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  • Keble College, Oxford: the grand opening. Wood engraving.
  • Oxford Diocesan Training School, Oxford. Wood engraving by Laing after J. Clarke.
  • St. John's College, Oxford: decorative archway. Line engraving.
  • Christ Church, Oxford: panoramic view. Etching.
  • Hertford College, Oxford. Coloured aquatint by J.C. Stadler.
  • Corpus Christi College and Merton College, Oxford. Etching by F. Trash after himself.
  • Corpus Christi College and St. Botolph's Church, Oxford. Line engraving by J. & H.S. Storer after W. Wilkins.
  • A learned physician with a library of Latin books writes a prescription but cannot save his patients from death. Etching by G.M. Mitelli, c. 1700.
  • An apothecary with instruments of his profession seated in an arched window. Lithograph by M. Vernaut after G. Metsu.
  • Radcliffe Camera, Oxford: panoramic view showing All Soul's College, St. Mary's Church and Brasenose College. Pencil drawing by W.W. Burgess, 1901.
  • Radcliffe Camera, Oxford: panoramic view showing All Soul's College, St. Mary's Church and Brasenose College. Pencil drawing by W.W. Burgess, 1901.
  • Christ Church, Oxford: halls of residence. Wood engraving by J. Walmsley, 1866, after J. Gascoine after T.N. Deane.
  • Astronomy and mathematics: Samuel Vince reading in his rooms at Sidney Sussex College, Cambridge, by the light of a shaded lamp. Aquatint by F. Jukes with engraving by J. K. Baldrey after R. C. Chilton, c.1784.
  • University College, Oxford: the library. Line engraving by J.H. Le Keux, 1861, after himself.
  • Archbishop Holgate's School, York, England. Coloured lithograph by W. Bevan.
  • Corpus Christi College, Oxford. Line engraving by E.F. McCabe after R.B. Harraden.
  • City of Oxford: cityscape from the meadows, showing All Souls and Oriel Colleges, St. Mary's Church, Radcliffe Camera and the Bodleian Library. Line engraving.
  • Queen's College, Oxford: panoramic view with the High Street. Etching by J. Newman.
  • Queen's College, Oxford: panoramic view. Wood engraving.
  • University College, Oxford: aerial view with key and scale. Line engraving.
  • Basil Valentine contemplates a chemical jar containing homunculi of a man and woman holding hands, and a child emanating from them (alchemical symbol of conception); he is suddenly visited by Sabine Stuart de Chevalier, who reveals that she has the key to his works and crowns him as the king of alchemists. Etching by J. Le Roy, ca. 1781, after Hostoul after Sabine Stuart de Chevalier.
  • Ormond College, Melbourne University, Melbourne, Victoria: sketches of the interior. Wood engraving.
  • Christ among the doctors. Etching by A. Scacciati, 1766, after G.B. Moroni, c. 1570.
  • Christ Church, Oxford: quadrangle. Line engraving by P. Fourdrinier.
  • A procession to St. Mary's Church, Oxford by the convocations of the Universities of Oxford and Cambridge; and the burning of the bones of Protestant theologians in Cambridge. Line engraving by Myers.
  • Exeter College, Oxford: front. Line engraving by J. Le Keux, 1835, after F. Mackenzie.
  • Exeter College, Oxford: quadrangle. Line engraving by J. Basire after H. O'Neill.
  • Merton College, Oxford: bird's eye view with key. Line engraving.
  • A group of three 'puffers' (uninitiated alchemists) reading books, and a credulous peasant trying his luck at alchemy, his weeping wife and miserable child trying to detain him from alchemical pursuit. Engraving by F. Godefroy after J. Steen.
  • Wadham College, Oxford: from the garden. Line engraving by J. Skelton after C. Wild.