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330 results
  • The crucified Christ bleeds into cups held by attending angels. Woodcut.
  • The Assumption of the Virgin Mary. Woodcut.
  • The angel, announcing the birth of Christ, gives a lily to the Virgin. Lithograph by F. Decraene after B. Murillo.
  • The sense of taste: diners around a feasting table containing a swan and a human skeleton, above, scenes of communion and Abraham and the three angels. Engraving after G. Collaert, 1630, after N. van der Horst.
  • The Virgin Mary is borne upwards to a heaven crowded with angels. Engraving by F. Rosaspina, 1830, after himself after L. Sabbatini.
  • A dying man surrounded by fantastic and mythological figures. Coloured etching.
  • An angel descends as Abraham prepares to sacrifice Isaac; the ram lurks in the bushes. Line engraving.
  • The adoration of the shepherds. Engraving by C.J. Visscher after P.P. Rubens.
  • Tobit and the angel. Etching by J. Goupy after S. Rosa.
  • Eleven decorated initials from the Basel 1555 edition of Andreas Vesalius's De humani corporis fabrica. Woodcuts, 1555.
  • A procession of historical figures accompanying a car on which Time sits measuring the globe; representing the triumph of Time. Engraving by S. Pomarede, 1748, after G. Buti after Bonifacio de' Pitati.
  • Two angels approach the Virgin Mary and Joseph with Christ sleeping in his cradle. Etching.
  • Christ cures the paralytic at the therapeutic pool of Bethesda. Engraving by S.F. Ravenet and V.M. Picot, 1772, after W. Hogarth.
  • Tobias curing the blindness of Tobit, with Anna and Raphael. Oil painting after G. Zocchi.
  • An angel saves a thirsting Elijah. Engraving by A. Zucchi, c. 1720, after S. Manaigo after G. Porta, il Salviati.
  • A despondent winged woman holding a geometrical instrument surrounded by attributes associated with knowledge; representing melancholia. Heliogravure attributed to C. Amand-Durand, 18--, after A. Dürer, 1514.
  • An angel in a large pot holding an hour-glass surrounded by beautiful countryside - advertising a calming potion. Aquatint.
  • The Assumption of the Virgin Mary. Drypoint by Torras.
  • A black man with a red head and right arm emerges from a foul stream into a landscape where a winged woman is waiting for him with a red garment; representing the transformations of the alchemical work from corruption to perfection. Watercolour painting by E.A. Ibbs.
  • The pool of Bethesda. Oil painting by L. Chéron, ca. 1683.
  • The angel speaks to Joseph in a dream. Engraving by A.A. Morel after J.B. Wicar after A.R. Mengs.
  • Juno in a chariot drawn by two peacocks flying through the sky surrounded by nymphs and cherubs, Jupiter on the ground trying to lock up a group of putti: symbolising the element air. Engraving by E. Baudet, 1695, after F. Albani.
  • Astronomy: an angel astride the cosmos, looking heavenward. Engraving by N. Dorigny, 1695, after Raphael, 1516.
  • The death of Saint Benedict. Drawing by F. Rosaspina, c. 1830, after D.M. Canuti.
  • The cessation of plague, brought about by the angel of God. Etching by E. de Ghendt after C. Marillier.
  • Saint Catherine of Alexandria embraces the Christ child who sits on the Virgin Mary's lap; with Saint Dominic, Saint Francis of Assisi, Saint Benedict (?), Saint Peter Martyr and Saint Petronius. Drawing by F. Rosaspina, c. 1830, after P. Faccini.
  • The angel of the Annunciation. Engraving by H. Wierix after J. Stradanus.
  • The Virgin Mary with the Christ child, Saint Augustine, Saint Antony, two angels, Antonio Galeazzo Bentivoglio (the patron) and a shepherd. Drawing by F. Rosaspina, c. 1830, after F. Francia.
  • Putti deprive a bird of air in a vacuum experiment, one plays at billiards, another plays with magnetised keys, while outside a storm rages: representing physics. Etching by B. Picart, 1729, after himself.
  • The dead Christ with the Virgin Mary and angels with Saint Petronius, Saint Dominic, Saint Charles Borromeo, Saint Francis of Assisi and Saint Florian (all patron saints of Bologna) below. Drawing by F. Rosaspina, c. 1830, after G. Reni.