The anatomy and philosophy of expression as connected with the fine arts / By Sir Charles Bell.
- Charles Bell
- Date:
- 1844
Licence: Public Domain Mark
Credit: The anatomy and philosophy of expression as connected with the fine arts / By Sir Charles Bell. Source: Wellcome Collection.
17/300
![CONTENTS. PAGE Intropuction.—Comparison of Ancient and Modern Art— Studies of the Italian Masters.......... ] Essay I. Theory of Beauty in the Countenance—Of the Form and Proportions of the Head and Face ........ 19 Essay II. Changes from Infancy to Age.................. 45 Of the Skull, as a Protection to the Brain .....:.. 50 Characteristic Forms of the Lower Animals ....... 53 Characteristic Oreang of Man cc... rnsucucm on ae a: 57 ‘Theoptestomutestpesttty a... occ, amas ye Aer 63 National Peculiarities in the Form of the Head .... 71 Essay III. Of those Sources of Expression in the Countenance which cannot be explained on the idea of a direct Influence of the Mind upon the Features 82 LUSH SA eRe ee Oy Mere on, Cy ace ee 95 Essay IV. Of the Muscles of the Face im Man.............. 97 Muscles of the Forehead and Hyebrow...... 98 Expression of the Human Eye............ 101 Muscles of the Nostrils.................. 107 Muscles of the Lips and Cheeks .......... 108 Beare er tet Nae eat nea Ie, oat ak aids 118 Expression in the Lips and Moustaches .... 116 Essay V. Of the Expression of Passion, illustrated by a Com- parison of the Muscles of the Face m Man and in Animals; and of the Muscles peculiar to Man, and their effects in bestowing Human EEX PRESSION 4)h9 NSLS 03 oie een rere ro eee 120 fcpression, inh; Animal giv. 2.05 /bec es ee 12] Utermiuncles ot Aniigale< 9: ou selel ec a 130](https://iiif.wellcomecollection.org/image/b33522133_0017.jp2/full/800%2C/0/default.jpg)
