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  • Muscles of the lower leg and foot. Engraving, 1686, after Gérard de Lairesse, 1685.
  • An écorché figure seen from the back, holding a length of rope. Engraving by G. Bonasone, 155-.
  • Samson carries the gates of Gaza out of the city. Woodcut.
  • Muscles of the leg and foot: four figures. Pencil drawing by J. Mongrédien, ca. 1880.
  • Muscles of the trunk: four figures, including the ribcage and shoulder. Pencil drawing by A. Mongrédien, ca. 1880.
  • An écorché with left arm extended to the side, seen from the front. Line engraving by Campbell, 1816/1821.
  • Two figures: a kneeling human skeleton, with hands tied behind its back, and an écorché figure tied to a tree-trunk. Engraving by Barlow, ca. 1800.
  • Don't waste your time or money on ROT! : Here's what I'm ready to do: I'll prove in just 7 days YOU can have a body like mine / Charles Atlas.
  • Muscles of the leg: left leg right anterior view (left); left leg right anterior view (centre); right leg right posterior view (right).
  • A compleat treatise of the muscles : as they appear in humane body, and arise in dissection; with diverse anatomical observations not yet discover'd. Illustrated by near fourty copper-plates, accurately delineated and engraven / By John Browne.
  • Myotomia reformata: or an anatomical treatise on the muscles of the human body ... To which is prefix'd an introduction concerning muscular motion / [William Cowper].
  • A compleat treatise of the muscles : as they appear in humane body, and arise in dissection; with diverse anatomical observations not yet discover'd. Illustrated by near fourty copper-plates, accurately delineated and engraven / By John Browne.
  • An écorché face showing the movements of facial muscles during laughter. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face showing the movements of facial muscles during laughter. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • Muscles of the pelvis and leg: two écorchés, rear view. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745/1746.
  • Myotomia reformata: or an anatomical treatise on the muscles of the human body ... To which is prefix'd an introduction concerning muscular motion / [William Cowper].
  • An anatomical figure (écorché) in a classical landscape. Drawing by A. Joron.
  • Muscles of the trunk: side view. Pencil and chalk drawing by J. Mongrédien, ca. 1880.
  • The muscles of the human body, seen from the front, after Eustachius. Etching by G. Bickham, 1743, after himself, after an engraving, c. 1552.
  • The skin removed from the lower leg, exposing the muscles of the lower leg and the sole of the foot. Engraving after G. de Lairesse, 1739.
  • Head and shoulders of a man, seen from the left, showing the muscles of the neck, chest and shoulder. Etching by Wenceslaus Hollar after Leonardo da Vinci, 1651.
  • A compleat treatise of the muscles : as they appear in humane body, and arise in dissection; with diverse anatomical observations not yet discover'd. Illustrated by near fourty copper-plates, accurately delineated and engraven / By John Browne.
  • Two écorché figures: front (l.) and back (r.) views, with two arms stretched upwards in centre of image. Engraving by G. Mochetti after G. della Valle, ca. 1790.
  • Posterior muscles of the head and neck. Line engraving by A. Bell after G. Bidloo, 1798.
  • In all muscular pain Tab. Lobak : why should Lobak work in neck sprain?.
  • Muscles of the trunk: an écorché figures showing a side view of the torso. Watercolour by A. Mongrédien, ca. 1880.
  • An écorché face weeping, showing the muscles involved. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • Myotomia reformata: or an anatomical treatise on the muscles of the human body ... To which is prefix'd an introduction concerning muscular motion / [William Cowper].
  • A man, écorché, in the pose of an orator: posterior view. Line engraving by A. Bell after W. Cowper, 1798.
  • A male écorché holding a knife in his left hand, exposing his bowel with his right hand, and resting his right foot on a slab on which a cadaver lies supine. Engraving by G. Bonasone, 155-.