Ancient art and its remains, or, A manual of the archaeology of art / By C.O. Müller.
- Karl Otfried Müller
- Date:
- 1852
Licence: Public Domain Mark
Credit: Ancient art and its remains, or, A manual of the archaeology of art / By C.O. Müller. Source: Wellcome Collection.
609/664 page 591
![with the axe, with the names, Gerh. Vasen des Berliner Mus. (no. 1007.) Tf. 24.] Or. with ^gisthus' head on Etr. urns (Eurip. El. 860.) explained by Uhden and R. Rochette. The slaying of Clytaemnestra, and pureuit of Orestes by the Furies to Delphi, in the Vatican relief, Heeren Hist. Werke iii. s. 121. PCI. v, 22. G. M. 619., perfectly similar G. Giust. 130. Barbault Mon. Ant. pi. 66, 3., more abridged in the relief in the Mus. Chiaramonti, R. Rochette M. I. pi. 52, 2.; the middle group, Eckhel, P. gr. 20. comp. Welcker Zeitschr. s. 433. The relief L. 388. Bouill. iii, 66. Clarac pi. 202. related, comp. the author's Eumenides p. 111. The same subject handled in the Etruscan manner, Micali 109. comp. Orioli Ann, d. I. vi. p. 164. Orestes pursued by the Erinnyes (§. 398. R. 5.), often on Etr. urns and vases, Tischb. iii, 32. MiUingen Cogh. 29. Or. held by Py- lades, in the Accoramboni and similar reliefs and the Prsenestine cista, Guattani M. I. 1787. p. xxv.; by Electra, on engraved stones. Orestes at Delphi, on vases, §. 362. R. 3.; on a lamp, R. Rochette p. 155.; much re- sembling Diomed with the palladium in the relief M. Borb. iv, 9. R. Rochette pi. 32, 2. p. 198.; before Athena, G. M. 622. [foisted on Millin by Dubois] Orestes in Electra's arms, G. M. 621. 0. at the tripod Impr. d. I. iii, 25.; protected by Athena Archegetis (§. 370. R. 7.), Tischb. iii, 33. The scenes at Delphi and Athens combined, on the Vatican vase, Diss. Acc. Rom. ii. p. 601. R. Rochette pi. 38, Calculus Minervse, G. M. 624. (§. 196. R. 3.); G. Giust. ii, 132.; Bellori Luc. ii, 40. Eckhel P. gr. 21. Iphigenia in Tauris, picture by Timomachus, Plin. xxxv, 40, 30. Tau- rian sacrifice in the Accoramboni relief, now in Munich 230., Winck. M, 1.149. G. M. 626., more accurate in Uhden, Schr. der Berl. Akad. 1812. 13. s. 85. More abridged in the relief L. 219. Clarac pi. 199.; Zoega Bass. 56. Two Grimani reliefs in Millin, L'Oresteide pi. 3. 4. comp. Schorn's Kunstbl. 1828. s. 169. Welcker Rhein. Mus. iv. s. 602. [Griech. Tragod. iii. s. 1164—1176. (The Grimani bas-rehefs also Mon. dell. Mus. Grimani public, nell' anno 1831. Venezia.) The relief at Berlin s. 1174. in Gerhard's Arch. Zeit. ii. Tf. 23. s. 367. That at Bonn s. 1175. Jahrb. des Vereins der Alterthumsfreunde zu Bonn i. Tf. 3, 3. s. 61. by Urlichs, comp. Wieseler Zeitschr. f. AW. 1843, s, 483.] Orestes and Pylades kneeling as victims, Impr. d. Inst, i, 96. iii, 70. 71.1 ? Led for sacrifice, 2ucanian vase, R. Rochette M. I. pi. 41.; painting, Pitt. Ere. i, 12. (comp. tv, 11. Ann. d. Inst. ii. p. 134). Orestes and Pylades together with Iphi- genia escaping with the assistance of the Taurian Artemis (in half-Phry- gian costume, with lance and bow), Maisonn. pi. 59. Laborde i. p. 15.; Iphigenia in Tauris, amphora from Ruvo M. d. I. ii, 43. Ann. ix. p. 198. [One of five vases, the only ones from Misarra in Apulia, in the Santan- gelo collection at Naples, contains the two captives led before Iph., very fine.] Murder of Pyrrhus at Delphi, Etr. urn, R. Rochette pi. 39. Wicar iv, 24. (The wheel which Pyrrhus holds is, according to R. Rochette, the xwxXof of the tripod, according to Creuzer, Wiener Jahrb. liv. s. 157., the wheel of Nemesis). Orestes and Neoptolemus on a Nolan vase ? R. Rochette pi. 40. Orest. and Neopt. in Delphi (Or. and Machaereus ac- cording to Panofka) Rv. Orestes before the lim of the Areopagus ac- cording to Panofka, M. Pourtal^s pi. 7. 417. Without taking this cycle of heroes into account, Asia appears also in a mythological point of view to have been the home of eflfeminate figures, such as the favourite](https://iiif.wellcomecollection.org/image/b2178016x_0609.jp2/full/800%2C/0/default.jpg)
