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  • The dissection of a young, beautiful woman directed by J. Ch. G. Lucae (1814-1885) in order to determine the ideal female proportions. Chalk drawing by J. H. Hasselhorst, 1864.
  • Eleven decorated initials from the Basel 1555 edition of Andreas Vesalius's De humani corporis fabrica. Woodcuts, 1555.
  • An anatomical dissection of the abdomen of a cadaver, seen in a foreshortened view. Aquatint by R. Perrette, 1904.
  • Ancient anatomists in discussion around a cadaver. Engraving by G. Appelmans, 1674.
  • The dissection of the body of a miser in the presence of St Anthony of Padua: the miser's heart is found not in his body, but in a casket with his money. Engraving by G. Canuti after Girolamo da Treviso.
  • Michelangelo drawing from an anatomized cadaver. Photogravure after M. J. A. Mercié.
  • Seven diagrams of differently shaped pelvises and their measurements. Engraving by A. Bell.
  • An anatomy lesson in an apothecary shop; represented by anthropomorphic participants. Engraving after Egbert von Heemskerck, ca. 1730-79.
  • An anatomical dissection by Reinier de Graaf, taking place in a room with a patient in bed. Reproduction, 1927, of an engraving by G. Wingendorp, 1671.
  • Four cross-sections of figures of the pregnant uterus. Engraving by A. Bell.
  • A fugitive sheet of a seated female figure, her hand resting on a vase, with her thorax and abdomen dissected to reveal the ribs, vertebral column and pelvis. Photograph after a woodcut, 1611.
  • An anatomical dissection in an interior in Guadalupe. Gouache attributed to F. J. Blanco Juste, c. 1934.
  • An anatomical dissection taking place in a hall decorated with musclemen and human and animal skeletons in niches. Engraving with etching, 1685.
  • Birds dressed as surgeons or medical students dissect a body. Pen drawing attributed to J. Grandville, 1829.
  • An anatomist, "Mr Le Professeur C...", dissecting a cadaver laid out on a trestle table, while a seated man looks on. Etching by Jean-Jacques Rousseau, 1869.
  • Cross-sections of seven different figures of the pregnant uterus. Engraving by A. Bell.
  • The dissection of an emaciated, grey cadaver by an anatomist who is making an abdominal incision with a scalpel with his right hand while his left hand is placed on the cadaver's hip. Colour process print, 1926, after a manuscript illustration, 1345.
  • Interior of a dissecting room with cadavers laid out on tables. Drawing by Paul Renouard, 1906.
  • A Roman academy of artists. Etching after Pier-Francesco Alberti, 16--.
  • An anatomical dissection by Realdus Colombus, attended by onlookers. Collotype after a woodcut, 1559.
  • A female flap anatomy fugitive sheet, with layered flaps lifted to reveal the anatomy of the thorax and abdomen. Photograph of an engraving, 1683.
  • An elderly anatomist contemplates the heart that he has excised from the corpse of a beautiful, young woman. Photogravure by R. Schuster, 1907, after a painting by E. Simonet, 1890.
  • The dissection of a young, beautiful woman directed by J. Ch. G. Lucae (1814-1885) in order to determine the ideal female proportions. Chalk drawing by J. H. Hasselhorst, 1864.
  • An anatomist making an incision from the neck through the upper ribs of a skeletal cadaver. He stands behind the cadaver, his right hand cutting with a large blade while his left arm comes round the cadaver's neck as he uses his left hand to pull back the ribs at the incision. Colour process print, 1926, after a manuscript illustration, 1345.
  • Eight diagrams illustrating difficult births and obstetrical instruments. Engraving by A. Bell.
  • A dissection in progress: the anatomy professor at his lectern. Line block after a drawing after a woodcut, 1493.
  • Eight diagrams illustrating difficult births and obstetrical instruments. Engraving by A. Bell.
  • The Parisian surgeon and anatomist A. Velpeau (1795-1867) performing an anatomical dissection. Etching, after F.N.A. Feyen-Perrin, 1864.
  • Two female figures standing on either side of drapery bearing the title of Vesling's Syntagma anatomicum: beyond, the anatomy theatre of the University of Padua. Engraving by Giovanni Georgi, 1647.
  • An anatomical dissection by Jean Riolan the younger (1580-1657). Engraving of 1649 by Renier van Persyn after a design of 1626 by Crispijn de Passe the second.