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Scharffenberg, Georg, approximately 1530-1607 or 1608 (Engraver)

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    Der Todten-Tanz, wie derselbe in der weitberühmten Stadt Basel, als ein Spiegel menschlicher Beschaffenheit, ganz künstlich mit lebendigen Farben gemahlet, nicht ohne nützliche Verwunderung zu sehen ist = La Danse des morts, miroir de la nature humaine, peinte en couleurs véritables, telle qu'elle se voit non sans une utile admiration. Dans la célèbre ville de Bâle / [engraved by G. Scharffenberg and J.H. Klauber after the original cooper plates of M. Merian].

    Matthäus Merian | Date: 1843

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