Licence: Public Domain Mark
Credit: Sales catalogue: Sotheby's. Source: Wellcome Collection.
63/86 page 49
![370 ot1 303 Be O76 Otway (Thomas) The History and Fall of Caius Marius, 1703; Venice Preserv’d, 1704; in 1 vol. half calf, book- label of J. P. Kemble inside, front cover Ovid. Metamorphosis libri moralizati, tert in roman, com- mentary in guthie letter, publisher's device on title, and 15 woodcuts, all coloured, title defectwe, old pen-notes, book- plate of David Garrick inside upper cover, half calf git; sold not subject to return | Lyons, Jacques Mareshal for Guillaume Boulle, 1524 Ovid. The . xv . Bookes . . . entytuled Metamorphosis, trans- lated ... by Arthur Golding, S{nets fetter, a few marginal notes shaved, soiled and stained, small defect on P 8 verso, sprinkled calf, side borders, g.e. by Riviere W. Seres, 1575 Ovid. The X'V Bookes ... entituled Metamorphosis, Trans- lated out of Latine into English Meeter, by Arthur Golding, contemporary MS. scrawls on title and im some margins, slight tear in last leaf, original limp vellum Imprinted at London by W. W. 1603 Owen (Lewis) The Rvnning Register: recording a ‘T'vre Relation of the State of English Colledges, Seminaries and Cloysters in all forraine parts, half calf 1626 [Parsons (R.)] Leycesters Common-wealth, signatures of Ralph Thoresby, J. Kearney and F. Palgrave on title, a3 repaired, some side-notes defective, half calf, g.e. 1641 Payn (James) Halves, ORIGINAL HOLOGRAPH MANUSCRIPT of the novel, written in nine exercise books, about 320 ll. wm all, written on one side only, mn a blue morocco box 1876 PEAcHAM (HENRY) THE COMPLEAT GENTLEMAN, FIRST EDITION, engraved trtle, 31 woodcut coats-of-arms coloured by an early hand, calf gilt, inside borders, g. e. Imprinted at London for Francis Constable. . . 1622 * At the beginning is an essay on precedence, ceremonial and etiquette, 1l pp. in a contemporary hand. On the verso of the title is a manuscript index to the coats-of- arms. At the end of the volume is the signature “ Wing Bodenham,” and below a four-line stanza : “Were you but as sad as I: Or as full of mourning : Very greife would make you dy : Att least leaue off your scorning :” D](https://iiif.wellcomecollection.org/image/b31661579_0063.jp2/full/800%2C/0/default.jpg)
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