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41 results
  • A woman surgeon and her assistant cupping a patient. Oil painting after Cornelis Dusart.
  • Cybele, Bacchus, Ceres and Flora on a chariot drawn by lions surrounded by all forms of natural abundance and cherubs, symbolising the element earth. Engraving by E. Baudet, 1695, after F. Albani.
  • Technology: a Russian padlock and key. Wood engraving.
  • Christ winnowing evil from the human heart; a penitent bathing in the blood and water from Christ's side; an angel locking a dragon in hell. Engraving by H. Goltzius, 1578.
  • Engineering: a lock, and a carriage. Engraving by E. Kennion after C. Varley.
  • Architecture: various highly wrought designs for door furniture. Engraving.
  • Jesus appoints Peter as head of the church. Chromotypograph.
  • A woman surgeon and her assistant cupping a patient. Oil painting after Cornelis Dusart.
  • Locks: details of two types of lock. Engraving by H. Mutlow after J. Farey.
  • A woman holding the caduceus and a bunch of keys; representing dialectic. Engraving by E. Delaune, ca. 1560.
  • Architecture: a lock and key with gothic ornament. Wood engraving by C. D. Laing.
  • A woman surgeon and her assistant cupping a patient. Oil painting after Cornelis Dusart.
  • Architecture: a lock with gothic ornament. Wood engraving by C.D. Laing after E.H.
  • Jesus appoints Peter as keeper of the keys to heaven; angels stand by. Engraving by G. Pasqualini after G.F. Barbieri, il Guercino.
  • A despondent winged woman holding a geometrical instrument surrounded by attributes associated with knowledge; representing melancholia. Heliogravure attributed to C. Amand-Durand, 18--, after A. Dürer, 1514.
  • Architecture: a lock with gothic ornament. Wood engraving after E. H..
  • Architecture: wrought iron lock. Wood engraving by C. D. Laing, 1846, after E. H.
  • Jesus appoints Peter as head of the church. Etching by P.L. Ghezzi.
  • Technology: details of a lock mechanism. Engraving by A. Bell.
  • The graves open on the day of judgement; Christ, apostles and female saints look on. Engraving after M. Heemskerck, 1564.
  • An enthroned king, wearing three crowns and with a sword in his mouth, having vanquished a green seven headed hydra; an archangel with a key imprisons Lucifer in chains by a roaring fire; representing the culmination of the alchemical process and the sublimation of base matter. Coloured etching after an etching, ca. 17th century.
  • Architecture: a lock and key. Wood engraving by [E. H.].
  • Satyrs grouped around a statue, displaying the attributes of greed and venality. Etching by J. Audran after C. Gillot.
  • A woman surgeon and her assistant cupping a patient. Oil painting after Cornelis Dusart.
  • Technology: a lock (top) and a chair (below). Engraving by J. Taylor after C. Varley.
  • Jesus appoints Peter as head of the church. Colour etching by A. Scacciati, 1766, after J. Chimenti.
  • Technology: section and elevation of the Bramah and Marshall locks. Coloured engraving by J. Pass, 1813.
  • Two naked children tying up and storing champagne bottles. Lithograph by Piecq, c. 1845, after Gosse.
  • The resurrected Christ appears before the apostles and other people. Etching.
  • A despondent winged woman holding a geometrical instrument surrounded by attributes associated with knowledge; representing melancholia. Heliogravure attributed to C. Amand-Durand, 18--, after A. Dürer, 1514.