Licence: Public Domain Mark
Credit: Sales catalogue 18: Andrew Block. Source: Wellcome Collection.
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No text description is available for this image![ADDENDA 396 BRAITHWAITE (Richard) Natvres Embassie: or, The Wilde-mans Measvres: ee Danced naked by twelue Satyres, with sundry others continued in the next Section. 1st edn. With a portrait inserted. (Lond.]}, Printed for Richard Whitaker, 1621. Sm. 8vo. Cf. “(Some = headings slightly cropped.) Extremely rare £30 ‘: 397 COLOURED COSTUME PLATES.—The Ladies Pocket a With 11 coloured . female costume plates, and other illustrations. Lond., 1829. 12mo. Cle at ike 398 HEBRAICA.—Chronologia Hebraeorvm Maior, qvae ‘Seder Olam Rabba Inscribitvr, — ty Et Minor, qvae Seder Olam Zvta’, De Mundi ordine & temporibus. ab orbe condito vsque ad annum Dom. 1112. cum aliis opusculis ad res Synagogae iat anata interprets Gilb. Genebrardo. Paris, 1584. Folio. Old boards, calf back vs £4/1 O/- or 399 KNIGHTS OF MALTA.—Privilegii Della Sacra Religions di San Gio. ‘Geeognistatondy a! con vn Indice Volgare in Borgo Nvovo del Marchesato di Rocca Forte. ERE Per es Bartolomeo Cotta Stampatore Camerale, 1675. Folio. Sewn ; a1 me 400 LAYNG (Peter) Several Pieces in Prose and Verse. Fyont. ae edn. Lond., 4. Brindley, * 1748. 4to. Contemp. ef. —21/- nee 401 MOORE (Edward) Fables for the Female Sex. Pied ‘Ist edn. Lond., R. Franckain, ee 1744. 8vo. Contemp. cf. 80/- 402 RALPH (James) The Taste of the Town: or, a Guide to Al Publick Diversions” Ist i edn. Lond., 1731. Sm. 8vo. Old limp vellum (82/2/- _ On Music, Operas, Poetry, Dancing, Pantomimes, Mascusasen Cock-fighting, etc. 403 SCOTT (Sir Walter) The Abbot. By the Author ORS Nee 3 vols, Ist edn. = With the half-titles. Edin., 1820. Hf. cf., Uncut, t.e.g. £4/4 J 404 SCOTT (Sir Walter) The Monastery. A Romance. By the author of 43 Waverley. a 3 vols. Ist edn. With the half-titles. Edin., 1820. 8vo. Hf, cf., Uncut, beg. £4/4/-— < 405 [SHAW (Bernard)].—The original Poster by John Hassall for the first ceigntine . the Criterion Theatre, of Man and Superman. Depicting two motor-cars = eee cae cliff . — 2t/- ‘. 406 [SOUTHEY (Robert)].—Crarx (Robert) Chibintidase Sive De Passione Dat. eit I Bruges, 1670. Sm. 8vo. Cf. - Robert Southey’s copy. Inscribed on the title ‘‘ Robert Southey. Briel: 1799” yak on 1 half-title ‘‘ Robert Clarke, educated in the English College in Douay, where as I am ‘informed, was professor of the Classics. He afterwards became a Carthusian Monk, and spent his leisu hours in an elaborate work intituled ‘Christias.’ This meagre account is all that Dodd give (3.311) and for this he refers to the Diary of Douay Coll. and the ae of the Carthuscans 4 Nieuport.”’ Both inscriptions entively in Southey’s hand. : 407 WALTON (Izaak) and COTTON (Charles) Recueil des plus beaux vers de Messie de Malherbe, Racan, Maynard, Bois-Robert, Monfuron, Lingendes, Touvant, Motin, Lectole - Paris, Pierre Mettayer, 1638. Sm. 8vo.. A sound copy in contemp. ef. On the reverse of the title is the following, in Cotton’s hand :— oes “This booke was given mee by Mr. 1 “ Tzack Walton. August ye 22th. 1668. Charles petton, ee The follawiig notes are alll i in Cotton’ s hand :— On page 96, the word “ dons ”’ is altered to ' ‘ done.” On page 109, beneath the poem is written “ trans.” This word also occurs on pages 179, 200, 448, 469, 486, and 493. On page 491 there is a note, and the last page is signed “ Charles Cotton:”’ An unique item of the highest literary interest. Accompanying this book ts a@ letter from the Bodleian Library, in hick they state that # is not much doubt that the Cotton annotations are genurne, and that he translated Witsice poems. ;](https://iiif.wellcomecollection.org/image/b33160338_0032.jp2/full/800%2C/0/default.jpg)