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Dauntsey Hulme. Mezzotint by S. W. Reynolds, 1830, after J. Lonsdale.

Cymon and Iphigenia. Mezzotint by S.W. Reynolds, 1839, after Sir J. Reynolds.

A young woman in love clasps her hands against her heart; representing the sense of touch. Mezzotint by S.W. Reynolds, 1830, after C.-M. Dubufe.

The rescue of the young John Wesley from the burning parsonage at Epworth, Lincolnshire. Mezzotint by S.W. Reynolds after H.P. Parker.

City of Oxford: distant view from the meadows. Etching by S.W. Reynolds.

John Simpson. Mezzotint by S. W. Reynolds, 1820, after J. Jackson.

Sir Humphry Davy. Mezzotint by S. W. Reynolds, 1822, after T. Phillips.

The Duke of Wellington and Lord Nelson standing in a room by a table; Nelson pointing at a map of Southern Europe. Mezzotint by S.W. Reynolds after J.P. Knight, ca. 1839.

Oxford: the river with a glimpse of the city behind. Etching by S.W. Reynolds.

Evan Pierce. Mezzotint by S. W. Reynolds, junior, 1849, after W. Jones.

John Scott. Mezzotint by S. W. Reynolds after H. Howard.

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Samuel William Reynolds II

Images from the collections

Images by Samuel William Reynolds II

Works from the collections

A young woman in love clasps her hands against her heart; representing the sense of touch. Mezzotint by S.W. Reynolds, 1830, after C.-M. Dubufe.

John Scott. Mezzotint by S. W. Reynolds after H. Howard.

Cymon and Iphigenia. Mezzotint by S.W. Reynolds, 1839, after Sir J. Reynolds.

Oxford: the river with a glimpse of the city behind. Etching by S.W. Reynolds.

Evan Pierce. Mezzotint by S. W. Reynolds, junior, 1849, after W. Jones.

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