British noble (1762-1830); King of the United Kingdom and Hanover from 1820

concept

King George IV when Prince of Wales as Colonel of the tenth Light Dragoons. Photogravure, 1905, after W. Beechey.

King George IV as Prince of Wales and Prince Frederick Duke of York, as children. Mezzotint by J. Watson after C. Read, ca. 1770.

King George IV, seated in an armchair, holding a glove in his right hand. Mezzotint by J. Bromley after R. Bowyer, 1827.

A mandarin falls back fainting onto a settee, attended by three ladies and a man all in Chinese dress; representing the King's anguish at the bill (which condemned the Queen's adultery and reduced her rights) being thrown out. Coloured etching, 1820.

George, Prince Regent, in uniform holding out a swollen hand which is supported by Wellington; representing the enormous amount of money given to the army compared with the navy. Coloured lithograph, 1816.

The gouty Prince Regent being helped on to his horse by Chinese assistants using an elaborate contraption outside the Chinese pagoda in Kew Gardens. Coloured etching attributed to Charles Williams, 1816.

The gouty King George IV relaxing before nine portraits chronicling his past extravagant styles of dress; representing the King's attempt to withdraw from public ridicule. Coloured etching by W. Heath, 1824.

Mrs Fitzherbert and George Prince of Wales represented as Adam and Eve standing under the Tree of Knowledge surrounded by the trappings of fashionable pastimes and vices, causing the devil to flee. Etching, 1786.

Wellington and Peel compared with the Siamese twins (above); a rich bishop and a poor parson; and a street vendor of figurines. Etching by W. Heath, 1830.

The gouty George IV using tongs to pass his discarded wig to Wellington; representing the Duke's appointment to office as First Lord of the Treasury. Coloured etching by W. Heath, 1828.

King George IV and the Marchioness of Conyngham grieve over the body of a dead giraffe, which had been sent to them by Mehmet Ali, Pasha of Egypt. Lithograph attributed to J. Doyle, 1829.

John Bull about to be bled by three doctors; representing Britain's budget manipulated by the cabinet. Coloured etching by J. Phillips?, 1830.

The Prince Regent presenting to political ministers the expected baby of Princess Charlotte and Prince Leopold, who urinates in their faces; representing the burden of taxation required by the Royal family. Coloured etching by G. Cruikshank, 1816.

A gouty patient having his pulse taken by a doctor; representing George IV's opposition to Catholic emancipation, and Wellington's support of it. Coloured etching by T. Jones, 1829.

The Regent approaching Lady Hertford who is giving birth to fully dressed little men, Perceval (dressed as a nurse) helps them stand up; representing additions to the ministry after the removal of the Regency restrictions. Coloured etching by C. Williams, 1812.

King George IV having his gouty foot massaged by his mistress Marchioness of Hertford while his wife Queen Caroline listens in the doorway. Coloured etching, ca. 1820.

Pluto in a chariot snatches Proserpine away from her companions. Mezzotint by J.G. Huck, 1804, after J. Amigoni.

Christ raising Lazarus. Engraving by G. Vendramini, 1828, after Sebastiano del Piombo.

Martha Gunn, a Brighton bather holding a small child that she has just saved from drowning. Coloured engraving by W. Nutter, 1797, after J. Russell.

Mars [Ares] and Venus [Aphrodite]. Engraving by D. Marchetti after G. Tognoli after A. Canova.

Princess Charlotte Augusta. Stipple engraving by J.S. Agar after C. Jones, 1814.

Sir Astley Paston Cooper. Mezzotint by S. Cousins, 1830, after Sir T. Lawrence.

William of Orange, and Mary, his English wife are presented with the English crown by the Marquis of Halifax. Line engraving by J. Parker after J. Northcote, 1790.

Anno sexto Georgii IV. Regis. Cap. XXVI. An act for the consolidation of the Royal Naval Asylum with the Royal Hospital for Seamen at Greenwich in the county of Kent. [10th June 1825.].

Anno septimo Georgii IV. Regis. Cap. XXXV. An act to enable incapacitated persons to convey to the commissioners and governors of the Royal Hospital for Seamen at Greenwich, in the county of Kent, certain premises situate in the parish of Greenwich in the said county, and for other purposes relating thereto. [5th May 1826.].

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George IV of the United Kingdom

Images from the collections

Images by George IV of the United Kingdom

Images featuring George IV of the United Kingdom

Works from the collections

Christ raising Lazarus. Engraving by G. Vendramini, 1828, after Sebastiano del Piombo.

Anno sexto Georgii IV. Regis. Cap. XXVI. An act for the consolidation of the Royal Naval Asylum with the Royal Hospital for Seamen at Greenwich in the county of Kent. [10th June 1825.].

William of Orange, and Mary, his English wife are presented with the English crown by the Marquis of Halifax. Line engraving by J. Parker after J. Northcote, 1790.

Pluto in a chariot snatches Proserpine away from her companions. Mezzotint by J.G. Huck, 1804, after J. Amigoni.

Frequent collaborators

George IV of the United Kingdom

Images from the collections

Images by George IV of the United Kingdom

Images featuring George IV of the United Kingdom

Works from the collections

Christ raising Lazarus. Engraving by G. Vendramini, 1828, after Sebastiano del Piombo.

Anno sexto Georgii IV. Regis. Cap. XXVI. An act for the consolidation of the Royal Naval Asylum with the Royal Hospital for Seamen at Greenwich in the county of Kent. [10th June 1825.].

William of Orange, and Mary, his English wife are presented with the English crown by the Marquis of Halifax. Line engraving by J. Parker after J. Northcote, 1790.

Pluto in a chariot snatches Proserpine away from her companions. Mezzotint by J.G. Huck, 1804, after J. Amigoni.

Frequent collaborators

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