concept

Rome: left, the Arch of Constantine; right, the temple of Saturn; people standing, sitting, reclining and horse-riding among the ruins. Etching and woodcut by C. Knapton, ca. 1736, after G.P. Panini.

Three trees on a steep bank above a river or lake: two men seated, one with a tame bird (falcon?). Etching by C. Knapton, 1736, after G.F.Barbieri, il Guercino.

A river: two men on the near bank, a boat and a fisherman in the river, and ancient buildings on the far bank. Etching by C. Knapton, 1736, after G.F. Grimaldi.

Rome: five people relax on a block of stone, and one of them points up to an ancient Roman statue. Etching by C. Knapton, 1736, after G.P. Panini.

Selling art in Georgian London : the rise of Arthur Pond / Louise Lippincott.

Mark Akenside. Stipple engraving by J. White, 1837, after A. Pond.

Saint Mary Magdalen. Etching by A. Pond, 1734, after Annibale Carracci.

A man with large spectacles is sitting on a seat peering at a man who is approaching him. Etching by Arthur Pond after Annibale Carracci.

Mark Akenside. Mezzotint by E. Fisher, 1772, after A. Pond, 1754.

A male dwarf, painting. Colour etching by A. Pond, 1736, after A. Carracci.

Richard Mead. Etching by A. Pond, 1739.

Mark Akenside. Stipple engraving by J. White after A. Pond.

Mark Akenside. Line engraving by J. H. Robinson, 1835, after A. Pond.

Sebastiano Resta. Etching by Arthur Pond, 1738, after P.L. Ghezzi.

Saint Antony Abbot: he is followed in the street by demonic persecutors. Colour etching by A. Pond, 1736, after L. Cambiaso.

Dr Thomas Bentley wearing a wig and a sword. Etching by A. Pond after P.L. Ghezzi.

"Madame Petit" and her cook: a woman holding a dish out to a man wearing an apron and a cook's hat. Etching by A. Pond, 1741, after P.L. Ghezzi.

Rome: a capriccio of ancient buildings, including the Pantheon, the statue of Marcus Aurelius on the Campidoglio, and Trajan's column. Etching by J.S. Muller, 1744, after G.P. Panini.

An old man, and a boy with a bird. Etching by A. Pond, ca. 1736, after G.F. Barbieri, il Guercino.

A cavalry charge. Etching and colour woodcut by A. Pond, 1735, after J. Courtois.

Galleries and Reading Room

Library

Shop

Café

We're experiencing some technical problems in the library today. 

If you’re visiting us, you won’t be able to print or use our PCs or laptops. If you want to sign-up for a free library membership, we’ll give you a temporary card for today and complete your membership next time you visit.

You can access items from the collection as usual and our team is on hand to help. Thank you for your patience while we resolve these issues. 

We're running paid user research studies to improve Wellcome Collection online

Take part in research

Arthur Pond

Images from the collections

Images by Arthur Pond

Works from the collections

Rome: a capriccio of ancient buildings, including the Pantheon, the statue of Marcus Aurelius on the Campidoglio, and Trajan's column. Etching by J.S. Muller, 1744, after G.P. Panini.

An old man, and a boy with a bird. Etching by A. Pond, ca. 1736, after G.F. Barbieri, il Guercino.

Mark Akenside. Line engraving by J. H. Robinson, 1835, after A. Pond.

Rome: left, the Arch of Constantine; right, the temple of Saturn; people standing, sitting, reclining and horse-riding among the ruins. Etching and woodcut by C. Knapton, ca. 1736, after G.P. Panini.

A cavalry charge. Etching and colour woodcut by A. Pond, 1735, after J. Courtois.

Frequent collaborators

Arthur Pond

Images from the collections

Images by Arthur Pond

Works from the collections

Rome: a capriccio of ancient buildings, including the Pantheon, the statue of Marcus Aurelius on the Campidoglio, and Trajan's column. Etching by J.S. Muller, 1744, after G.P. Panini.

An old man, and a boy with a bird. Etching by A. Pond, ca. 1736, after G.F. Barbieri, il Guercino.

Mark Akenside. Line engraving by J. H. Robinson, 1835, after A. Pond.

Rome: left, the Arch of Constantine; right, the temple of Saturn; people standing, sitting, reclining and horse-riding among the ruins. Etching and woodcut by C. Knapton, ca. 1736, after G.P. Panini.

A cavalry charge. Etching and colour woodcut by A. Pond, 1735, after J. Courtois.

Frequent collaborators

Related topics