A dictionary of arts, manufactures, and mines: containing a clear exposition of their principles and practice / By Andrew Ure ... Illustrated with twelve hundred and forty engravings on wood.
- Andrew Ure
- Date:
- 1839
Licence: Public Domain Mark
Credit: A dictionary of arts, manufactures, and mines: containing a clear exposition of their principles and practice / By Andrew Ure ... Illustrated with twelve hundred and forty engravings on wood. Source: Wellcome Collection.
72/1376 page 52
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A little of the plant is to be put into a glass vessel; it is to be moistened with ammonia and lime-water in equal parts ; a little muriate of ammonia (sal ammoniac) is added ; and the small vessel is corked. If the plant be of a nature to afford a red dye, after three or four days, the small portion of liquid, which will run off on inclining the vessel, now opened, will be tinged of a crimson red, and the plant itself will have assumed this colour. If the liquor or the plant does not take this colour, nothing need be hoped for ; and it is useless to attempt its preparation on the great scale. Lewis says, however, that he has tested in this way a great many mosses, and that most of them afforded him a yellow or reddish brown colour ; but that he obtained from only a small number a liquor of a deep red, which communicated to cloth merely a yellowish-red colour. Prepared archil gives out its colour very readily to water, ammonia, and alcohol. Its solution in alcohol is used for filling spirit-of-wine thermometers; and when these ther¬ mometers are well freed from air, the liquor loses its colour in some years, as Abbe Nollet observed. The contact of air restores the colour, which is destroyed anew, in vacuo, in process of time. The watery infusion loses its colour, by the privation of air, in a few days; a singular phenomenon, which merits new researches. The infusion of archil is of a crimson bordering on violet. As it contains ammonia, which has already modified its natural colour, the fixed alkalies can produce little change on it, only deepening the colour a little, and making it more violet. Alum forms in it a precipitate of a brown red ; and the supernatant liquid retains a yellowish-red colour. Tile solution of tin affords a reddish precipitate, which falls down slowly; the super¬ natant liquid retains a feeble red colour. The other metallic salts produce precipitates which offer nothing remarkable. The watery solution of archil applied to cold marble, penetrates it, communicating a beautiful violet colour, or a blue bordering on purple, which resists the air much longer than the archil colours applied to other substances. Dufay says, that he has seen marble tinged with this colour preserve it without alteration at the end of two years. To dye with archil, the quantity of this substance deemed necessary, according to the quantity of wool or stuff to be dyed, and according to the shade to which they are to be brought, is to be diffused in a bath of water as soon as it begins to grow warm. The bath is then heated till it be ready to boil, and the wool or stuff is passed through it without any other preparation, except keeping that longest in, which is to have the deepest shade. A fine gridelin, bordering upon violet, is thereby obtained ; but this colour has no perma¬ nence. Hence archil is rarely employed with any other view than to modify, heighten, and give lustre to the other colours. Hellot says, that having employed archil on wool boiled with tartar and alum, the colour resisted the air no more than what had received no preparation. But he obtained from herb archil {Vorseille d’herbe) a much more durable colour, by putting in the bath some solution of tin. The archil thereby loses its natural colour, and assumes one approaching more or less to scarlet, according to the quantity of solution of tin employed. This process must be executed in nearly the same manner as that of scarlet, except that the dyeing may be performed in a single bath. Archil is frequently had recourse to for varying the different shades and giving them lustre ; hence it is used for violets, lilacs, mallows, and rosemary flowers. To obtain a deeper tone, as for the deep soupes au vin, sometimes a little alkali or milk of lime is mixed with it. The suites of this browning may also afford agates, rosemary flowers, and other delicate colours, which cannot be obtained so beautiful by other processes. Alum cannot be substituted for this purpose ; it not only does not give this lustre, but it degrades the deep colours. The herb-archil is preferable to the archil of Auvergne, from the greater bloom which it communicates to the colours, and from the larger quantity of colouring matter. It has, besides, the advantage of bearing ebullition. Tlie latter, moreover, does not answer with alum, which destroys the colour ; but the herb archil has tlie inconvenience of dyeing in an irregular manner, unless attention be given to ])ass the cloth through hot water as soon as it comes out of the dye. Archil alone is not used for dyeing silk, unless for lilacs; but silk is frequently passed through a bath of archil, either before dyeing it in other baths or after it has been dyed, in order to modify different colours, or to give them lustre. Examples of this](https://iiif.wellcomecollection.org/image/b2930345x_0072.jp2/full/800%2C/0/default.jpg)