Licence: Public Domain Mark
Credit: Sales catalogue: Sotheby's. Source: Wellcome Collection.
25/170 page 123
![1045 [Cleveland (J.)] The Character of a London-Diurnall: with severall select Poems, last leaf+very slightly defectwe at foot, quarter morocco 4to. 1647 1046 [Cleveland (J.)] The Character of a London-Diurnall: with severall select Poems, heading of two or three leaves cut into, manuscript poem in an old hand on six leaves inserted at end, panelled blue morocco gilt, g.e. Ato. 1647 1047 [Cleveland (J.)] Poems. By J. C. VVith Additions (4-r, jf, in eights; Al and +8 blank), original sheep 8vo. Printed in the Yeare 1651 ** The first edition under the title “ Poems.” Some of these had however been printed with “'The Character of a London Diurnal” in 1647 and 1649. 1048 Cleveland (J.) Poems; With Additions, never before Printed, portrait, three or four headlines cut into, Printed in the Year, 1657; J. Cleaveland Revived, portrait, Printed for Nathaniel Brooks, 1660, 2 vol. in 1, brown morocco, g.e. 12mo 1657-60 1049 Clue (A) to the Comedy of the Non-Juror, 1718; The Theatre- Royal turn’d into a Mountebank’s Stage in some Remarks upon the Non-Juror, 1718, etc. quarter bound 8vo. (5) 1050 Cobler (The) of Canterburie, from the edition of 1608, 1862; Cranley (Thomas) Amanda: or, the Reformed Whore, from the edition of 1635, 1869; Singer (John) Quips upon Questions, from the edition of 1600, 1875; all edited by Frederick Ouvry, quarter bound Ato. (3) 1051 Collection (A) of Poems on Affairs of State by A M. Esq; and other Eminent Wits, 3 parts with separate titles, calf, Beaufoy bookplate 4to. 1689 1052 Collier Controversy. A Vindication of the Stage, With the Use- fulness and Advantages of Dramatick Representations, in Answer to Mr. Collier’s late Book, last leaf backed, half roan, bookplate of Joseph Knight 4to. for J. Wilde, 1698 ** “This is the rarest of all the answers to Collier.” Note by Mr. Thorn Drury inside cover. 1053 Collier Controversy. The Immorality of the English Pulpit, as justly subjected to the Notice of the English Stage, as the immorality of the Stage is to that of the Pulpit. In a Letter to Mr. Collier, half bound 4to. 1698 1054 Collier Controversy. Some remarks upon Mr. Collier’s Defence of his Short View in vindication of Mr. Congreve, etc. boards, 1698—[Drake (J.)] The Antient and Modern Stages sur- vey'd. Or, Mr. Collier’s view set in a true light, old calf, 1699 8v0. (2) [2](https://iiif.wellcomecollection.org/image/b31655038_0025.jp2/full/800%2C/0/default.jpg)
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