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The Royal College of Physicians, Trafalgar Square: the portico. Engraving.
Date: 1826Reference: 40191i
Pictures
Three vignettes: a man rescued from beneath the ice in Hyde Park, a man, apparently drowned, being brought in by boat, a man resuscitated and recovering in bed. Wood engraving, 1821, after R. Smirke.
Robert SmirkeDate: April 1821Reference: 17924i
Pictures
The plague in London, 1665. Etching by A. Smith, 1810, after R. Smirke.
Robert SmirkeDate: 20 October 1810Reference: 10069i
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Lord Nelson's tomb. Line engraving with etching by J. Landseer after R. Smirke, 1809.
Robert SmirkeDate: 1809Reference: 46691i
Pictures
Juno (?) holding thunderbolts over a stormy sea presides over a monument adorned with eight portraits of English seamen in roundels. Engraving by A. Smith and J. Newton, 1795, after R. Smirke.
Robert SmirkeDate: April 10 1795Reference: 2870658i
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The Royal College of Physicians, Trafalgar Square: the elevation. Engraving by T. Barber, 1828, after T. H. Shepherd.
Thomas Hosmer ShepherdDate: 1828Reference: 40188i
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A man being brought in by boat apparently drowned, his wife and family grieve on the shore. Watercolour by R. Smirke.
Robert SmirkeReference: 17928i
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Christ raising the widow's son. Stipple engraving by J. Godby after R. Smirke, 1808.
Robert SmirkeDate: 2nd February 1808Reference: 34542i
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An episode in The merry wives of Windsor: Sir John Falstaff is invited to a tryst in Windsor Forest at night, dressed in bizarre clothing: he is attacked by children dressed as fairies and by the merry wives. Stipple engraving by I. Taylor, 1795, after R. Smirke.
Robert SmirkeDate: [1795]Reference: 3162264i
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The British Museum: the main facade. Collotype after an earlier print.
Reference: 38451i
Pictures
Mercury (Hermes) god of trade, standing next to a monument adorned with portraits of six English merchants in roundels. Engraving by T. Milton, 1806, after R. Smirke.
Robert SmirkeDate: 1 Jan.y 1806Reference: 2870657i
Pictures
King's College, London: the interior of the theatre on prizegiving day. Engraving by H. Melville after T. H. Shepherd, ca. 1841.
Thomas Hosmer ShepherdDate: 1841Reference: 24362i
Pictures
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A strange looking man on a stage is being cheered on by his audience. Engraving by C. Grignion after R. Smirke.
Robert SmirkeDate: Feb.18. 1786Reference: 32454i
Pictures
Online
The British Museum: the interior of the West Wing, with visitors. Wood engraving after R. and S. Smirke 1851.
Date: 1851Reference: 38450i
Pictures
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King Charles I imprisoned in Carisbrooke castle. Engraving by G. Noble, 1800, after R. Smirke.
Robert SmirkeDate: Sept.r 1 1800Reference: 2038520i
Pictures
Day dawns at the cave of Belarius: Guiderius and Arviragus follow him out into the daylight; representing morning. Engraving by I. Taylor jr after R. Smirke.
Robert SmirkeDate: Dec.r 20 1782Reference: 2913420i
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An episode in 'Gil Blas': Gil Blas and Don Alphonso, on the road from Toledo to Cuenca, receive advice from a hermit who subsequently reveals himself as their friend Don Raphael in disguise. Engraving by F. Engleheart after R. Smirke.
Robert SmirkeDate: 1821Reference: 30015i
Pictures
Online
A young woman, holding her garment at the shoulder with her left hand. Engraving by James Mitchell after R. Smirke.
Robert SmirkeDate: [1820?]Reference: 672723i
Pictures
Online
The Royal College of Physicians, Trafalgar Square: the facade. Engraving by T. Barber, 1828, after T. H. Shepherd.
Thomas Hosmer ShepherdDate: 1828Reference: 40190i
Pictures
Viola in Shakespeare's Twelfth night sits by a ruined monastery thinking about her concealed love for Duke Orsino; representing evening. Engraving by I. Taylor jr after R. Smirke.
Robert SmirkeDate: Dec.r 20 1782Reference: 2913422i
Pictures
Online
King's College, London. Engraving by J. Shury after T. H. Shepherd.
Thomas Hosmer ShepherdReference: 40185i
Pictures
Online
A man recuperating in bed at a receiving-house of the Royal Humane Society, after resuscitation by W. Hawes and J.C. Lettsom from near drowning. Watercolour by R. Smirke.
Robert SmirkeReference: 17930i
Pictures
London Ophthalmic Infirmary, and the Catholic church, Finsbury. Coloured engraving by R. Acon after T. H. Shepherd.
Thomas Hosmer ShepherdReference: 25526i
Pictures
A man being brought in by boat apparently drowned, his wife and family grieve on the shore. Engraving by R. Pollard, 1787, after R. Smirke.
Robert SmirkeDate: 6 March 1787Reference: 20314i
Pictures
A woman personifying architecture, with St Paul's cathedral, London in the background, presides over five portraits of British builders of church buildings in ovals. Engraving by T. Holloway, 1801, after R. Smirke.
Robert SmirkeDate: April 10 1801Reference: 2870432i

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The Royal College of Physicians, Trafalgar Square: the portico. Engraving.

Three vignettes: a man rescued from beneath the ice in Hyde Park, a man, apparently drowned, being brought in by boat, a man resuscitated and recovering in bed. Wood engraving, 1821, after R. Smirke.

The plague in London, 1665. Etching by A. Smith, 1810, after R. Smirke.

Lord Nelson's tomb. Line engraving with etching by J. Landseer after R. Smirke, 1809.

Juno (?) holding thunderbolts over a stormy sea presides over a monument adorned with eight portraits of English seamen in roundels. Engraving by A. Smith and J. Newton, 1795, after R. Smirke.

The Royal College of Physicians, Trafalgar Square: the elevation. Engraving by T. Barber, 1828, after T. H. Shepherd.

A man being brought in by boat apparently drowned, his wife and family grieve on the shore. Watercolour by R. Smirke.

Christ raising the widow's son. Stipple engraving by J. Godby after R. Smirke, 1808.

An episode in The merry wives of Windsor: Sir John Falstaff is invited to a tryst in Windsor Forest at night, dressed in bizarre clothing: he is attacked by children dressed as fairies and by the merry wives. Stipple engraving by I. Taylor, 1795, after R. Smirke.

The British Museum: the main facade. Collotype after an earlier print.

Mercury (Hermes) god of trade, standing next to a monument adorned with portraits of six English merchants in roundels. Engraving by T. Milton, 1806, after R. Smirke.

King's College, London: the interior of the theatre on prizegiving day. Engraving by H. Melville after T. H. Shepherd, ca. 1841.

A strange looking man on a stage is being cheered on by his audience. Engraving by C. Grignion after R. Smirke.

The British Museum: the interior of the West Wing, with visitors. Wood engraving after R. and S. Smirke 1851.

King Charles I imprisoned in Carisbrooke castle. Engraving by G. Noble, 1800, after R. Smirke.

Day dawns at the cave of Belarius: Guiderius and Arviragus follow him out into the daylight; representing morning. Engraving by I. Taylor jr after R. Smirke.

An episode in 'Gil Blas': Gil Blas and Don Alphonso, on the road from Toledo to Cuenca, receive advice from a hermit who subsequently reveals himself as their friend Don Raphael in disguise. Engraving by F. Engleheart after R. Smirke.

A young woman, holding her garment at the shoulder with her left hand. Engraving by James Mitchell after R. Smirke.

The Royal College of Physicians, Trafalgar Square: the facade. Engraving by T. Barber, 1828, after T. H. Shepherd.

Viola in Shakespeare's Twelfth night sits by a ruined monastery thinking about her concealed love for Duke Orsino; representing evening. Engraving by I. Taylor jr after R. Smirke.

King's College, London. Engraving by J. Shury after T. H. Shepherd.

A man recuperating in bed at a receiving-house of the Royal Humane Society, after resuscitation by W. Hawes and J.C. Lettsom from near drowning. Watercolour by R. Smirke.

London Ophthalmic Infirmary, and the Catholic church, Finsbury. Coloured engraving by R. Acon after T. H. Shepherd.

A man being brought in by boat apparently drowned, his wife and family grieve on the shore. Engraving by R. Pollard, 1787, after R. Smirke.

A woman personifying architecture, with St Paul's cathedral, London in the background, presides over five portraits of British builders of church buildings in ovals. Engraving by T. Holloway, 1801, after R. Smirke.