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  • Adam naming the animals. Etching by G. Scotin and J. Cole after H. Gravelot and J.B. Chatelain, 1743.
  • In the Garden of Eden, while the serpent curls around the tree of knowledge, Eve is about to taste the apple. Coloured etching, 17--.
  • A classical courtyard filled with natural philosophers, scientists and artists. Engraving after S. Le Clerc.
  • The angel Raphael appears among the animals in the garden of Eden to gaze upon Adam and Eve. Aquatint with etching by R. Pollard, 1792, after C. Metz.
  • A couple in animal skins (Adam and Eve?) journeying with three children after the expulsion. Coloured stipple engraving.
  • Adam and Eve are driven from Eden by an angel. Etching by J.E. Ridinger after himself, c. 1750.
  • Adam prays in the Garden of Eden. Etching by J.E. Ridinger after himself, c. 1750.
  • God animates Adam and operates on his rib. Etching by G.B. Leonetti after C. Cencioni after Nicola Pisano.
  • Eve is offering an apple to Adam while the serpent watches through the branches of the Tree of Knowledge; representing the origin of AIDS. Colour lithograph after S. Staněk, 1994.
  • Adam is formed by God. Etching by G.B. Leonetti after C. Cencioni after Nicola Pisano.
  • Adam and Eve with the serpent and other animals in the garden of Eden. Engraving by C.J. Visscher after N. de Bruyn.
  • Adam gestures towards a radiant Eve, flesh of his flesh. Etching by J.E. Ridinger after himself, c. 1750.
  • Episodes in the Old Testament. Engraving by M.T.
  • God looks on unimpressed as Adam blames Eve for the transgression. Engraving by P.I. Drevet, c. 1720, after N. Coypel.
  • A man sits and paints a picture of the exiled Adam and Eve; his wife suckles a baby; representing the thirtieth year of life. Engraving by Conrad Meyer, 16--.
  • Adam looks in wonder at the divine cosmological plan, represented above him in astronomical figures on a scroll; Eve looks at Adam. Etching.
  • The gates of Eden open to expel Adam and Eve, who stand caught in a terrified embrace. Aquatint by M. Haughton, 1805 after J.H. Füssli (Fuseli).
  • Mrs Fitzherbert and George Prince of Wales represented as Adam and Eve standing under the Tree of Knowledge surrounded by the trappings of fashionable pastimes and vices, causing the devil to flee. Etching, 1786.
  • The serpent passes the fruit to Eve while Adam holds onto a branch. Line engraving after A. Durer.
  • God creating Eve out of Adam. Line engraving.
  • Eve emerges from sleeping Adam's side. Etching by J.E. Ridinger after himself, c. 1750.
  • The six stages of the Creation as described in the first chapter of Genesis. Etching, ca. 1790.
  • A woman plays music to a stag; God condemns Adam and Eve to exile; representing the sense of hearing. Engraving by N. de Bruyn after M. de Vos.
  • Eve picks the apple from the tree as the serpent emerges. Etching by J.E. Ridinger after himself, c. 1750.
  • Eve shows Adam the apple she has bitten. Etching by W. Unger after J. Palma the elder.
  • God creates man and woman. Line engraving by E. Charpy after J. Sadeler.
  • At the bidding of God, Eve ascends praying from Adam's side. Engraving by A. Capellan, 1772, after Michelangelo.
  • Eve receives the forbidden fruit from a serpent in the shape of a woman; the angel expels Adam and Eve from paradise. Engraving by A. Capellan, 1772, after Michelangelo.
  • Adam and Eve conceal their nakedness; in the distance they receive clothes from God. Line engraving by J. Haeyler after C. van den Broeck.
  • Adam and Eve committing the primal sin; representing the origin of AIDS. Colour lithograph after Pavel Beneš, 1991.