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  • Christ is laid into a tomb. Lithograph by M. Fanoli after E.R. Wehnert, 1849.
  • A lady fainting after bloodletting. Oil painting after Eglon Hendrick van der Neer.
  • The four holy women lament over the dead Christ. Line engraving by Agostino Carracci, 1598, after Annibale Carracci, 1597.
  • An écorché face weeping, showing the muscles involved. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • A man holds out his hand to a weeping woman [Fidelia]. Engraving by Springwell after R. Corbould, 1792.
  • Erasistratus, a physician, realising that Antiochus's (son of Seleucus I) illness is lovesickness for his stepmother Stratonice, by observing that Antiochus's pulse rose whenever he saw her. Line engraving by J.C. Levasseur, 1769, after H. Collin de Vermont, 1727.
  • People crowd around a dying person's bed in grief while final rites are being read. Stipple engraving by N. Schiavonetti, 1812, after R. Westall.
  • A man lying dead on the ground with a broken bottle; a woman sits crying at his side. Lithograph by C. Schacher, c. 1845, after J. Faed.
  • Hagar and Ishmael saved by an angel. Coloured mezzotint by R. Dunkarton, 1798, after J.S. Copley.
  • The gates of Eden open to expel Adam and Eve, who stand caught in a terrified embrace. Aquatint by M. Haughton, 1805 after J.H. Füssli (Fuseli).
  • A French hospital for wounded soldiers, World War I: two nurses arguing and going to various places to cry. Colour lithograph after L. Ibels, 1916.
  • A young woman dabs her eye as her mother looks askance; she suspects the onset of cholera. Coloured lithograph, c. 1832.
  • A drunken man at home with his starving and ruined family. Etching by G. Cruikshank, 1847, after himself.
  • An alchemist hunched over his crucible; an assistant reads him a recipe, watched by an onlooker; the alchemist's wife weeps in the dim background, a baby clasped to her breast. Coloured lithograph by Bouvier, 1830, after J. Steen.
  • Queen Eleanor sucking the poison from King Edward I's arm. Line engraving by Brown after W.M. Craig.
  • Three faces: weeping (top), expressing compassion (bottom left), and scorn (bottom right). Engravings after C. Le Brun.
  • The four holy women lament over the dead Christ. Mezzotint by W. Say, 1824, after Annibale Carracci, 1597.
  • A moneylender visited by a woman customer who is weeping. Etching by Léopold Flameng after Gabriel Metsu.
  • A boy cries in pain in his mother's arms while she tries to wash his cut foot, another child holds a broken glass in the background. Coloured lithograph.
  • A dying man making his will to lawyers while a relative cries. Line engraving.
  • A young woman being visited by a member of the clergy while another woman cries beside her. Line engraving, 1813.
  • Eight heads showing human passions. Etching by Taylor, 1788, after C. Le Brun.
  • A little girl (Jane) lies dying, surrounded by her family who weep and grieve. Line engraving by Brown.
  • A man weeping. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.
  • Erasistratus, a physician, realising that the illness of Antiochus (son of Seleucus I) is lovesickness for his stepmother Stratonice, by observing that Antiochus's pulse rose when ever he saw her. Coloured engraving by W.W. Ryland, 1772, after Pietro da Cortona.
  • The Virgin Mary with the Christ child, saints and martyrs (known as the 'Madonna del Rosario') Drawing by F. Rosaspina, c. 1830, after D. Zampieri, il Domenichino, 1619-21.
  • A sick girl in bed being counselled by a nun while another woman looks anxious. Mezzotint by S.W. Reynolds, 1829, after R.P. Bonington.
  • A dying little girl is held by her mother in bed, while another child consoles the grieving father. Transfer lithograph.
  • The four holy women lament over the dead Christ. Line engraving by Agostino Carracci, 1598, after Annibale Carracci, 1597.
  • An alchemist hunched over his crucible; an assistant reads him a recipe, watched by an onlooker; the alchemist's wife weeps in the dim background, a baby clasped to her breast. Engraving by J. Boydell, c. 1760, after J. Steen.