Volume 1

A universal English-German and German-English dictionary / by Felix Flügel.

  • Felix Flügel
Date:
1891
Catalogue details

Licence: Public Domain Mark

Credit: A universal English-German and German-English dictionary / by Felix Flügel. Source: Wellcome Collection.

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    (Y = I [y, y, y = l, l, I]; very [—'i]). Nöte, nöt, move (moon), nör, love, cgndöle'. Semcgung) ilbev ... pintneg; über; burcp;he attempted to dash briskly — the bridge (Irving, Sk. 351), er »erfuepte fepnctl über bic SBrücfe ju fpreitgen; Faith builds a bridge — the gulph of death (Young, N. Th. 4, 80), ... Ü6er belt Stbgruilb; the stile and footpath leading from the churchyard — pleasant fields (Irving, Sk. f>l), ... bureß nnmutpige äluen; I bless the time | when my good falcon made her flight — | thy father’s ground (Sh. Winter’s Tale 4, 3), ... aid mein guter gälte feinen ging über beiued SSaterd Sanb richtete; the sea dashed its foam — our faces (Lever, J. Hinton 1, 15), ... über unfere ©efiepter f)in= meg; Venus will pass right — the sun’s face (Genii. Mag. June’73), 5Ö. tnirb guev über bie ©onnenfepeibe pinmeggepen; to flash — one’s mind, ptotjticp in ben ©inn fomnten, burep ben ©inn fnpren; a sudden beam of joy passed — her languid features (Mrs. Roiv- son), ein pliiptidjer greubenftraßt ging über ißre matten 3üge; W guer an ... »oritber, ait ... Dorbei; I was once sailing — the banks of Newfoundland (Irving, Sk. 7); the “little look — the crowd,” as Owen Meredith says, was... thoroughly understood by the person it was intended for (Yates, Broken to Harness 180), ber fitrje Slid über bic Sllenge pintneg, ait ber 9Rengc norbei ...; c) feltncr bei 3cit= lnörlfrn ber (Ruße: the sound of the evening bell rose from the little belfry of a white church standing — the lake fKavanagh, Adele 1, 50), gerabe über bem ©ec briiben (eb. 37: [she] lived — the narrow lake): far — the brook (Melville, Digby Grand 187), tocit über bem Sadie briiben; you are loth to be- lieve you have been — the Alps, ... baß titan über ben Sttpen briiben getnefeit ift; Pictures Across the Channel (23ücpcrtifet), 3tcifebitber non jenfeitd bed Eaiiatd. Acros'tic, I. s. Poet, bad Slcrofticpon, 9Ja- meiigebicf)t, ber Seifteimcrd; n. (or —cal) adj. afroftiepifep, ein Slcrofticßon betreffenb; HI. —cally, adv. neroftiepifep, natb 2Irt eined 2tcro= ftiepond. Ic'roter, s. (pi. [engt.] a-s), Acrote'- rium (lat., »out gr. alcröte'rion), s. (pi. [tat.] acrote'ria) bad SHeroterium: 1) Anat. bef. pi, bic Slcroterieit, Extremitäten ber ©lie» ber; 2) Archil. pi. bic ©iebcpnmtcn, Sluffäpc ait ber girftfpipc unb ben unteren Ettben eiued ©iebetd, urn SBerjierungcn, and) roopt 33itb= faulen jit tragen. [bcsiepctib, Slcroterien». Acvqte'rial, adj. fid) auf ein Stcrotcriunt Acrothy'mion, s. (gr.) Med. bad 2(cvo= tbnmion, SIrt SBarje. To Act, v. I. inir. 1) a) panbelit; an act hath three branches; it is, to —, to do, and to perform (Sh. Haml. 5, 1), cine §anbtung bat brei ©tiide; fic beftept in Raubein, Spun unb 23erricf)ten; he hath a wisdom that does guide his valour | to — in safety (Mach. 3,1), er befipt SBeidpcit, melcpc feinen Sliutp Ba^it lenft, (nnr) fiefier jit banbcln, (6 f d).:) eine Klug» beit, bie feilten JJiutp regiert unb feinen Unter» nebmuiigen ©icberbeit gibt, (.£>. SB o ß:) unb [bie» fern imerfdjrocfetien §etbeumutßj I l»ol)nt eine Ätugßeit bei, bie feine ©eßritte | juni 3ict£ teuft; h) (auf eine befonbere SIrt) banbcln, tbätig fein, mitten; fitb benebnten, ftcfi betra» gen; to — cautiously, bclfiitfam ju Sßcrfc ge» bell; the desire of happiness, and the constraint it puts upon ns to — for it (Locke), bad©ftc= belt itad) ©titcfjcligfcit nnb ber 3>»ang, beit cd und auferlegt, bafiir tbätig ju fein; to — on ob. upon ..., nacp (einem SRufter, ©runbfäßen ic.) ob. (einer Überzeugung, ©orfeprift ic.) ge» maß (ob. entfpretßcnb) ßanbetn,ficp an ... bat» ten, fid) nad) ... ridjten; to — up to ..., mit feinen fjaiibtungen (ein ßößered 3iet :c.) er» reichen; if ho acted up to his own standard, he did more than most of us (Miss Yonge, \ Daisy Chain 2, 209), wenn er in feinen§anb= lungeu badibm fetbft»orfcpmcbenbe9Jiufterbitb crreid)te, fo bat er titcbr aid bie meiften »on und getbait; which is best, a high standard not a-ed up, or a lower one fulfilled? (cb.) mad ift »orpjiebeu, eilt böberer üliaßftab, ben man uiept cvreitbt, ober ein nichtigerer, bem gemäß man banbett? 2) a) (oftmit as ...)einc gemiffe amttidjeäßätigfcit audiiben, bie ©teile, bad Stmt (cined Ccßrerd ic.) »ennalten, eine ©tettung (aid ...) audfütten, fungiren (aid...); b) bef. aid p. a. acting, (geioiffe Slmtöserridj» hingen) tßatfäcßticp audübenb,amtfiißrcnb,(na» mciitl. in SBertretung eiued Stnberen) amtirenb; Dr. F., a-ing Consul General of Her Britan- nick Majesty, Dr. g., in ©tetttoertretung ©e= neral=6otifut :c.; Dr. F., a-ing Consul U. S., Dr. g., fteftnertretenber Eoniut ber 95. ©t.; a-ing governor, ber @ou»erncur»©teft»er tretet; a-ing burgomaster, nmtirenber, regie» reitbet Sürgermeifter; a-ing partner, Comm. ber mirEtidße @efdjäftd=3;ßcilßabcr (Stffocie); 3) (Don Slingen) mitten, ertnirfen (upon, on, auf); the will a-s upon the body, ber 2Bitte roirlt auf beit Körper ein; 4) (cigentt. tranfiti» [□.] mit bloßer SEßegtaffung bedObfectd) (Sßca» ter) fpielen, ein ©diaufpiet barftcllen, agireti; Mrs. G. a-s exceedingly well, grau @. fpiett außerorbenttid) gut; a kingdom for a stage, princes to —, | and monarchs to behold the swelling scene (Sh. Hen. V chor.), ein SRcid) jur Söiißnc, ©rinjen baraitf ju fpieten, I 3Jio= narepen, urn ber ©ccne ©ontp ju fdfau’n! to — out of character, fig. and ber SRotte fatten. n. tr. l) burd) §anbtung audfitpren, ttjuu, »erüben, nottbringcn, ootlsief)en, feßr häufig in biefer ©ebeutung bei Shlcsp.: trust not your daughters’ minds | by what you see them — (Oth. 1,1), traut nicht euren Södjtern nach äuß» rent Spun ($• 23 o §); till strange love, grown bold, | think true love a-ed, simple modesty (Kom. & Jul. 3, 2), bid fepeue Siebe füßner wirb, unb nidjtd I aid Unfcputb fiept in itm’ger Siebe Spun (© dp f.); that treason ... a-s little of his will (Haml. 4, 5), baß bic SScrrätpcrei »on ipretnSBitfcn wenigaudfiiprttSf dj.); that ... lets go by | the important a-ing of your dread command (Haml. 3,4), ber ... bicl»icp= tige Studfiiprung cured fureptbaren ©eboted »erfäumt; thouwast a spirit too delicate I to — her earthy and abhorr’d commands (Temp. 1, 2), a%t jart ipr fteifebtidjed unb abfcpcu» tid)ed ©epeiß 511 tpun; here is a hand to hold a sceptre up, | and with the same to — con- trolling laws (2 Hen. VI 5, 1), ... unb bin» benbed ©efc8 bnmit uotlftrccfen (©djl.); be» fonberd »on fotgenfcptncrcu ob. fd)timmen$pa= ten: I havo one thing, of a queasy ques- tion, I which I must — (Lear 2, 1), llocp ein ©titef »on eigner ©cptnierigleit muß icp »ottbrin» gen (.£>. 33oß); strange things... which must he a-ed, ere they may be scanned (Macb. 3, 4) , ©eltfnnted ... | cd muß getpau fein,ep’nod) rcdjt erfaimt (,V>. SB 0 ß); between the a-ing of a dreadful thing | and the first motion (Jul. Cses. 2, 1), bid jur SoHfüßrung einer fnrept» barn SEpat I »om erfteu 2tntrieb ... (©cpt-); [thou didst let] thy heart consent, | and, consequently, thy rude hand to — the deed (K. John 4, 2), ... bieSfßat ju »erüben; I will consent to — any villany against him (Merry W. 2, 1), icp ftimme ein, jebeti bofen ©treiep nil ipm ju »erüben, (Efcp.:) icp tuerbe mid) 51t atlcn ©treiepen mittig finben taffen, bie matt ipm nur immer fpieten faun; few love to hear the sins they love to — (Pericles 1, 1), t»c= nige lieben »on ben ©iinben ju ßören, bie fie gern tpltn; with more offences at my beck, than I have time to — them in (Haml. 3, l), mir ftepen mepr SBergepett ju SDietift, aid icp ... 3eit pobc fie aitdjufiipren; fearing the mild face of the blameless King, | and after mad- 22 ness a-ed question asked (Tennyson 1, 65), meit er bad mitbcSlnttip bed tabcttofrn.Üönigd unb, nacp nun uoitbraepter Spat bed SBapn» finud, bie gragebeffetbeu fitrcptetc; 2) bef. Doit tpeatratifepen Stuffiiprungeit: a) to — a play, ein ©cpaufpict auffüpren; it was never a-ed (Haml. 2, 2), ed ift iticaufgefiiprt morbcnjthe dignity of this act was worth the audience of kings and princes; for by such was it a-ed (Winter’s Talo 5, 2), bicjöiirbe biefcd©cpait» fpiefd mar bedSInblicfd »on Königen unb Hiriu» jcit mertp; bcnti »on fotcpeit mürbe cd aufge» fiiprt; how many ages hence, | shall this our lofty scene he a-ed over | in states unborn, and accents yet unknown! (Jul. Cses. 3, 1), nacp mie »ictcn 3nP»Piinberten mirbbiefed uit= jer poped ©cpaufpict micbcrpott merbeit in ltocp uugebornen ©tnaten, in nocp uiibefanntenSpra» epett! what scene of death hath Koscius now to —? (3 Hen. VI 5, 6), meldje Sobcdfcene pat fRofciud nuu ju fpieten? my dismal scene I needs must — alone (Kom. & Jul. 4, 3), mein büftred ©piet muß icp allein »otteuben (©cpt.); b) (eine SRotte) barfteften, fpieten; Mr. G. a-s (the part of) Hamlet, §r. ®. fpiett ben (or bie 9iotte bed) §aintet; which I so lively a-ed with my tears (Two Gentl. 4, 4), mad icp mit Epränen fo tc6endmapr barftettte; that part, thou, Pisanio, must — for mo (Cymb. 3, 4), bic Stolte [bed Diäcperd] mußt öu,9ßifnnio, für miep iibernepmen; I would have play’d I the part my father meant to —upon | the usurper Richard (K. Hen. VUI l, 2), fo mürbe icp bie Siotlc gefpiett pa6en, metepe mein Sßatcr mit bent SEqrannen Siicparb 3U fpieten gebaepte; honour and shame from no condition rise; | — well your part, there all the honour lies (Pope), Epre uub©djanbc er= maepfen niept aud bent ©taube; fpiete beine SRottc gut, bavin liegt bie ganje Epre; in that day’s feats, | when he might — the woman in the scene, | he prov’d best man i’ the field (Coriol. 2, 2), bei ben §etbcntpaten fened Staged, an metepem er [aid barttofer 3^39- ling, mie fie 311 Shksp.'s 3cit bie grauenrotten fpietten] bie SBcibcrrotle pättc iibernepmen tönnen, bemied er fiep atd Defter itRann irn gelb; such to-hepitied and o’er-wrested seeming I he a-s thy greatness in (Troil. & Cress. 1, 3), in fo fammernolter unb übertrei» bcuber Siacpapmung ftcttt er beiite ©rößc bar; c) fig. ben ©epein (einer ©aepe) aitneß» men, »orgeben, peuepetn; a-ed fear (Dryden), erpeuepette ob. »erftetlte gurdjt; 3) fig. ein Stmt ... üben; to — the critic, bie fRottc ob. bad Stmt bed Eritiferd iibernepmen ob. üben, beit Eritifcr maepen (»gl. to play in äpnt. ffier» menbuttg); 4) burep bie Spat »crmirttidien: a) (to — out) inStudfüprmtg bringen, audfiipren, »ermirftiepen, betpätigen; in posture that a-s my words (Cymb. 3, 3), [ernimmt] bie©tet» lung, bic febed Sfilort jur §anbtuitg maept; let the world see his nobleness well a-ed (Ant. & Cleop. 5, 2), laß bicSBett fepeit, mie er fei» nett Sbetmutp betßätigt; it maybe indifferent to him in what particular manner I — it out (Miss Yonge, Hopes & Fears 1, 174), cd fault ipm gteicpgiittig feilt, auf metepe befonbere SIrt icp ed 311 Snbc fiipre; he feels how little these words mean, unless they are a-ed out (Ro- bertson, Sermons 4, 75), er fitptt mic mcnig biefe SBortc bebenten, außer menu fte in Sind» füprimg gebraept roerben (ob.: fattd ipiteit uidjt bie 2kpat folgt); b) to — a lie ob. an untruth, cine Uitmaprpeit begepen, unmapre ©eftnnung burd) bie Spat bemcifen; it might bo very humiliating to acknowledge them [gemiffe gepter], but Myra could not — a lie upon herself (Miss Smell, A Glimpse of the World 1, 214), ... aber SRpra fonnte feine Unmaprpeit an ficp fetbft begepen; then came all her aunt's lessons of the many ways of a-ing an untruth
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