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Jacob and Joseph with their sons in a half roundel in the Vatican. Engraving by A. Cunego (?) after A. de Angelis (?) after Michelangelo.
Michelangelo Buonarroti, 1475-1564.Reference: 20572i
Archives and manuscripts
Online
M0015737: Fortified church of Tayac, Dordogne, France
Date: January 1957Reference: WT/D/1/20/1/140/91
Pictures
Online
St. Mary's Church, Oxford: porch showing architectural details. Line engraving by S. Bradshaw after S. Read.
Read, Samuel, 1816-1883.Reference: 21356i
Archives and manuscripts
A path over a stream through fields towards a church
Bowman, Jean, active approximately 1966Date: 6 October 1966Reference: 2917496i
Part of: Papers of Edward Adamson (1911-1996)
Books
Chiesa del Redentore : arte e devozione / testi di Andrea Gallo, Fiorella Spadavecchia.
Gallo, Andrea.Date: [1994], ©1994
Archives and manuscripts
A window looking out onto green hills, a setting sun and a church with a graveyard framed by two blue curtains
Niles, Marion, active approximately 1966-1967Date: 20 December 1966Reference: 3006461i
Part of: Papers of Edward Adamson (1911-1996)
Pictures
Online
St. Cross Church, Winchester, Hampshire. Lithograph by A. Newman after J. Johnson.
Johnson, J.Reference: 23074i
Pictures
Online
Abbaye Royale du Val de Grace, Paris: facade. Etching.
Reference: 23636i
Pictures
Online
Norwich Cathedral, Norwich, Norfolk: from the river. Etching by E. Slocombe.
Slocombe, Edward, 1850-Reference: 20019i
Pictures
Online
Merton College, Oxford: the church. Aquatint by J. Merigot after A.C. Pugin.
Pugin, Augustus, 1762-1832.Reference: 20630i
Archives and manuscripts
A grey church bell-tower emerging from the top of a tree
Lawrence, Joan, active approximately 1973Date: 1973Reference: 2989813i
Part of: Papers of Edward Adamson (1911-1996)
Archives and manuscripts
A brick round house and a church in a wooded landscape, with a figure in blue standing on a bridge across a river
Marshall, Brenda, active approximately 1956-1958Date: 10 January 1957Reference: 3005085i
Part of: Papers of Edward Adamson (1911-1996)
Books
Symbolism of animals and birds represented in English church architecture / [Arthur H. Collins].
Collins, Arthur H.Date: 1913
Pictures
Online
Church of St. Cross, Winchester, Hampshire. Engraving by W. Woolnoth, 1804, after G. Shepherd.
Shepherd, George Sidney, 1784-1862.Date: 1 September 1804Reference: 23068i
Pictures
Online
Norwich Cathedral, Norwich, Norfolk: cloisters entrance. Line engraving by W. French, 1837, after R. Garland.
Garland, Robert, approximately 1808-1863.Date: 1 May 1837Reference: 20016i
Pictures
Online
St. Peter's Parish Church Schools, Leeds, Yorkshire. Wood engraving by W.E. Hodgkin, 1856, after B. Sly after Messrs. Dobson and Chorley.
Sly, Benjamin, active 1841-1883.Date: 6 December 1856Reference: 20225i
Archives and manuscripts
Online
M0017765: Abbey of Moveruela, Spain: South East view
Date: February 1960Reference: WT/D/1/20/1/158/96
Part of: Wellcome Trust Corporate Archive
Archives and manuscripts
A person standing on the apex of a church steeple on a ground of shades of dark blue
Bishop, Mary (Mary Cecil Hamilton), 1914-1990Date: 30 October 1958Reference: 2863662i
Part of: Papers of Edward Adamson (1911-1996)
Pictures
God dividing light from darkness, pictured in its decorative surroundings in the Loggie of the Vatican. Engraving by J. Ottaviani, 1776, after C. Savorelli and P. Camporesi, after Raphael.
Raphael, 1483-1520.Date: 1776Reference: 20651i
Part of: Ornati dei pilastri e delle volte
Archives and manuscripts
Various objects surrounded by a yellow line
Goullet, Nancy, active approximately 1954-1957Date: 3 December 1954Reference: 2969256i
Part of: Papers of Edward Adamson (1911-1996)
Archives and manuscripts
'A soul strangled by anger and the fear of death"
Bishop, Mary (Mary Cecil Hamilton), 1914-1990Date: January 1969Reference: 2871507i
Part of: Papers of Edward Adamson (1911-1996)
Archives and manuscripts
Graves in a churchyard, marked by headstones, one of which is being tended by a blue human figure
Bonwick, Gillian, active approximately 1966Date: 15 March 1966Reference: 2913942i
Part of: Papers of Edward Adamson (1911-1996)
Pictures
Online
Hospital, Liddington, Rutland, England: with coats of arms, seals and signet rings. Line engraving.
Date: June 1796Reference: 20264i
Pictures
Online
Queen's College, Oxford: interior of chapel. Aquatint.
Date: 30 June 1802Reference: 20673i
Archives and manuscripts
Online
M0017766: Pillars of the Apse, Abbey of Moveruela, Spain
Date: February 1960Reference: WT/D/1/20/1/158/97
Part of: Wellcome Trust Corporate Archive

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Jacob and Joseph with their sons in a half roundel in the Vatican. Engraving by A. Cunego (?) after A. de Angelis (?) after Michelangelo.

M0015737: Fortified church of Tayac, Dordogne, France

St. Mary's Church, Oxford: porch showing architectural details. Line engraving by S. Bradshaw after S. Read.

A path over a stream through fields towards a church

Chiesa del Redentore : arte e devozione / testi di Andrea Gallo, Fiorella Spadavecchia.

A window looking out onto green hills, a setting sun and a church with a graveyard framed by two blue curtains

St. Cross Church, Winchester, Hampshire. Lithograph by A. Newman after J. Johnson.

Abbaye Royale du Val de Grace, Paris: facade. Etching.

Norwich Cathedral, Norwich, Norfolk: from the river. Etching by E. Slocombe.

Merton College, Oxford: the church. Aquatint by J. Merigot after A.C. Pugin.

A grey church bell-tower emerging from the top of a tree

A brick round house and a church in a wooded landscape, with a figure in blue standing on a bridge across a river

Symbolism of animals and birds represented in English church architecture / [Arthur H. Collins].

Church of St. Cross, Winchester, Hampshire. Engraving by W. Woolnoth, 1804, after G. Shepherd.

Norwich Cathedral, Norwich, Norfolk: cloisters entrance. Line engraving by W. French, 1837, after R. Garland.

St. Peter's Parish Church Schools, Leeds, Yorkshire. Wood engraving by W.E. Hodgkin, 1856, after B. Sly after Messrs. Dobson and Chorley.

M0017765: Abbey of Moveruela, Spain: South East view

A person standing on the apex of a church steeple on a ground of shades of dark blue

God dividing light from darkness, pictured in its decorative surroundings in the Loggie of the Vatican. Engraving by J. Ottaviani, 1776, after C. Savorelli and P. Camporesi, after Raphael.

Various objects surrounded by a yellow line

'A soul strangled by anger and the fear of death"

Graves in a churchyard, marked by headstones, one of which is being tended by a blue human figure

Hospital, Liddington, Rutland, England: with coats of arms, seals and signet rings. Line engraving.

Queen's College, Oxford: interior of chapel. Aquatint.

M0017766: Pillars of the Apse, Abbey of Moveruela, Spain