elderly alchemist sitting next to his equipment. Engraving by C. Weigel, 1698.
  • An alchemist at a furnace with a large 'receiver', with diagrams of alchemical apparatus. Woodcut, 1658.
  • Doctor Syntax attending a scientific demonstration at the Royal Institution, London. Coloured aquatint by T. Rowlandson after W. Combe.
  • A woman representing truth sits in a chemical laboratory and points at the source of a ray of light, representing philosophy. Engraving by Crabb, 1817, after G.M. Brighty.
  • A queen in red is presented with dishes of blood on a hill; below, a man in a white robe gesticulates to the heavens; while another man stands next to alchemical apparatus, facing a man who is lying sick in bed; representing a stage in the process of alchemy. Coloured etching, ca. 18th century.