Ancient art and its remains, or, A manual of the archaeology of art / By C.O. Müller.

  • Karl Otfried Müller
Date:
1852
Catalogue details

Licence: Public Domain Mark

Credit: Ancient art and its remains, or, A manual of the archaeology of art / By C.O. Müller. Source: Wellcome Collection.

    136/664
    language of ealier connoisseurs. And in ^ginet. p. 156 the distinction between the Athenian and Helladic painting and the Asiatic is correctly drawn. Suid. 2ikv&>u n uvu 'EAAaj.] Celebrated painters of the period : Pamphilus of Amphipolis, scholar of Eupompus (school of Sicyon), 97—107. Aristides of Thebes, scholar of Euxenidas, perhaps 102—112, also encaustic painter. Leontion, at the same time [drops out in the Cod. Bamberg]. Pausias of Sicyon, son of Brietes, scholar of Pamphilus, encaustic painter, at the same time. Ephorus of Ephesus, and Arcesilaus (Ionic school), about 103. Eophba- NOB, Isthmian, that is, of Corinth (he worked, however, at Athens, and is numbered by Plutarch, De Glor. Athen. 2, among the Attic painters), encaustes, 104—110. Cydias of Cythnos, enc. 104. Pyrrho of EUs, about 105. Echion [if it is not ^tion], Therimachus, 107 (§. 124). Aristodemus, 107. Antidotus, scholar of Euphranor, enc. 108. Aristolaus, son and scholar of Pausias, enc. 108. Mechopanes (?) [perhaps MnxocpocvYig; for Nicophanes is very remote], 108. Melanthicts, scholar of Pamphilus, about 104—112. Ctesidemus, about 108. Philochares of Athens, brother of ^schines, 109. Glaucion of Corinth, about 110 (?). Alcimachus, 110 (Plin. comp. Corsini, Dissert. Agon. p. 128). Apelles of Colophon, an Ephesian by his school (through Ephorus and Arcesilaus), but also a Sicyonian (through Pamphilus), 106—118. (Comp. Tolken, Amalthea iii. s. 123). Nicomachus, son and scholar of Aristodemus (school of Si- cyon), 110 sqq. Nicias of Athens, son of Nicomedes, scholar of Antido- tus, enc. (assists Praxiteles), 110—118. Amphion (?) [Cod. Bamb. Mel^ anthio], 112. Asclepiadorus of Athens, 112. Theomnestus, 112. Theon of Sam OS, about 112. Carmanides, scholar of Euphranor, 112. Leonidas of Anthedon, scholar of Euphranor, 112 (he was a writer on proportions). Protogenes, the Caunian (also brass-caster), 112—120. Athenion of Maronea, scholar of Glaucion, enc, about 114 (?). Gryllon, about 114, Ismenias of Chalcis, 114 (?). 3. Pamphilus prsestantissimus ratione, Quintil. xii, 10. He taught 10 years for one talent. Required preparatory mathematical knowledge. Drawing was now received into the circle of a liberal education, Plin. XXXV, 10, 40. comp. Aristot. Paedag. by Orelli, in the Philol. Beytragen aus der Schweitz, s. 95. [Teles in Stobaeus, xcviii, 72, mentions, among the teachers of the ephebi, the painter and the a.^i^ouix.6s, Axiochus 7 and Kebes 13 the K^irix.ovg instead.] The story in Plin. refers to the delicacy and firmness of outline, xxxv, 36, 11. which Q. de Quincy, M6m. de I'Inst. Royal. V, 300, interprets too freely; the expression in ilia ipsa must be retained. The same figure was outlined on the same space three times always more minutely and accurately. The one corrected constantly the drawing of the other. Comp. Bottiger, Archseol. der Mahl. s. 164. Mel- anthius, the painter, in his books of painting in Diog. L. iv. 3, 18. lelo ccvBxleiii' nvu. >c.ul (jx.M^^rtrct roli 'i^yoi; Iw/rgex. o<««? >^^>' '^'f *'^-<^'- 1 140. Aristides of Thebes rendered himself conspicuous on the third stage by his representations of passion, and affecting 2 subjects; Pausias by figures of children, and animal and flower 3 pieces, and with him began the painting of lacunaria; \uphra- 4 nor was distinguished in heroes (Theseus) and gods; Melan-