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24 results
  • The Virgin Mary and the Christ child, with Saint Augustine, Saint George, Saint John the Baptist, Saint Stephen and an angel with a lily. Drawing by F. Rosaspina, c. 1830, after F. Francia.
  • Christ winnowing evil from the human heart; a penitent bathing in the blood and water from Christ's side; an angel locking a dragon in hell. Engraving by H. Goltzius, 1578.
  • A putto pours a phial into a dragon's mouth, pumping a bellows with his other hand; representing the fixing of volatile matter in the alchemical process. Watercolour painting by E.A. Ibbs.
  • The woman clothed with the sun is attacked by a seven-headed dragon; her child is ejected up to God: representing the 12th Book of Revelation. Engraving.
  • A scholar in a surgeon's workroom with a jar of spirits containing Saint Michael defeating a dragon with a barbued tonge; representing the scholar's knowledge of chemistry enabling surgeons to heal, by setting the beneficent force of alkalis against the noxious force of acids. Etching by P.P. Bouche, ca. 1686.
  • Dragons and griffins around a lone flowering tree in a landscape on the outskirts of a town; representing a stage in the alchemical process. Coloured etching after etching, ca. 17th century.
  • The archangel Michael, holding a flaming sword and the scales of justice; in heaven the angels kneel before Christ; representing the Day of Judgement. Woodcut.
  • Saint Ignatius of Loyola: he drives away with a stick a dragon representing the devil. Engraving.
  • Three men ride through the sky on black, red and white lions (colours of the alchemical process); beneath, men lay sprawled among dismembered limbs. Coloured etching after etching, ca. 17th century.
  • The mystic marriage of Saint Catherine of Alexandria to the Christ child; Saint Joseph looks at angels who bear attributes of Saint Barbara and Saint Margaret. Drawing by F. Rosaspina, c. 1830, after A. Tiarini.
  • Dragons and griffins around a lone flowering tree in a landscape on the outskirts of a town; representing a stage in the alchemical process. Coloured etching after etching, ca. 17th century.
  • Dragons and griffins around a lone flowering tree in a landscape on the outskirts of a town; representing a stage in the alchemical process. Coloured etching after etching, ca. 17th century.
  • Jason being vomited from the dragon of Colchis's mouth after it had received a drug from Athena. Gouache painting by S.W. Kelly, 1936.
  • An enthroned king, wearing three crowns and with a sword in his mouth, having vanquished a green seven headed hydra; an archangel with a key imprisons Lucifer in chains by a roaring fire; representing the culmination of the alchemical process and the sublimation of base matter. Coloured etching after an etching, ca. 17th century.
  • Lucifer's angels tumble out of heaven, their limbs entwined. Etching by R. Pranker, 176-.
  • A camel surrounded by various named animals, flowers and insects, including a giraffe and flying dragon. Engraving by D. Loggan, 1663, after W. Hollar.
  • Saint Margaret: with the aid of the Holy Cross she crushes a dragon and receives the rewards of martyrdom. Engraving by H. Wierix after J. Stradanus.
  • Saint Margaret. Engraving by P. Thomassin, 1589, after Raphael.
  • The pregnant Virgin Mary, with a dragon at her feet; representing a stage in the alchemical process. Colour painting after etching, 1772/3.
  • Japan: a roof finial in Nagoya castle in the form of a dragon. Colour woodcut, ca. 1872.
  • A human body is consumed by a furnace; a woman holds a small red limbless effigy bearing a crown; a man holds a sheaf, and another a stick; below, by another furnace, a green and red dragon face each other, poised for combat; representing a stage in the process of alchemy. Coloured etching, ca. 18th century.
  • A nurse standing in front of the Red Cross stabs a dragon that holds the globe in its claws; representing assistance to tuberculous people from the Italian Red Cross. Colour lithograph by B. Cascella.
  • A chariot bearing Aesculapius rides above suffering humanity: representing pathology. Etching by J. Chapman, 1823, after A.D. Macquin.
  • A winged dragon. Woodcut.