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  • An arm with a vaccine pustule. Coloured etching by W. Skelton after himself.
  • Two écorché figures: front (l.) and back (r.) views, with two arms stretched upwards in centre of image. Engraving by G. Mochetti after G. della Valle, ca. 1790.
  • A splint for a broken limb. Etching by J. Bell.
  • Muscles of the shoulder, upper and lower arm. Engraving after G. de Lairesse, 1739.
  • The bones of the arm. Engraving after G. de Lairesse, 1739.
  • The muscles of the lower arm: the left forearm is seen twice, crossed over and resting on the right forearm and extending from the shoulder. Drawing after Peter Paul Rubens, c. 1610.
  • Three figures of the upper arm (above); two figures of the hand showing bones and tendons (below). Red-chalk drawing with ink, 17th century.
  • A surgeon about to bleed a man's arm, he is aided by an older surgeon and an assistant, a woman (the patient's wife ?) is present. Engraving, 1586.
  • An arm with a vaccine pustule. Coloured etching by W. Skelton after himself.
  • Three forearms and one hand. Engraving after C. Le Brun.
  • An arm with a vaccine pustule. Coloured etching by W. Cuff and W. Skelton after E. Pearce.
  • Table XXXV. Amputation of the arm and leg.
  • Moses' arms grow heavy as he prays for the victory of the Israelites over the Amalecites; an outstretched arm is anatomically depicted. Etching by C. Sperling-Heckel, c. 1735.
  • An arm with three smallpox pustules. Coloured etching by W. Cuff and W. Skelton after E. Pearce.
  • Cross-sections of the arm and wrist. Coloured lithograph by M. Hanhart after C. Heath after J.B. Léveillé.
  • The muscles of the arm and palm of the hand and geometrical diagrams of the tendons and fibres of different muscles. Engraving after G. de Lairesse, 1739.
  • Three diagrams illustrating how to bleed an arm. Stipple engraving.
  • The muscles of the suspended right arm, seen from the front. Red-chalk drawing, 17th century.
  • A surgeon bleeding a man's arm, he is observed by an older surgeon and aided by an assistant. Engraving, 1586.
  • A comparison between smallpox and cowpox pustules on the 4th and 5th days of the disease. Chromolithograph, 1896, after G. Kirtland.
  • The adoration of the magi. Etching by J. Swaine after R. Shipster after medieval bas-relief.
  • The muscles of the right arm. Red chalk drawing, 17th century.
  • The muscles of the suspended right arm and upper right shoulder, seen from the back. Red-chalk drawing, 17th century.
  • Diagrams illustrating how to set a broken arm. Stipple engraving.
  • A cow's udder with vaccinia pustules and human arms exhibiting both smallpox and cowpox pustules. Coloured engraving by J. Pass, 1811.
  • A comparison between smallpox and cowpox pustules on the 6th and 7th days of the disease. Chromolithograph, 1896, after G. Kirtland.
  • Diagrams illustrating how to bandage and set fractures in splints. Engraving by J. Johnstone.
  • The muscles of the raised left arm and of the upper left shoulder, seen from the front. Red-chalk drawing, 17th century.
  • The bones of arm, scapula and elbow: three figures. Red-chalk drawing, 17th century.
  • The muscles of the suspended right arm and upper right shoulder, seen from the back. Red-chalk drawing, 17th century.