concept

David with the head of Goliath on his sword. Line engraving attributed to P. de Jode after J.P. Saenredam, 1600, after L. van Leyden.

A man brought on a bier before an altar. Drawing attributed to Pieter de Jode I.

A man's body receiving the ministrations of a healer. Drawing attributed to Pieter de Jode I.

The Last Judgment: the graves open and the dead emerge. Line engraving by P. de Jode the elder, 1615, after Jean Cousin the younger.

The Last Judgment: sinners in hell are tortured by monstrous devils as a ferry carries new arrivals to the same fate. Line engraving by Petrus de Jode the elder, 1615, after Jean Cousin the younger.

Saint Matthew, beginning to write his gospel. Engraving by W. Faithorne, 1657, after P. de Jode I.

The deceased Saint Agnes of Montepulciano raising her foot to be kissed by Saint Catherine of Siena with scenes behind of a martyrdom and a miracle. Engraving by P. de Jode after F. Vanni.

Saint Mark, beginning the writing of his gospel. Engraving after P. de Jode the elder.

A boy seated next to an altar dedicated to Death leans on a skull. Etching by Petrus de Jode.

Saint Luke, painting a picture of the Virgin. Engraving by G. van Gucht after P. de Jode.

Saint Luke, painting a picture of the Virgin. Engraving by W. Faithorne after P. de Jode.

A man kneeling before an altar and receiving the sacrament from a priest. Drawing attributed to Pieter de Jode I.

Elisha on his way to Bethel is taunted for his baldness by small boys: he curses them, and two she-bears come out of the woods and kill the boys. Engraving by C. Ryckemans after P. de Jode.

Jupiter waves a wand at a woman looking at herself in a mirror, while a travelling merchant of spectacles and a blind man walk by; allegory of the conscientious use of sight. Engraving by P. de Jode.

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Pieter de Jode I

Images from the collections

Images by Pieter de Jode I

Works from the collections

Saint Matthew, beginning to write his gospel. Engraving by W. Faithorne, 1657, after P. de Jode I.

The Last Judgment: the graves open and the dead emerge. Line engraving by P. de Jode the elder, 1615, after Jean Cousin the younger.

The Last Judgment: sinners in hell are tortured by monstrous devils as a ferry carries new arrivals to the same fate. Line engraving by Petrus de Jode the elder, 1615, after Jean Cousin the younger.

Elisha on his way to Bethel is taunted for his baldness by small boys: he curses them, and two she-bears come out of the woods and kill the boys. Engraving by C. Ryckemans after P. de Jode.

Jupiter waves a wand at a woman looking at herself in a mirror, while a travelling merchant of spectacles and a blind man walk by; allegory of the conscientious use of sight. Engraving by P. de Jode.

Frequent collaborators

Pieter de Jode I

Images from the collections

Images by Pieter de Jode I

Works from the collections

Saint Matthew, beginning to write his gospel. Engraving by W. Faithorne, 1657, after P. de Jode I.

The Last Judgment: the graves open and the dead emerge. Line engraving by P. de Jode the elder, 1615, after Jean Cousin the younger.

The Last Judgment: sinners in hell are tortured by monstrous devils as a ferry carries new arrivals to the same fate. Line engraving by Petrus de Jode the elder, 1615, after Jean Cousin the younger.

Elisha on his way to Bethel is taunted for his baldness by small boys: he curses them, and two she-bears come out of the woods and kill the boys. Engraving by C. Ryckemans after P. de Jode.

Jupiter waves a wand at a woman looking at herself in a mirror, while a travelling merchant of spectacles and a blind man walk by; allegory of the conscientious use of sight. Engraving by P. de Jode.

Frequent collaborators

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