Vocal music - Early works to 1800

Works from the collections

6 works

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An essay upon vocal musick, wherein is amply and clearly demonstrated by Rule and Example. Whatever is necessary for the Attamment to the true and perfect Knowledge of that Science. Set forth by way of Dialogue, And intended for the Use and Benefit of altrue Lovers of divine Musick. by Daniel Robinson, Philomusic. Te, Magne rerum conditor, & tuas sonabo Laudes, factaque posteris Miranda prodam, dum recurret per calidos mihi Sanguis artus. Buch
Robinson, DanielDate: [1715]
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The universal applause of Mount Parnassus, a serenata da camera, to be represented on the birth-day of the most serene anne , By the Grace of God, Queen of Great-Britain, &c. at the castle of Dublin, the sixth day of February, 1711. By their excellencies the Lords Justices command. Set by Mr. John Sigismond Cousser, chappel-master of Trinity-Colledge.
Kusser, Johann Sigismund, 1660-1727.Date: 1711
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Advice to the composers and pfrformers [sic] of vocal musick. Translated from the Italian
Riva, Giuseppe, b. 1696.Date: 1727
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Social harmony consisting of a collection of songs and catches In two, three, four and five parts, From the Works of the most eminent masters To which are added Several Choice Songs on masonry. By Thomas Hale, of Darnhall Cheshire 1763.
Hale, Thomas, fl. 1763.Date: 1763]
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The use and excellency of vocal music, in public worship A sermon preached at an occasional lecture, in Lexington. Appointed to promote and encourage the divine use of vocal music, more especially in public worship, on Wednesday April 25. 1770. By Jonas Clark A.M. Pasto of the church in Lexington. [Eight lines of Scripture texts].
Clark, Jonas, 1730-1805.Date: 1770