Eminent literary and scientific men of France.

Date:
1838-1839
Catalogue details

Licence: Public Domain Mark

Credit: Eminent literary and scientific men of France. Source: Wellcome Collection.

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    of the sovereign. Corneille mentions one or two defects himself, which show rather his erroneous notions than defects in his play. Speaking of the weakness of pur- pose and want of power which the king displays as a fault, he says, no king ought to be introduced but as powerful and prudent; though he gives no reason why a dramatic sovereign should be an abstract idea, instead of an his- toric and real personage. When the king, in Guillen de Castro, shows himself as he was, the lord paramount of turbulent feudal nobles, whom he was unable to control, and yet to whom he will not yield, and exclaims — “ Rey soy mat obecido, C'astigarC mis vasallos! ”— we see at once the various motives of action which ren dered him eager to crush a quarrel between two influ- ential families by uniting them in marriage. Corneille makes the scene take place at Seville, a city not in possession of the Spaniards till many years after. Certainly, the countryman of Shakspeare have no right to be severe on anachronisms; but the reason Corneille gives for his choice of place displays slender knowledge of the ancient state of a neighbouring country, or even of its geography. He says he does it to make the sudden incursion of the Moors, and the unprepared state of the king, more probable, by causing the attack to come by sea; when, in fact, in those days the boundaries of the warring powers were so uncertain, and the inroads so predatory, that nothing was more frequent than unfore- seen invasions; and, besides, Seville is on the Guadal- quivir, and several miles from the coast. The real interest of the play, resting on the position of Rodrigo, who, despite his affection forXimena, avenges his father, and of the miserable daughter, who feels her attachment for her lover survive the death of her parent, and the mutual struggles that ensue, overpowers these mi- nor defects, aided as it is by powerful language and energy of passion. Thesuccessof the tragedy was unprecedented, it was received with enthusiasm in Paris, and all France re-echoed the praise, till a sort of epidemic transport
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