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18 results
  • Personifications of law, medicine and theology argue over the superiority of their respective professions. Engraving by GWHWHNM, ca. 1720.
  • Christ curses the Pharisees. Etching by F.A. Ludy after J.F. Overbeck, 1843.
  • Christ among sick people and the Pharisees ('The hundred guilder print'). Wood engraving by H. Linton after T. Beech (?) after Rembrandt, 1649.
  • Two physicians in New England discussing the treatment of a patient with an injured leg who is lying on a wooden table. Engraving.
  • John baptises Christ in the Jordan. Engraving by P. Galle, 1564, after M. van Heemskerck.
  • The young Christ lectures the doctors of the Temple. Engraving by E. Rouargue.
  • Christ among sick people and Pharisees.
  • A male and female warrior dispute over a child lying prone underneath; representing rhetoric. Etching by C. Schut.
  • An old man discourses with a woman with a bird on her head; representing dialectic. Engraving by C. Cort, 1565, after F. Floris, c. 1557.
  • Christ among the doctors. Engraving by A. de Bruyn, c. 1580, after S. Crispi.
  • A group of physicians having stormy discussions in an elaborately decorated room. Engraving by A.H. Payne after J. Geyer.
  • Christ among sick people and the Pharisees ('The hundred guilder print'). Etching by T. Worlidge, 1758, after Rembrandt, 1649.
  • Two doctors arguing over the bed of a dying patient. Engraving by P.F. Tardieu after J.B. Oudry.
  • Two doctors arguing over the bed of a dying patient. Engraving by P.F. Tardieu after J.B. Oudry.
  • Christ among the doctors. Etching by A. Scacciati, 1766, after G.B. Moroni, c. 1570.
  • Christ teaches the doctors; while they scour books, he points upwards to indicate the source of his knowledge. Engraving by C. Levasseur after Borel after J. Ribera.
  • Christ tells the apostles that to be as humble as a child makes one the greatest in the kingdom of heaven. Etching by A. Pflugfelder after J.F. Overbeck, 1846.
  • Christ among sick people and the Pharisees ('The hundred guilder print'). Etching by T. Worlidge, 1758, after Rembrandt, 1649.