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Engineering: a lock, and a carriage. Engraving by E. Kennion after C. Varley.
Varley, Cornelius, 1781-1873.Date: 1 April 1813Reference: 45475i
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Jesus appoints Peter as head of the church. Colour etching by A. Scacciati, 1766, after J. Chimenti.
Chimenti, Jacopo, 1551-1640.Date: [1766]Reference: 24121i
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Cybele, Bacchus, Ceres and Flora on a chariot drawn by lions surrounded by all forms of natural abundance and cherubs: symbolising the element earth. Etching by F. Bartolozzi, 1796, after F. Albani.
Albani, Francesco, 1578-1660.Date: Jan.y 1st 1796Reference: 23950i
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Cybele, Bacchus, Ceres and Flora on a chariot drawn by lions surrounded by all forms of natural abundance and cherubs, symbolising the element earth. Engraving by E. Baudet, 1695, after F. Albani.
Albani, Francesco, 1578-1660.Date: 1695Reference: 23641i
Archives and manuscripts
'The padlock"
Bishop, Mary (Mary Cecil Hamilton), 1914-1990Date: October 1970Reference: 2871366i
Part of: Papers of Edward Adamson (1911-1996)
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Two naked children tying up and storing champagne bottles. Lithograph by Piecq, c. 1845, after Gosse.
Gosse.Date: 1845Reference: 25745i
Part of: Champagne Montebello
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Architecture: a lock and key with gothic ornament. Wood engraving by C. D. Laing.
Date: 1846Reference: 44363i
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Jesus appoints Peter as head of the church. Etching by P.L. Ghezzi.
Ghezzi, Pier Leone, 1674-1755.Reference: 22536i
Archives and manuscripts
A hexagon outlined in blue, framed by red blocks with a black chain running through them, surrounded by black
Marsden, D., active approximately 1951-1953Date: 12 February 1953Reference: 3001081i
Part of: Papers of Edward Adamson (1911-1996)
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Jesus appoints Peter as keeper of the keys to heaven; angels stand by. Engraving by G. Pasqualini after G.F. Barbieri, il Guercino.
Guercino, 1591-1666.Date: 1600-1699Reference: 22612i
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Locks: the mechanism of a lock. Engraving by Mutlow.
Reference: 44372i
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Technology: a Russian padlock and key. Wood engraving.
Reference: 44366i
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A despondent winged woman holding a geometrical instrument surrounded by attributes associated with knowledge; representing melancholia. Heliogravure attributed to C. Amand-Durand, 18--, after A. Dürer, 1514.
Dürer, Albrecht, 1471-1528.Date: 1800-1899Reference: 20093i
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The graves open on the day of judgement; Christ, apostles and female saints look on. Engraving after M. Heemskerck, 1564.
Heemskerk, Martin van, 1498-1574.Date: 1564Reference: 25148i
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Two devils in a laboratory produce statutes with the help of a genie; showing the repressive nature of the government of France under Louis-Philippe, especially concerning the freedom of the press. Lithograph by E. Le Poittevin, 1831.
Lepoittevin, Eugène-Modeste-Edmond, 1806-1870.Date: [1831]Reference: 16442i
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Jesus appoints Peter as head of the church; he tells him "thou art Peter … And I will give unto thee the keys of the kingdom of heaven". Colour mixed media print by P.P.A. Robert and N. Le Sueur after Raphael.
Raphael, 1483-1520.Date: [1729]Reference: 24117i
Part of: Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France.
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Satyrs grouped around a statue, displaying the attributes of greed and venality. Etching by J. Audran after C. Gillot.
Gillot, Claude, 1673-1722.Reference: 26773i
Part of: Les passions de l'homme exprimées par les satyres
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Sacra Conversazione; the Virgin in a mandorla worshipped by a pope and saints. Lithograph by G. Pilizotti after P. Vannucci, il Perugino.
Perugino, approximately 1450-1523.Reference: 21280i
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World War One: three prisoners crouch at the feet of a fourth man who incites them to action. Halftone after a crayon drawing by L. Raemaekers.
Raemaekers, Louis, 1869-1956.Reference: 24577i
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A woman surgeon and her assistant cupping a patient. Etching by C. Dusart, 1695.
Dusart, Cornelis, 1660-1704.Date: 1695Reference: 23037i
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Architecture: a lock and key. Wood engraving by [E. H.].
Reference: 44362i
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Jesus appoints Peter as head of the church. Colour etching by the Comte de Caylus and woodcut by J.B. Jackson after Raphael.
Raphael, 1483-1520.Date: [1729?]Reference: 3010888i
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An angel releases the apostle Peter from prison. Engraving by P. Campana after J.B. Internari.
Internari, Giovanni Battista, -1761.Date: 1700-1799Reference: 24874i
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An enthroned king, wearing three crowns and with a sword in his mouth, having vanquished a green seven headed hydra; an archangel with a key imprisons Lucifer in chains by a roaring fire; representing the culmination of the alchemical process and the sublimation of base matter. Coloured etching after an etching, ca. 17th century.
Reference: 38502i
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A woman surgeon and her assistant cupping a patient. Oil painting after Cornelis Dusart.
Dusart, Cornelis, 1660-1704.Reference: 45021i

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Engineering: a lock, and a carriage. Engraving by E. Kennion after C. Varley.

Jesus appoints Peter as head of the church. Colour etching by A. Scacciati, 1766, after J. Chimenti.

Cybele, Bacchus, Ceres and Flora on a chariot drawn by lions surrounded by all forms of natural abundance and cherubs: symbolising the element earth. Etching by F. Bartolozzi, 1796, after F. Albani.

Cybele, Bacchus, Ceres and Flora on a chariot drawn by lions surrounded by all forms of natural abundance and cherubs, symbolising the element earth. Engraving by E. Baudet, 1695, after F. Albani.

'The padlock"

Two naked children tying up and storing champagne bottles. Lithograph by Piecq, c. 1845, after Gosse.

Architecture: a lock and key with gothic ornament. Wood engraving by C. D. Laing.

Jesus appoints Peter as head of the church. Etching by P.L. Ghezzi.

A hexagon outlined in blue, framed by red blocks with a black chain running through them, surrounded by black

Jesus appoints Peter as keeper of the keys to heaven; angels stand by. Engraving by G. Pasqualini after G.F. Barbieri, il Guercino.

Locks: the mechanism of a lock. Engraving by Mutlow.

Technology: a Russian padlock and key. Wood engraving.

A despondent winged woman holding a geometrical instrument surrounded by attributes associated with knowledge; representing melancholia. Heliogravure attributed to C. Amand-Durand, 18--, after A. Dürer, 1514.

The graves open on the day of judgement; Christ, apostles and female saints look on. Engraving after M. Heemskerck, 1564.

Two devils in a laboratory produce statutes with the help of a genie; showing the repressive nature of the government of France under Louis-Philippe, especially concerning the freedom of the press. Lithograph by E. Le Poittevin, 1831.

Jesus appoints Peter as head of the church; he tells him "thou art Peter … And I will give unto thee the keys of the kingdom of heaven". Colour mixed media print by P.P.A. Robert and N. Le Sueur after Raphael.

Satyrs grouped around a statue, displaying the attributes of greed and venality. Etching by J. Audran after C. Gillot.

Sacra Conversazione; the Virgin in a mandorla worshipped by a pope and saints. Lithograph by G. Pilizotti after P. Vannucci, il Perugino.

World War One: three prisoners crouch at the feet of a fourth man who incites them to action. Halftone after a crayon drawing by L. Raemaekers.

A woman surgeon and her assistant cupping a patient. Etching by C. Dusart, 1695.

Architecture: a lock and key. Wood engraving by [E. H.].

Jesus appoints Peter as head of the church. Colour etching by the Comte de Caylus and woodcut by J.B. Jackson after Raphael.

An angel releases the apostle Peter from prison. Engraving by P. Campana after J.B. Internari.

A woman surgeon and her assistant cupping a patient. Oil painting after Cornelis Dusart.