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A nude male model before a painting and drawing life class. Engraving by S.F. Ravenet, 1771, after J.H. Mortimer.
John Hamilton MortimerDate: 1 November 1771Reference: 32709i
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Lanfranc. Line engraving by S. F. Ravenet, 1749, after A. Humblot.
Antoine HumblotDate: 1749Reference: 5245i
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An écorché figure, back view, with left arm extended, showing the bones and the muscles, with a stream in the background. Engraving by S.F. Ravenet after B.S. Albinus, 1748.
Bernhard Siegfried AlbinusDate: 1748Reference: 666673i
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Antinoüs, or Mercury. Etching by S.F. Ravenet after R. Dalton, 1745.
Richard DaltonDate: 12 Nov.r 1745Reference: 663741i
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Superficial anatomy of the woman: anterior view. Engraving by S.F. Ravenet after G. Bidloo, 1750.
Govert BidlooDate: 1750Reference: 666999i
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Frederick Prince of Wales. Engraving by F.S. Ravenet, ca. 1757, after T. Hudson.
Thomas HudsonDate: [1757?]Reference: 2199810i
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A standing skeleton, side view, with left arm extended. Engraving by S.F. Ravenet, after B.S. Albinus, 1747.
Bernhard Siegfried AlbinusDate: 1747Reference: 582602i
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Tobias cowers back as the angel points to the fire, flames and figures appear, and Sarah watches in the background. Engraving by S.F. Ravenet after R. Earlom after E. Le Sueur.
Eustache Le SueurDate: Jany. 1st. 1767Reference: 28785i
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Lucretia recounts to her family and friends her rape by Tarquin, and requests vengeance. Engraving by S.F. Ravenet after Andrea Casali.
Casali, Andrea, 1705-1784.Date: 11th April 1768Reference: 28827i
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Queen Mary II. Engraving by S.F. Ravenet, 1757, after G. Kneller.
Godfrey KnellerDate: [1757?]Reference: 2059551i
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The good Samaritan tending to a wounded man while a priest and a Levite walk by. Engraving by F.S. Ravenet and J.M. Delattre, 1772, after W. Hogarth.
William HogarthDate: Feb.y 24th 1772Reference: 9969i
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The hollow eyes of blind Tobit are anointed with fish gall by Tobias. Engraving by S.F. Ravenet, 1767, after R. Earlom after Agostino Carracci.
Agostino CarracciDate: 1767Reference: 21509i
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Superficial anatomy of the woman: posterior view. Engraving by S.F. Ravenet after G. Bidloo, 1748.
Govert BidlooDate: 1748Reference: 667000i
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Squanderfield fatally wounded by a rapier leans back as his wife kneels before him; Silvertongue in his nightgown hastily escapes through a window. Engraving by Simon François Ravenet after William Hogarth, 1745.
William HogarthDate: [1745]Reference: 38357i
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A hunting party with falcons. Engraving by S.F. Ravenet after Carle Vanloo.
Charles-André van LooReference: 34678i
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Wrestlers. Etching by S.F. Ravenet after R. Dalton, 1744.
Richard DaltonDate: 20 Sep. 1744Reference: 663776i
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Initial dissection of the pregnant female abdomen, showing the skin peeled away to reveal the swollen uterus. Copperplate engraving by F.S. Ravenet after I.V. Rymsdyk, 1774, reprinted 1851.
Jan van RymsdykDate: [1851]Reference: 579790i
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Seneca preparing his own death with his foot in a bath. Coloured engraving by S.F. Ravenet after R. Earlom after Luca Giordano.
Luca GiordanoDate: Published Oct.r 1 1768Reference: 548180i
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A man sharpening a blade on a whetstone. Etching by S.F. Ravenet after R. Dalton, 1745.
Richard DaltonDate: 12 August 1745Reference: 663740i
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The adoration of the shepherds at the birth of Christ; a bound lamb is placed before the cradle. Engraving by S.F. Ravenet after D. Feti.
Domenico FettiReference: 24014i
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A dancing faun with cymbals. Etching by S.F. Ravenet after R. Dalton, 1745.
Richard DaltonDate: 8 July 1745Reference: 663748i
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Guillaume Vavasseur. Line engraving by S. F. Ravenet, 1749, after A. Humblot.
Antoine HumblotDate: 1749Reference: 9371i
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The Apollino. Etching by R. Dalton, 1746.
Richard DaltonDate: 28 March 1746Reference: 663940i
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Front view of the cavity of the uterus, after the removal of a foetus: the investing membranes still adhering. Engraving by F.S. Ravenet after I.V. Rymsdyk, 1774, reprinted 1851.
Jan van RymsdykDate: [1851]Reference: 579808i
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The countess's levee: a barber dresses her hair while she converses with Silvertongue, her lawyer. Engraving by Simon François Ravenet after W. Hogarth, 1745.
William HogarthDate: [1745]Reference: 38356i

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A nude male model before a painting and drawing life class. Engraving by S.F. Ravenet, 1771, after J.H. Mortimer.

Lanfranc. Line engraving by S. F. Ravenet, 1749, after A. Humblot.

An écorché figure, back view, with left arm extended, showing the bones and the muscles, with a stream in the background. Engraving by S.F. Ravenet after B.S. Albinus, 1748.

Antinoüs, or Mercury. Etching by S.F. Ravenet after R. Dalton, 1745.

Superficial anatomy of the woman: anterior view. Engraving by S.F. Ravenet after G. Bidloo, 1750.

Frederick Prince of Wales. Engraving by F.S. Ravenet, ca. 1757, after T. Hudson.

A standing skeleton, side view, with left arm extended. Engraving by S.F. Ravenet, after B.S. Albinus, 1747.

Tobias cowers back as the angel points to the fire, flames and figures appear, and Sarah watches in the background. Engraving by S.F. Ravenet after R. Earlom after E. Le Sueur.

Lucretia recounts to her family and friends her rape by Tarquin, and requests vengeance. Engraving by S.F. Ravenet after Andrea Casali.

Queen Mary II. Engraving by S.F. Ravenet, 1757, after G. Kneller.

The good Samaritan tending to a wounded man while a priest and a Levite walk by. Engraving by F.S. Ravenet and J.M. Delattre, 1772, after W. Hogarth.

The hollow eyes of blind Tobit are anointed with fish gall by Tobias. Engraving by S.F. Ravenet, 1767, after R. Earlom after Agostino Carracci.

Superficial anatomy of the woman: posterior view. Engraving by S.F. Ravenet after G. Bidloo, 1748.

Squanderfield fatally wounded by a rapier leans back as his wife kneels before him; Silvertongue in his nightgown hastily escapes through a window. Engraving by Simon François Ravenet after William Hogarth, 1745.

A hunting party with falcons. Engraving by S.F. Ravenet after Carle Vanloo.

Wrestlers. Etching by S.F. Ravenet after R. Dalton, 1744.

Initial dissection of the pregnant female abdomen, showing the skin peeled away to reveal the swollen uterus. Copperplate engraving by F.S. Ravenet after I.V. Rymsdyk, 1774, reprinted 1851.

Seneca preparing his own death with his foot in a bath. Coloured engraving by S.F. Ravenet after R. Earlom after Luca Giordano.

A man sharpening a blade on a whetstone. Etching by S.F. Ravenet after R. Dalton, 1745.

The adoration of the shepherds at the birth of Christ; a bound lamb is placed before the cradle. Engraving by S.F. Ravenet after D. Feti.

A dancing faun with cymbals. Etching by S.F. Ravenet after R. Dalton, 1745.

Guillaume Vavasseur. Line engraving by S. F. Ravenet, 1749, after A. Humblot.

The Apollino. Etching by R. Dalton, 1746.

Front view of the cavity of the uterus, after the removal of a foetus: the investing membranes still adhering. Engraving by F.S. Ravenet after I.V. Rymsdyk, 1774, reprinted 1851.

The countess's levee: a barber dresses her hair while she converses with Silvertongue, her lawyer. Engraving by Simon François Ravenet after W. Hogarth, 1745.