Architecture - Early works to 1800
Works from the collections
92 works
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A new and compleat system of architecture delineated , in a variety of plans and elevations of designs for convenient and decorated houses. Together with Offices and Out-Buildings proportioned thereto, and appropriated to the several Uses and Situations required. As Also An Estimate of each by the great Square. Prefix'd to these Are ten different Sorts of Piers, with Gates of various Compositions suitable to the same; intended for Entrances to Courts, Gardens, &c. As Also New Architectonic Rules for drawing the Members, in all Kinds and Proportions of the Orders. And to them are also added A Perspective View of the sinking Pier of Westminster-Bridge, with the two adjoining Arches; and a Method proposed by Trusses &c. to take off ? of the Weight, or Abutment and Pressure now on the Pier, and discharge it as set forth on the Plate. The whole comprised on 47 copper plates, with Explanations thereto in common Press-Work. Neatly engraved, and design'd by William Halfpenny, Architect.
Halfpenny, William, d. 1755.Date: 1749- E-books
- Online
Ancient masonry , both in the theory and practice, demonstrating the useful rules of arithmetick, geometry, and architecture, in the proportions and orders of the most eminent masters of all nations, viz. Vitruvius, Bramante, Julio Romano, Michael Angelo, Carlo Cesare Osio, Andrea Palladio, Vincent Scamozzi, M. J. Barozzio of Vignola, Sebastian Serlio, Daniel Barbaro, L. B. Alberti, P. Cataneo, P. de Lorme, Viola, J. Bullant, Julian Mau-Clerc, J. Berain, Sebastian le Clerc, Claude Perault, Inigo Jones, Sir Christoph. Wren, &c. &c. &c. And also of the Cariatides, Persians, French, Spanish, and English. Together with Their most valuable designs for Temples, Triumphal Arches, Portico's, Colonades, Piazza's, Arcades, Frontispieces, Gates and Doors, Windows, Niches, Entablatures, Pediments, Capitals, Festoons, Trophies, Ballusters, Balconies, Ballustrades, Cieling-Pieces, Chimney-Pieces, Floors, Pavements, Arches, Groins, Stair-Cases, Roofs, Obelisques, Ornaments, &c. The Whole interspersed with Critical Remarks and Observations on each Master, Illustrated by above Three Thousand Examples, engraved on four hundred and ninety four large folio copper plates. With a Dictionarial Index, explaining the Term of Art used herein. By B. Langley.
Langley, Batty, 1696-1751.Date: MDCCXXXVI. [1736]- E-books
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Lectures on architecture . Consisting of rules founded upon harmonick and arithmetical proportions in building, Design'd As an Agreeable Entertainment for Gentlemen: and More particularly useful to all who make Architecture, or the Polite Arts, their Study. Read to a Society establish'd for the Improvement of Arts and Sciences, and explain'd, by Examples on Copper Plates; with the Proportions apply'd to Practice. By Robert Morris.
Morris, Robert, 1701-1754.Date: MDCCLIX. [1759]- E-books
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The art of sound building, demonstrated in geometrical problems shewing geometrical lines for all kinds of arches, niches, groins, and twisted rails, both regular and irregular With several other Draughts of Buildings and Staircases. All Curiously Engraven on Copper Plates. Wherein are laid down (suited to every Capacity) easy Practical Methods for Carpenters, Joiners, Masons, or Bricklayers, to work by. By William Halfpenny, Architect and Carpenter.
Halfpenny, William, d. 1755.Date: M.DCC.XXV. [1725]- E-books
- Online
Lectures on architecture . Consisting of rules founded upon harmonick and arithmetical proportions in building, applicable to various situations. Design'd As an agreeable Entertainment for Gentlemen: but More Particularly Useful, to all who make Architecture, or the Polite Arts their Study. Part the second. Read to a Society established for the Improvement of Arts and Sciences, and Explain'd by Examples on 13 Copper-Plates; with the Proportions apply'd to Practice By Robert Morris.
Morris, Robert, 1701-1754.Date: [1736]