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  • A crowded street in London. Coloured etching by G. Cruikshank, 1812.
  • Mr. Lambkin behaving in a drunken and disorderly manner resulting in being restrained and arrested by a policeman. Lithograph by G. Cruikshank.
  • A drunken scene in a gin shop with children being given alcohol. Coloured etching by G. Cruikshank, 1848, after himself.
  • A woman suffering the pain of colic; illustrated by demons tugging on a rope wound around her stomach. Coloured etching by G. Cruikshank, 1819, after Captain F. Marryat.
  • Phrenological properties of drawing: colour, form, space, order. Etching by G. Cruikshank, 1826.
  • Men and women are attending an auction of paintings: the auctioneer is selling the painting on the wall. Etching by George Cruikshank.
  • Phrenological illustrations, or an artist's view of the craniological system of Doctors Gall and Spurzheim / By George Cruikshank.
  • James Gillray, 'A pinch of cephalic'
  • A destitute girl throws herself from a bridge, her life ruined by alcoholism. Etching by G. Cruikshank, 1848.
  • A drunken man sits at home with his family who must pawn their clothes to pay for his habit. Etching by G. Cruikshank, 1847, after himself.
  • Drunken sailors round a table cheering and throwing their hats in the air as a man with a wooden leg recounts the Battle of the Nile. Reproduction of an etching by C. H., c. 1825, after G. Cruikshank.
  • An episode in 'Jack Sheppard' by W.H. Ainsworth: Owen Wood, on the river Thames in a stormy night, rescues the child Jack Sheppard. Etching by G. Cruikshank, 1839.
  • A drunken man fights with his family, all ruined through his drinking habit. Etching by G. Cruikshank, 1847, after himself.
  • A well attended meeting of "total abstainers" in the Sadler's Wells Theatre. Wood engraving, c. 1854, after G. Cruikshank.
  • Mr. Lambkin trying to find a new cure for his illness; riding a horse in wet clothes. Lithograph by G. Cruikshank.
  • A drunken scene in a dancing hall with a sly customer eyeing a girl. Etching by G. Cruikshank, 1848, after himself.
  • The Duke of York carried by General Dundas is invited by the Prince Regent to proceed under the arch of the Horse Guards, Whitehall. Coloured etching by G. Cruikshank, 1811.
  • Three vignettes of phrenological heads and two phrenological propensities, amativeness and self love. Wood engraving by Dellagana after G. Cruikshank.
  • Tom Delolme, a medical student, gives evidence as a witness in Bow Street magistrates' court, London: the magistrate and his clerk are seated on the left. Etching after G. Cruikshank, 1844.
  • A man suffering from headache in the form of devils. Coloured etching by G. Cruikshank, 1835, after Captain F. Marryat.
  • Phrenological illustrations, or an artist's view of the craniological system of Doctors Gall and Spurzheim / By George Cruikshank.
  • Country folk pushing a lawyer, a physician and a gouty vicar in wheelbarrows out of their village. Coloured etching by G. Cruikshank, 1819.
  • Mr. Lambkin and friends in court before a magistrate for being drunken and disorderly. Lithograph by G. Cruikshank.
  • Six vignettes of self-help hydrotherapy. Etching by G. Cruikshank.
  • Two women are arguing in the street at Seven Dials in London watched by a crowd. Etching by George Cruikshank.
  • A man is falling down the stairs of the pulpit watched by the congregation in the church, as he falls he pulls the robe of the priest. Etching after George Cruikshank.
  • Mr. Lambkin in an old bachelors' club, completely recovered from his illness and contemplating the errors of his ways. Lithograph by G. Cruikshank.
  • A London linen-draper's assistant reveals his true identity: he is not "Horatio Sparkins", an aristocratic man about town, but Mr Smith, an assistant in a down-market shop. Etching by George Cruikshank, 1839.
  • A young English woman returning from Paris with her French governesss is not recognized by her uncle, aunt and sister owing to her French speech and clothes. Etching by George Cruikshank after EHL.
  • A short dentist (standing on a stool) extracting a tooth from an extremely tall lady who in her agony kicks over his work table. Coloured etching by G. Cruikshank, 1821, after A.E.