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Lectures and lecturingReset filters
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  • James Graham lecturing from a podium, to a crowd of ladies and gentlemen. Etching by J. Kay, 1785, after himself.
  • James Graham lecturing from a podium, to a crowd of ladies and gentlemen. Etching by J. Boyne, 1783.
  • Royal Institution of Great Britain, Albemarle-street, August 30, 1841 : the extended and practical course of chemical lectures and demonstrations for medical and general students, delivered in the laboratory of this institution by professor Brande and E. Solly, jun., esq., will commence on Tuesday, the 5th of October at nine in the morning... / Joseph Fincher.
  • Michael Faraday lecturing at the Royal Institution: Prince Albert and his sons in the audience. Wood engraving, 1856, after A. Blaikley.
  • Doctor Syntax attending a scientific demonstration at the Royal Institution, London. Coloured aquatint by T. Rowlandson after W. Combe.
  • Benjamin Howard assisted by Sir E. Sieveking demonstrating artificial respiration on a supine figure at the Royal Humane Society. Wood engraving by T. Robinson, 1878, after C. Robinson.
  • A lecture to medical staff in London in training for operations in Helmand Province, Afghanistan. Watercolour by Julia Midgley, 2013.
  • Franz Joseph Gall leading a discussion on phrenology with five colleagues, among his extensive collection of skulls and model heads. Coloured etching by T. Rowlandson, 1808.
  • An anatomical dissection in an interior in Guadalupe. Gouache attributed to F. J. Blanco Juste, c. 1934.
  • Mr. Pearsall's lectures and visits, (as agent and lecturer to the Yorkshire Union of Mechanics' Institutes).
  • Salon 1904 : les études de la peinture : carte postale / G. Leroux.
  • Mr. Charles Du-Val at home.
  • A lecture on pneumatics at the Royal Institution, London. Coloured etching by J. Gillray, 1802.
  • Men of fashion attending a lecture on the anatomy of the horse. Engraving by B. Audran after Ch. Parrocel, 1733.
  • A chemical lecture at the Surrey Institution. Coloured etching by T. Rowlandson after his drawing, 1809.
  • Royal Liverpool University Hospital: a physiotherapist giving a lecture on the knee to elderly patients. Drawing by Julia Midgley, 1998.
  • A periscope being used above an operation which is projected onto a lantern screen for a lecture in the adjoining room. Gouache painting by W.R. Seton.
  • The young Christ lectures the doctors of the Temple. Engraving by E. Rouargue.
  • Natural and experimental philosophy: a group of seated men attending a lecture. Engraving by B. Cole.
  • A female patient being hypnotised in front of a group of four men. Colour process print.
  • Magic through the ages : oriental magic / presented by Rupert Howard.
  • A dissection in progress: the anatomy professor at his lectern. Line block after a drawing after a woodcut, 1493.
  • A line-drawn male nude standing figure with one arm raised to his shoulder, the other down by his side representing an advertisement for a lecture on the possibilities and limitations of naturopathic treatment of HIV and AIDS with Dr. Misha Ruth Cohen, San Francisco, Dr. of Oriental Medicine, Quan Yin Healing Center and Dr. Juliane Sacher, Frankfurt, naturopathic physician with a focus on treating HIV and AIDS; an event organised by Kursiv, an AIDS project for Schwulenberatung on Tuesday, 4 May [1993?]. Photocopy.
  • A chemist gives a demonstration involving arsenic to an audience. Coloured lithograph by H. Daumier, 1841.
  • A lecture on pneumatics at the Royal Institution, London. Coloured etching by J. Gillray, 1802.
  • A periscope being used above an operation which is projected onto a lantern screen for a lecture in the adjoining room. Gouache painting by W.R. Seton.
  • Scholars attending a lecture in the Ashmolean Museum, Oxford. Coloured lithograph printed by C. Hullmandel after N. Whittock.
  • A periscope being used above an operation which is projected onto a lantern screen for a lecture in the adjoining room. Gouache painting by W.R. Seton.
  • Pierre Dionis lecturing on surgery at the Saint-Côme lecture theatre in Paris. Engraving by Jean-Baptiste Scotin the younger, 1707.
  • Franz Joseph Gall leading a discussion on phrenology with five colleagues, among his extensive collection of skulls and model heads. Coloured etching by T. Rowlandson, 1808.