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Cruikshank, George, 1792-1878Reset filters
214 results
  • Madame Tiquet about to be beheaded for murder, 1699. Line engraving with etching by H.R. Cook, 1819, after G. Cruikshank.
  • Vendors of various types of remedies consulting about a patient; the vendors represented by their respective treatments and the patient by a goose. Etching by G. Cruikshank, 183-.
  • A convicted thief stands on trial in a packed law court while his sister weeps. Coloured etching by G. Cruikshank, 1848, after himself.
  • The diminished Napoleon before his despondent relief troops squeezed into the skeletons of their predecessors, referring to French military losses. Coloured etching by G. Cruikshank, 1813.
  • A drunken party with sailors and their women drinking, smoking, and dancing wildly as a band plays. Reproduction of an etching by C. H., c. 1825, after G. Cruikshank.
  • The drunkard's children. A sequel to The bottle. In eight plates / With a poem by by Charles Mackay.
  • A drunken scene in a beer shop with a young thief gambling. Etching by G. Cruikshank, 1848, after himself.
  • Phrenological propensities: adhesiveness, inhabitiveness, constructiveness, combativeness, destructiveness; illustrated by a couple stuck in a bog, a snail in its shell, a spider in its web, a huge brawl, a bull in a china shop. Etching by G. Cruikshank, 1826.
  • A woman in an opera box is using her opera glasses to peer across the theatre to see who is there. Etching after G. Cruikshank.
  • Oliver Twist, holding a bowl and a spoon, asks for more food, while other children and a woman look surprised. Etching by George Cruikshank.
  • Four scenes of the beginning of a dental operation involving a dentist trying to extract a distraught patient's tooth. Coloured wood engraving by G. Cruikshank(?) after H. Mayhew.
  • Lord Cochrane and Captain de Beranger, collaborators in a fraudulent manipulation of the Stock Exchange, playing dice while in the stocks. Coloured etching by George Cruikshank, 1814.
  • Napoleon Bonaparte instructing the doctor to poison the plague victims at Jaffa in 1799. Coloured aquatint by G. Cruikshank, 1814.
  • Dolly, a proprietress of a restaurant specialising in steaks, mutton etc. Reproduction of an etching by B. Wilkes after G. Cruikshank.
  • A haggard old woman carelessly mixing a recipe for corns on the fire in her sordid bedroom. Etching by G. Cruikshank, 1819, after Captain F. Marryat.
  • A fiery demon representing the chaos of the Paris Commune and more generally, the infernal results of the ideals of the French Revolution. Coloured etching by G. Cruikshank, 1871.
  • Phrenological propensities: philoprogenitiveness, amativeness, self-love, individuality, number; illustrated by a huge and happy family, an apothecary making advances on his maidservant, a dandy admiring his reflection, Seurat the human skeleton, Toby the learned pig. Coloured etching by G. Cruikshank, 1826, after himself.
  • Napoleon Bonaparte instructing the doctor to poison the plague victims at Jaffa in 1799. Coloured aquatint by G. Cruikshank, 1814.
  • Astronomy: an anthropomorphic comet, with a tail composed of events of 1853. Etching by G. Cruikshank.
  • Baron Donderdronkdickdorff and Miss Quoltz: after their wedding, they quarrel and are surprised by a servant. Etching, 1810, attributed to I. Cruikshank and/or G. Cruikshank.
  • A dancing class: a girl and a boy stand in first position, as the teacher plays the violin. Etching by G. Cruikshank.
  • Four scenes of the beginning of a dental operation involving a dentist trying to extract a distraught patient's tooth. Coloured wood engraving by G. Cruikshank(?) after H. Mayhew.
  • People reaching for alcoholic drink falling from a pile of barrels of liquor likened to the upas-tree; skeletons litter the ground. Coloured etching by G. Cruikshank, c. 1842.
  • A man is drawing a cart along the road as other people perform other activities also called drawing. Etching by George Cruikshank.
  • The British Museum: working-class people attending a guided tour and looking at exhibits of English history in glass cases and on the walls. Etching by G. Cruikshank, 1843.
  • James Morison promoting his alternative medicines; satirised by five vignettes of a fox among geese. Etching by G. Cruikshank, 1833, after himself.
  • A dancing class: a girl curtsies as a young man bows to her, the teacher plays the violin and a girl stands in a box. Etching by George Cruikshank.
  • The drunkard's children. A sequel to The bottle. In eight plates / With a poem by by Charles Mackay.
  • Margaret Patten, a centenarian. Etching by G. Cruikshank, 1820, after J. Smith.
  • The diminished Napoleon before his despondent relief troops squeezed into the skeletons of their predecessors, referring to French military losses. Coloured etching by G. Cruikshank, 1813.