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Allegorical drawingsReset filters
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  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.
  • Aesculapius (representing medicine) routing death, Ceres (?) supplying milk to the starving. Drawing attributed to J.-C. Bordier du Bignon, 1822.
  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.
  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.
  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.
  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.
  • Anglo-American research on DNA represented by Britannia and the Statue of Liberty, with festoons of DNA. Scraperboard drawing by Bill Sanderson, 1990.
  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.
  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.
  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.
  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.
  • Anglo-American research on the human genome, represented by Uncle Sam and John Bull knitting DNA. Scraperboard drawing by Bill Sanderson, 1990.
  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.
  • The family of Laocoön entwined in coils of DNA. Scraperboard drawing by Bill Sanderson, 1990.
  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.
  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.
  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.
  • World War I: the German Navy attacking Allied nursing. Coloured chalk drawing by Louis Raemaekers, 1918.
  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.
  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.
  • A giant claw pierces the breast of a sleeping naked woman, another naked woman swoops down and stabs the claw with a knife; representing the surgical treatment of breast cancer. Watercolour by R. Cooper.
  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.
  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.
  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.
  • An operator pulling a tooth; representing the sense of touch. Pen and ink drawing by P. Boone, 1649.
  • A seated female figure with bound mouth holding a palette and a mahl stick and supporting an oval male portrait, with a second female figure handing a pair of dividers to a boy, with other boys drawing and supporting a blank sheet. Red chalk drawing.
  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.
  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.
  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.
  • Allegorical and sacred subjects, and hermits. Drawings attributed to Aspruck, ca. 1740.