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Holloway, Thomas, 1748-1827Reset filters
298 results
  • A man in a state of grief. Drawing, c. 1794.
  • John Berkenhout. Line engraving by T. Holloway after himself.
  • Nine physiognomies of popes and prelates. Drawing, c. 1791, after Raphael.
  • John Howard. Line engraving by T. Holloway, 1791, after himself.
  • A female figure in an attitude of respectful piety. Drawing, c. 1794.
  • Profile of a man displaying a phlegmatic-melancholic temperament. Drawing, c. 1792.
  • Left profile of a boy exemplifying ancient Greek male beauty. Drawing, c. 1791.
  • A pair of eyes expressing the character of a solid thinker, unhurried, yet intrepid if required (according to Lavater). Drawing by T. Holloway, ca. 1794.
  • Samuel Johnson: three portraits. Drawing, c. 1789.
  • A profile evaluated by Lavater as harsh and displeasing, yet with traces of wit in the eyes. Drawing, c. 1789.
  • Head of a turbaned man. Drawing, c. 1794, after N. Poussin.
  • The transfigured Christ. Drawing, c. 1788, after Raphael.
  • The face of a hero immediately before death. Drawing, c. 1789, after A. Schluter.
  • Head of a youth. Drawing, c. 1794.
  • Johann Hoze [Hotze]. Line engraving by T. Holloway, 1784.
  • A wife, her physiognomy expressing good temper and humour according to Lavater. Drawing, c. 1789.
  • A musician. Drawing, c. 1789.
  • Raphael as a young man: portrait. Drawing, c. 1791, after Raphael.
  • A pair of eyes expressing the character of a solid thinker, unhurried, yet intrepid if required (according to Lavater). Drawing by T. Holloway, ca. 1794.
  • A weak woman in a state of exertion (left) and terror on the face of a boy (right). Drawing, c. 1793.
  • Head of a youth. Drawing, c. 1794.
  • Six heads of horses. Drawing, c. 1789.
  • A boy with bushy hair. Drawing, c. 1793.
  • A man whose face exemplifies the melancholy temperament. Drawing, c. 1789.
  • Four physiognomies. Drawings, c. 1789.
  • Five profiles exhibited for their noses. Drawing, c. 1794.
  • An ecstatic eye. Drawing, c. 1794.
  • Four physiognomies. Drawings, c. 1789.
  • Gian Francesco Barbieri, il Guercino: portrait. Drawing, c. 1793.
  • Head of a young man which, according to Lavater, expresses superior qualities. Drawing, c. 1794.