Ancient art and its remains, or, A manual of the archaeology of art / By C.O. Müller.
- Karl Otfried Müller
- Date:
- 1852
Licence: Public Domain Mark
Credit: Ancient art and its remains, or, A manual of the archaeology of art / By C.O. Müller. Source: Wellcome Collection.
636/664 page 618
![Antiken Lebens Tf. 16, 3. Micali M. ined. tf. 97. Inghirami Vasi fitt. iii, 250.]—Business of the fuUo, wall-painting from the Fullonica of Pom- peii, M. Borb. iv, 49 sq. Gell N. Pomp. 51.—The fine female spinner, Bot- tiger Vasengem. iii. s. 37. Embroideress, vase-painting. M. Pourtales pi. 34. Female weavers? 33. The art of the flower-wreathers (fiorari) repre- sented by winged children, mural-painting M. Borb. iv, 47.—Husband- man bringing his produce to the market, relief, M. d. I. ii, 27. I. M. Wag- ner Ann. iv. p. 47. Swine-slaughtering Impr. d. I. iv, 53. Mill with asses iv, 79. [Swine-scalding, a group, Neapels Ant. Bildw. no. 26. The super- cargo's return, E. Braun Ant. Marmorwerke i, 10. comp. Clarac pi. 192. no. 352. Tomb of Eurysaces the baker M. d. I. ii, 68. 0. Jahn Ann. x. p. 231. On a sarcophagus in Villa Medicis, a mill turned by a horse, thus also on a large bas-relief in the Mus. Chiaram., on another an ass turning the mill Pomp. Gemalde M. Borb. vi, 51. Bronze-casting §. 306. R. 5. comp. Bull. 1835. p. 166. Ann. ix. p. 184. A vase-manufacturer §. 321. R. 3. Studio of a sculptor, fragment of a bas-relief in the Ricciardi pal., Flo- rence, Roulez Bulletins de I'Acad. r. de Belgique T. 13. no. 9. Female painter Pitt. d'Erc. 1, 5.; another lately discovered. Bull. Napol. 1846. p. 12.J 5. DOMESTIC AND MARKIED LIFE. 1 428. Representations of social banquets are more frequent, as their festal character particularly adapted them for artis- tic scenes; at these there are not wanting musical and or- chestic entertainments (ax^oa/^ara) and transparently dressed 2 hetEerae. But as the simple family banquets on Greek sepul- chral stones are certainly conceived as feasts of the dead, who appear there themselves as deities of the Nether World, so also those festal banquets on the cinerary cistse and vases of Italy probably express in great part the happy fate of the departed, which Greek authors of hymns described as an in- cessant feasting at well covered tables, and a perpetual intoxi- 3 cation. In so sensual a portrayal of the lot of the blessed, even the freedoms which the guests at these banquets would take with meretricious flute-players (Greek houris) might not appear unseemly. [Bottiger Kl. Schr. ii. s. 308—341. Tf. 7. Human life. 1. Generation and birth. 2. Desire, 3. Hesitation and shame. 4. Quickening. 5. Hour of birth. 6. Good and bad genius. Panof ka Bilder antiken Lebens mit 20. Kpftf. B. 1843. 1. Education. 2. Gymnastic games. 3. Races. 4. Music. 6. Hunting. 6. War. 7. HeaUng art, 8. Plastic art. 9. Dancing. 10. Sports. 11. Marriage. 12. Banquet. 13. Sacrifice. 14. Rural life. 15. Sea-life. 16. Commerce and trade, 17. Domestic life. 18. 19. Female life. 20. Close of life. By the same author Griechinnen und Griechen B. 1844. 3 Kpftf. Statues of children Clarac pi. 875—881. 883. 884.] 1. Such feasts on Etr. urns, Micali tv. 107. Vase-paint., Hancarv. iii, 62.; Tiechb. i. at the end (where there are present a hoplouiachos and](https://iiif.wellcomecollection.org/image/b2178016x_0636.jp2/full/800%2C/0/default.jpg)
