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15 results
  • Bones of the ribcage and pelvis: two figures, showing the appearance of the ribcage and spine in both its natural state, and when distorted by tight lacing. Etching with watercolour, 1864.
  • God animates Adam and operates on his rib. Etching by G.B. Leonetti after C. Cencioni after Nicola Pisano.
  • Muscles of the neck, tongue and jaws. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Bones of the ribcage and pelvis: two figures, showing the appearance of the ribcage and spine in both its natural state, and when distorted by tight lacing. Etching with watercolour, 1864.
  • A fugitive sheet of a seated female figure, her hand resting on a vase, with her thorax and abdomen dissected to reveal the ribs, vertebral column and pelvis. Photograph after a woodcut, 1611.
  • Eve emerges from sleeping Adam's side. Etching by J.E. Ridinger after himself, c. 1750.
  • Ligaments attached to the sternum and the cartilages of the ribs: anterior view (above) and posterior view (below). Line engraving by A. Bell after J. Weitbrecht, 1798.
  • At the bidding of God, Eve ascends praying from Adam's side. Engraving by A. Capellan, 1772, after Michelangelo.
  • A torso, dissected to reveal the liver, stomach and intestines. Photolithograph, 1940, after a woodcut, 1543, after A. Vesalius.
  • Sternum and right side of rib cage, seen from behind. Watercolour by G.E. Blenkins after a design engraved by A. Bell, 1831.
  • Ligaments attached to the ribs (above) and to the vertebrae (below): three figures. Line engraving by A. Bell after J. Weitbrecht, 1798.
  • Sternum and right side of rib cage seen from behind. Line engraving by A. Bell after J.J. Sue, 1798.
  • The ribs. Engraving after G. de Lairesse, 1739.
  • God lifts Eve from sleeping Adam's side. Etching by G.B. Leonetti after C. Cencioni after Nicola Pisano.
  • Sternum and right side of rib cage seen from behind. Line engraving by A. Bell after J.J. Sue, 1798.