The iconography of Andreas Vesalius (André Vésale) anatomist and physician, 1514-1564 : paintings-pictures-engravings-illustrations-sculpture-medals, with notes, critical, literary, and bibliographical / by M.H. Spielmann.

  • Marion Spielmann
Date:
1925
Catalogue details

Licence: Attribution 4.0 International (CC BY 4.0)

Credit: The iconography of Andreas Vesalius (André Vésale) anatomist and physician, 1514-1564 : paintings-pictures-engravings-illustrations-sculpture-medals, with notes, critical, literary, and bibliographical / by M.H. Spielmann. Source: Wellcome Collection.

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    Gushing, Dr. Harvey Foreword, x on Vesalius and Copernicus, x on iconography, x-xi his help, xxii-xxiii portrait of Vesalius owned by, 75-77 formerly owned by Ernest Hockliffe, 76 on Schonbornio's Fugitive Sheets, 152 Daniels, C. E. on alleged portrait of Vesalius at Am- sterdam, 24-30 on alleged portrait of Vesalius at Munich, 32 claims Calcar as painter and engraver of woodcut portrait in the Fabrica, 25-26 accepts poppyheads as being the arms of an apothecary, 02 De Humahi Corporis Fabrica, 1 Dekker, Thomas reference to anatomy, 52 Demannez, Joseph Conrad engraved portrait of Vesalius, after Titian, 182 Des Hauvents, ]. J. W. engraved portrait of Vesalius, 176 Devaux, Eugene portrait of Vesalius at Brussels by, 57-59 Diemerbroeck, Isbrando van engraved portraits of Vesalius in his Anatomc, 163 Disdier, F. M. representation of anatomy lesson, 138 Dissection demonstration of, in title-page of the Fabrica, 127 representations of, 135-139 earliest English printed representation of, reproduced by Dr. Ch. Singer, 135 see Anatomy Donaldson, Sir George alleged portrait of Vesalius formerly owned by, 75 Drama, Early English—topics referred to in, poppy (as soporific) : in Shakespeare's Othello, 04 in Middleton and Rowley's The Changeling, 65 poppy with mandragora (as anaesthetic): in Marlowe's Jew of Malta, 64 in How a Man may chusc a good Wife from a bad, 64-65 Drama, Early English—continued. mandragora (alone) : in Shakespeare's Othello, 64 Anthony and Cleopatra, 64 in Webster's The Duchess of Malfy, 64 Padua : in Returuc from Pernassus, 22 in Marlowe's Doctor Faustus, 22 in Robert Greene's Frier Bacon and Frier Bungay, 22 in Chapman's All Fools, 23 in Shakespeare's Taming of the Shrew, 23 Much Ado about Nothing, 23 Merchant of Venice, 23 Anatomy: in Dekker's The Honest Whore, 51 in Dekker's The Witch of Edmond- ton, 52 in Shakespeare's Romeo and Juliet, 51 The Comedy of Errors, 51 King John, 51 All's Well that Ends Well, 51 Twelfth Night, 51 King Lear, 51 in Ben Jonson's Volpone, 51 The Staple of News, 52 Subject : in Marlowe's Tamburlaiue the Great, 52 Droeshout, Martin portrait of Shakespeare, 5 n. Durand, Amedee medals by Binfield, Lefevre, Le Boul- onois issued by, 205-207 Engelmann, Gottfried lithograph portrait of Vesalius, 175-176 Engraving first copper-plate printed in England, 49 Epitome of the Fabrica issued in 1543, 1 edition of 1642, 1 title-page of, 139 and see Anatomy lessons, Fabrica, Fontanus, Titian F. S. lithograph portrait of Vesalius, 181 Fabrica (De Humani Corporis Fabrica Libri Scptem) portraitsof Vesalius in, 1-13,121,124-129 title-pages of, 124-143 title-page of Epitome of (1543), 139