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Scenes of commerce, by land and sea, or, "Where does it come from?" answered / upon a plan arranged by the Rev. Isaac Taylor.
Isaac TaylorDate: 1839
Books
Names and their histories : alphabetically arranged as a handbook of historical geography and topographical nomenclature / by Isaac Taylor.
Isaac TaylorDate: 1896
Pictures
An episode in The merry wives of Windsor: Sir John Falstaff is invited to a tryst in Windsor Forest at night, dressed in bizarre clothing: he is attacked by children dressed as fairies and by the merry wives. Stipple engraving by I. Taylor, 1795, after R. Smirke.
Robert SmirkeDate: [1795]Reference: 3162264i
Books
Online
Natural history of enthusiasm.
Date: 1834
Pictures
Day dawns at the cave of Belarius: Guiderius and Arviragus follow him out into the daylight; representing morning. Engraving by I. Taylor jr after R. Smirke.
Robert SmirkeDate: Dec.r 20 1782Reference: 2913420i
Pictures
Viola in Shakespeare's Twelfth night sits by a ruined monastery thinking about her concealed love for Duke Orsino; representing evening. Engraving by I. Taylor jr after R. Smirke.
Robert SmirkeDate: Dec.r 20 1782Reference: 2913422i
Pictures
Online
The stairs at York Buildings, the Strand; in the background are the tower of the waterworks and Westminster Bridge. Engraving by I. Taylor, c.1780.
Reference: 37639i
Books
Online
The Jewish war ... / a new translation, by ... R. Traill ... Edited, with notes, by I. Taylor.
JosephusDate: [1847-]1851
Pictures
Online
A woman with an extremely high wig seated next to a male companion; they both watch a young man who appears to be acting. Engraving by I. Taylor, 1778, after himself.
Isaac TaylorDate: 1 June 1778Reference: 31674i
Mixed materials
Excerpt from Lavater's essays on physiognomy. Engravings and letterpress, 1791.
Johann Kaspar LavaterDate: December 1791
Books
The biography of a brown loaf / [Isaac Taylor].
Isaac TaylorDate: 1829
Books
Online
History of the transmission of ancient books to modern times : together with the process of historical proff; or, A concise account of the means by which genuineness of ancient literature generally, and the authenticity of historical works especially are ascertained including incidental remarks upon the relative strength of the evidence usually adduced in behalf of the Holy Scriptures.
Isaac TaylorDate: 1875
Pictures
Online
Three people praying around the bed of a sick man, one is a priest. Line engraving by I. Taylor.
Isaac TaylorReference: 17742i
Pictures
Online
A woman is sitting at a desk in a library, writing. Engraving by I. Taylor after himself.
Date: 1765Reference: 35765i
Pictures
Online
Aaron staying the plague. I. Taylor after I. Taylor junior, 1815.
Isaac TaylorDate: 1 November 1815Reference: 6061i
Pictures
King Charles II. Etching by I. Taylor the younger, 1788.
Date: March 17, 1788Reference: 2042903i
Pictures
Ship-building: quadrant (top), and telegraph (below). Engraving by Turnbull.
Reference: 44515i
Pictures
Thomas Gray, recalled after his death as having often sat at Stoke Poges contemplating the flowing of a stream in the middle of the day; representing noon. Engraving by I. Taylor jr after R. Smirke.
Robert SmirkeDate: Dec.r 20 1782Reference: 2913421i
Pictures
Online
A widow with her maid Betty consults a fortune-teller in the hope that he will predict whether she will marry again, and how many times. Etching by I. Taylor, 1785, after R. Corbould.
Richard CorbouldDate: 1785Reference: 11525i
Pictures
The night-time tryst of Lorenzo and Jessica in Shakespeare's Merchant of Venice; representing night. Engraving by I. Taylor jr after R. Smirke.
Robert SmirkeDate: Dec.r 20 1782Reference: 2913423i
Pictures
Online
Tunbridge Wells, Kent: view of the parade. Engraving by I. Taylor.
Isaac TaylorReference: 22983i
Pictures
Online
A young man stands in front of an older couple with his hands extended. Etching and engraving by Isaac Taylor after himself, 1778.
Isaac TaylorDate: 1st June 1778Reference: 28257i

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Scenes of commerce, by land and sea, or, "Where does it come from?" answered / upon a plan arranged by the Rev. Isaac Taylor.

Names and their histories : alphabetically arranged as a handbook of historical geography and topographical nomenclature / by Isaac Taylor.

An episode in The merry wives of Windsor: Sir John Falstaff is invited to a tryst in Windsor Forest at night, dressed in bizarre clothing: he is attacked by children dressed as fairies and by the merry wives. Stipple engraving by I. Taylor, 1795, after R. Smirke.

Natural history of enthusiasm.

Day dawns at the cave of Belarius: Guiderius and Arviragus follow him out into the daylight; representing morning. Engraving by I. Taylor jr after R. Smirke.

Viola in Shakespeare's Twelfth night sits by a ruined monastery thinking about her concealed love for Duke Orsino; representing evening. Engraving by I. Taylor jr after R. Smirke.

The stairs at York Buildings, the Strand; in the background are the tower of the waterworks and Westminster Bridge. Engraving by I. Taylor, c.1780.

The Jewish war ... / a new translation, by ... R. Traill ... Edited, with notes, by I. Taylor.

A woman with an extremely high wig seated next to a male companion; they both watch a young man who appears to be acting. Engraving by I. Taylor, 1778, after himself.

Excerpt from Lavater's essays on physiognomy. Engravings and letterpress, 1791.

The biography of a brown loaf / [Isaac Taylor].

Three people praying around the bed of a sick man, one is a priest. Line engraving by I. Taylor.

A woman is sitting at a desk in a library, writing. Engraving by I. Taylor after himself.

Aaron staying the plague. I. Taylor after I. Taylor junior, 1815.

King Charles II. Etching by I. Taylor the younger, 1788.

Ship-building: quadrant (top), and telegraph (below). Engraving by Turnbull.

Thomas Gray, recalled after his death as having often sat at Stoke Poges contemplating the flowing of a stream in the middle of the day; representing noon. Engraving by I. Taylor jr after R. Smirke.

A widow with her maid Betty consults a fortune-teller in the hope that he will predict whether she will marry again, and how many times. Etching by I. Taylor, 1785, after R. Corbould.

The night-time tryst of Lorenzo and Jessica in Shakespeare's Merchant of Venice; representing night. Engraving by I. Taylor jr after R. Smirke.

Tunbridge Wells, Kent: view of the parade. Engraving by I. Taylor.

A young man stands in front of an older couple with his hands extended. Etching and engraving by Isaac Taylor after himself, 1778.