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Pictures
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An episode in Macbeth by William Shakespeare: the three witches. Mezzotint by J.R. Smith, 1785, after H. Fuseli, 1783.
Henry FuseliDate: 10 March 1785Reference: 576077i
Pictures
Online
John Bull has a nightmare about income tax represented by Sir Robert Peel sitting on his chest surrounded by donkeys (asses). Coloured lithograph by H.B. (John Doyle), 1842.
John DoyleDate: 23 April 1842Reference: 37122i
Pictures
Online
Macbeth and Banquo meet the three witches on a heath; scene from Shakespeare's 'Macbeth'. Painting after J.H. Füssli (Fuseli).
Henry FuseliReference: 40971i
Pictures
Online
The gates of Eden open to expel Adam and Eve, who stand caught in a terrified embrace. Aquatint by M. Haughton, 1805 after J.H. Füssli (Fuseli).
Henry FuseliDate: 20 July 1805Reference: 20349i
Books
Online
Aphorisms on man: / translated by the Rev. John Caspar Lavater, citizen of Zuric, from the original manuscript [of 'Vermischte unphysiognomische Regeln', vol. 1, by Henry Fuseli, i.e. J.H. Fuessli].
Johann Kaspar LavaterDate: MDCCLXXXVIII [1788]
Books
Online
Essays on physiognomy; designed to promote the knowledge and the love of mankind / ... Illustrated by more than eight hundred engravings accurately copied; and some duplicates added from originals. Executed by, or under the inspection of Thomas Holloway. Translated from the French by Henry Hunter.
Johann Kaspar LavaterDate: 1789-1798 [i.e. 1788-1799]
Mixed materials
Excerpt from Lavater's essays on physiognomy. Engravings and letterpress, 1791.
Johann Kaspar LavaterDate: December 1791
Books
Online
The temple of nature, or, The origin of society : a poem, with philosophical notes / by Erasmus Darwin.
Erasmus DarwinDate: 1804
Pictures
The head of John the Baptist is brought to Salome; Bacchus stands behind her with a dismembered stag. Engraving by T. Holloway after J.H. Füssli.
Henry FuseliReference: 22684i
Pictures
Online
A woman sitting on the ground with crossed legs, her head covered in her lap; representing Silence. Etching by F. Legat, 1801, after J.H. Füssli, 1800.
Henry FuseliDate: [1801]Reference: 38952i
Pictures
Online
Mary, sister of Martha (from the New Testament). Drawing, c. 1791, after J.H. Füssli.
Henry FuseliDate: c. 1791Reference: 29388i
Pictures
Idealized profile of Martha Hess, exemplifying Lavater's principle of the homogeneity of the face. Drawing, c. 1791, after J.H. Füssli.
Henry FuseliDate: c. 1791Reference: 29443i
Books
Aphorisms on man: / translated from the original manuscript [of 'Vermischte unphysiognomische Regeln', vol. 1, by Henry Fuseli, i.e. J.H. Fuessli] the manuscript of the Rev. John Caspar Lavater, citizen of Zuric.
Johann Kaspar LavaterDate: 1789
Pictures
Online
Macbeth and Banquo meet the three witches on a heath; scene from Shakespeare's 'Macbeth'. Engraving by J. Heath, 1804, after H. Fuseli.
Henry FuseliDate: 1 April 1804Reference: 40972i
Pictures
Macbeth and Banquo meet the three witches on a heath; scene from Shakespeare's 'Macbeth'. Engraving by W. Bromley after J.H. Füssli (Fuseli).
Henry FuseliReference: 40970i
Pictures
Online
Female and male hands (above and below respectively). Drawing after H. Fuseli, c. 1793.
Henry FuseliDate: c. 1793Reference: 31422i
Pictures
Online
Death looms above a group of people inflicted with various physical and mental diseases - a lazar house. Stipple engraving by M. Haughton, 1813, after H. Fuseli.
Henry FuseliDate: 10 October 1813Reference: 20355i
Pictures
Online
A woman fast asleep with her head hanging down, a devil is sitting on her stomach and a horse peeps through a curtain; representing her nightmare. Stipple engraving by M.J. Schmidt after J.H. Füssli (Fuseli).
Henry FuseliReference: 20010i
Pictures
Macbeth, Banquo and the three witches. Engraving by J. Caldwall after H. Fuseli, 23 April 1798.
Henry FuseliDate: 23 April 1798Reference: 576041i
Pictures
Online
Muscles and bones of the leg; thoughts on woman. Drawing and inscription by H. Fuseli, 18-.
Henry FuseliDate: 1800-1899Reference: 2853402i
Pictures
A witch in the moonlight, opening her hand to a mandrake plant dressed in a white veil. Drawing by or after H. Fuseli.
Henry FuseliReference: 562687i

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An episode in Macbeth by William Shakespeare: the three witches. Mezzotint by J.R. Smith, 1785, after H. Fuseli, 1783.

John Bull has a nightmare about income tax represented by Sir Robert Peel sitting on his chest surrounded by donkeys (asses). Coloured lithograph by H.B. (John Doyle), 1842.

Macbeth and Banquo meet the three witches on a heath; scene from Shakespeare's 'Macbeth'. Painting after J.H. Füssli (Fuseli).

The gates of Eden open to expel Adam and Eve, who stand caught in a terrified embrace. Aquatint by M. Haughton, 1805 after J.H. Füssli (Fuseli).

Aphorisms on man: / translated by the Rev. John Caspar Lavater, citizen of Zuric, from the original manuscript [of 'Vermischte unphysiognomische Regeln', vol. 1, by Henry Fuseli, i.e. J.H. Fuessli].

Essays on physiognomy; designed to promote the knowledge and the love of mankind / ... Illustrated by more than eight hundred engravings accurately copied; and some duplicates added from originals. Executed by, or under the inspection of Thomas Holloway. Translated from the French by Henry Hunter.

Excerpt from Lavater's essays on physiognomy. Engravings and letterpress, 1791.

The temple of nature, or, The origin of society : a poem, with philosophical notes / by Erasmus Darwin.

The head of John the Baptist is brought to Salome; Bacchus stands behind her with a dismembered stag. Engraving by T. Holloway after J.H. Füssli.

A woman sitting on the ground with crossed legs, her head covered in her lap; representing Silence. Etching by F. Legat, 1801, after J.H. Füssli, 1800.

Mary, sister of Martha (from the New Testament). Drawing, c. 1791, after J.H. Füssli.

Idealized profile of Martha Hess, exemplifying Lavater's principle of the homogeneity of the face. Drawing, c. 1791, after J.H. Füssli.

Aphorisms on man: / translated from the original manuscript [of 'Vermischte unphysiognomische Regeln', vol. 1, by Henry Fuseli, i.e. J.H. Fuessli] the manuscript of the Rev. John Caspar Lavater, citizen of Zuric.

Macbeth and Banquo meet the three witches on a heath; scene from Shakespeare's 'Macbeth'. Engraving by J. Heath, 1804, after H. Fuseli.

Macbeth and Banquo meet the three witches on a heath; scene from Shakespeare's 'Macbeth'. Engraving by W. Bromley after J.H. Füssli (Fuseli).

Female and male hands (above and below respectively). Drawing after H. Fuseli, c. 1793.

Death looms above a group of people inflicted with various physical and mental diseases - a lazar house. Stipple engraving by M. Haughton, 1813, after H. Fuseli.

A woman fast asleep with her head hanging down, a devil is sitting on her stomach and a horse peeps through a curtain; representing her nightmare. Stipple engraving by M.J. Schmidt after J.H. Füssli (Fuseli).

Macbeth, Banquo and the three witches. Engraving by J. Caldwall after H. Fuseli, 23 April 1798.

Muscles and bones of the leg; thoughts on woman. Drawing and inscription by H. Fuseli, 18-.

A witch in the moonlight, opening her hand to a mandrake plant dressed in a white veil. Drawing by or after H. Fuseli.