10 results filtered with: Arnold, John, ca. 1720-1792.
- E-books
- Online
The psalmist's recreation . Containing Select Portions of the Psalms, properly adapted to a set of psalm-tunes entirely new. Composed for four voices, according to the most Authentic Rules, and now first Published, For the Use of Country Choirs. To which is added, an excellent anthem, Composed for Four Voices, with a Thorough Bass for the Organ or Bassoon, &c. By John Arnold, Philo-Musicae, Author of the Compleat Psalmodist and the Essex Harmony.
Date: [1757]- E-books
- Online
The essex harmony being an entire new collection of the most celebrated songs, catches, canzonets, canons and glees, for two, three, four, five, and nine voices. From the works of the most eminent masters. Principally published for the Use of all Musical Societies, Catch-Clubs, &c. both in Town and Country. Vol. II. The second edition with large additions. By John Arnold, Philo-Musicae. Author of the Compleat Psalmodist, and Church Music Reformed.
Date: MDCCLXXVII. [1777]- E-books
- Online
The complete psalmodist: or the organist's [sic] parish-clerk's, and psalm-singer's companion . Containing I. A new and complete introduction to psalmody, ... II. Five and thirty capital anthems, ... III. A complete set of grave and solemn psalm tunes, ... IV. A set of divine hymns, ... The seventh edition, with large and new additions. By John Arnold, ..
Date: 1779- E-books
- Online
The leicestershire harmony containing a set of excellent psalm-tunes and anthems, composed, in modern taste, for Four Voices, By an Eminent Master of the County of Leicester. Published for the Use of Country Choirs. The second edition, with addtions. By John Arnold, Organist, Author of the Complete Psalmodist, Essex Harmony, Psalmist's Recreation, and Church Music Reformed.
Date: MDCCLXVII. [1767]- E-books
- Online
The compleat psalmodist or the organist's, parish-clerk's and psalm-singer's companion. Containing I. A new and compleat introduction to the grounds of music, both Theoretical and Practical, as well Vocal as Instrumental, teaching all the Rudiments of Music in a plain, familiar, and concise Method; with proper and necessary Directions, shewing how to pitch a Tune concert-pitch, or on its proper Key: Also the Art of Composition, made easy by plain and practical Rules, shewing the Nature of common Cords and natural Sixes; also of taking in Discords, with proper Examples, plainly demonstrating how they are to be prepared, accompanied, and resolved, according to thorough-bass Rules: Likewise of Fuges, and the Contrivance of a Canon. To which is added a new musical Dictionary, properly digested in alphabetical Order, explaining, almost to the meanest Capacity, all such Terms and Characters as generally occur in Music, derived from various Languages. II. A set of services, commonly called Chanting-Tunes; together with five-and-thirty excellent Anthems, composed of Solo's, Fuges, and Chorusses, several of them being now frequently performed in the Cathedral-Church of St. Paul, London, his Majesty's Chapel Royal at St. James's, and at Westminster-Abbey, with the greatest Applause. III. A set of grave and solemn psalm-tunes, both ancient and modern, containing near one Hundred different Tunes, properly adapted to the most select Portions of the Psalms of David, some of them being originally composed for the Cathedral-Church of St. Peter, in the City of Rome, in Italy; with a great many new Tunes, composed by some of the most eminent Masters that ever existed. IV. A set of divine hymns, suited to the Feasts and Fasts of the Church of England; with several Canons of two, three, and four Parts in one. The Whole composed, according to the most authentic Rules, for one, two, three, four, and five Voices, and set in Score, in their proper Cliffs and Concert-Keys, with the Trillo's marked, and the Basses figured for the Organ: Principally published for the Use of all Churches and Chapels, in Cities and Towns corporate as well as in Country Villages and Parishes, throughout his Majesty's Dominions of Great Britain, Ireland, and Plantations abroad. The fifth edition, corrected, with large additions. By John Arnold, Philo-Musicae, Author of the Essex Harmony and Leicestershire Harmony.
Date: [1761]- E-books
- Online
Church music reformed or the art of psalmody universally explained unto all people. Containing, I. A new introduction to the grounds of music, teaching all the Rudiments thereof, in such a plain, familiar, and concise Method, as will enable most People, with a very little Trouble, to learn to sing the psalm-tunes correctly by Notes, according to Music, without the Help of a Master; also necessary Directions for pitching the tunes in their proper Keys; and a new Musical Dictionary. To which is prefixed a prefatory Discourse on the present Use of psal-mody; of the bad Performance of it in the Churches of London and Westminster, &c. Also of the new ludicrous Melodies composed by obsure Country Teachers of psalmody, which are daily creeping into Country Churches, with Reasons for laying those Tunes wholly aside, and for substituting a "set of proper Tunes, as have been best approved of by the best Masters of the last and present Age, with proper Hints for the general Improvement of Psalmody in public Worship, by one regular and uniform Manner of performing it in all Churches alike. II. Select portions of the psalms of David, properly adapted to a Set of grave and solemn psalm-tunes, both ancient and modern, being those Tunes which are now of common Use in most Churches, and were originally set forth by Authority, and are proper to be sung in all Churches and Chapels, &c. and of all the People together, with three excellent Hymns, for the three grand Festivals of Christmas, Easter, and Whitsuntide. The psalm-tunes are set in two parts, treble and bass, and figured for the Organ or Harpsichord, and are principally published for the Use of all Organists, Parish Clerks, Charity Children, and all other Lovers or Practisers of Church Music whatever. By John Arnold, Philo-Musicae, Author of the Complete Psalmodist, &c.
Date: MDCCLXV. [1765]- E-books
- Online
The leicestershire harmony . Containing a set of excellent psalm-tunes and anthems, entirely new. Also, two new chanting-tunes for Te Deum and Magnificat. The whole composed, in modern taste, for four voices, by an eminent master of the county of Leicester; and now first published for the use of country churches. By John Arnold, Philo-Musicae, Author of the Compleat Psalmodist, Essex Harmony, and the Psalmist's Recreation.
Arnold, John, ca. 1720-1792.Date: M.DCC.LIX. [1759]- E-books
- Online
The Essex harmony Being a choice collection of the most celebrated songs and catches now in vogue: several never before published: for one, two, three, four, and five voices. Volume I. The third edition, with additions. By John Arnold, philo-musicæ, organist of Great-Warley, Essex.
Date: MDCCLXXXVI. [1786]- E-books
- Online
The compleat psalmodist . In Four books. Containing I. An introduction to the grounds of music, both Theoretical and Practical, Vocal and Instrumental; teaching all the Rudiments of Music, and Composition in all its various Branches: To which is added, a new Alphabetical Dictionary, explaining, almost to the meanest Capacity, all such Greek, Latin, Italian, and French Words, as are generally made Use of in Music. II. A set of services, commonly called Chanting-Tunes; together with Four and Twenty excellent Anthems, composed of Solo's, Fuges, and Chorus's, after the Cathedral Manner. III. The whole book of psalm-tunes: Containing near Two-Hundred different Tunes, collected from the best Authors now extant; with several new Tunes, never before in Print, being proper for Parish Clerks, and useful to Country Congregations. IV. A set of divine hymns, suited to the Feasts and Fasts of the Church of England; with several Canons of Two, Three, and Four Parts in One. The whole is composed for One, Two, Three, Four, and Five Voices, according to the most authentic Rules, for the Use of Country Choirs. The third edition, with large additions. By John Arnold, Philo-Musicae.
Date: MDCCLIII. [1753]- E-books
- Online
The essex harmony being a choice collection of the most celebrated songs and catches, for two, three, four, and five voices: from the works of the most eminent masters. Principally published for the Use of all Musical Societies, Catch-Clubs, &c. both in Town and Country, The third edition, with large additions. By John Arnold, Philo-Musicae. Author of the Compleat Psalmodist, And Church Music Reformed,.
Date: MDCCLXVII. [1767]