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Sketch of a dragon.
Winnicott, D. W. (Donald Woods), 1896-1971Date: [1950?-1971?]Reference: 3215981i
Part of: Squiggles. Drawings by D.W. Winnicott.
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Online
A camel surrounded by various named animals, flowers and insects, including a giraffe and flying dragon. Engraving by D. Loggan, 1663, after W. Hollar.
Hollar, Wenceslaus, 1607-1677.Date: [1674]Reference: 24373i
Books
Online
Vlyssis Aldrovandi patricii Bononiensis Serpentum, et draconu[m] historiae libri duo / Bartholomaeus Ambrosinus ... pr[a]efectus summo labore opus concinnauit ... cum indice memorabilium, nec non uariaru[m] linguaru[m] locupletissimo ... ; sumptibus M Antonij Berni[a]e bibliopol[a]e Bononiensis.
Aldrovandi, Ulisse, 1522-1605?Date: 1640
Pictures
Bellerophon slaying the Chimera; representing the defeat of heresy (Protestantism) in Belgium by Ferdinand of Spain. Etching by T. van Thulden, c. 1640, after P.P. Rubens, 1635.
Rubens, Peter Paul, 1577-1640.Date: 1635Reference: 27226i
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Aesculapius, transformed into a dragon, embarks from Epidaurus on to a ship bound for Rome following the request from the Roman ambassadors that he stop the plague in Rome. Engraving attributed to Briot, 16--.
Briot.Date: [between 1600 and 1699]Reference: 589659i
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A fire-breathing dragon, with forests and mountains behind. Gouache by Francesca, 1973.
Francesca, active approximately 1974.Date: 1.12.73 [1 December 1973]Reference: 2928360i
Part of: Adamson Collection
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Online
The mystic marriage of Saint Catherine of Alexandria to the Christ child; Saint Joseph looks at angels who bear attributes of Saint Barbara and Saint Margaret. Drawing by F. Rosaspina, c. 1830, after A. Tiarini.
Tiarini, Alessandro, 1577-1668.Reference: 11797i
Part of: La Pinacoteca della Pontificia Accademia delle Belle Arti in Bologna
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A human body is consumed by a furnace; a woman holds a small red limbless effigy bearing a crown; a man holds a sheaf, and another a stick; below, by another furnace, a green and red dragon face each other, poised for combat; representing a stage in the process of alchemy. Coloured etching, ca. 18th century.
Reference: 38628i
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The woman clothed with the sun is attacked by a seven-headed dragon; her child is ejected up to God: representing the 12th Book of Revelation. Engraving.
Reference: 24940i
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Online
Christ winnowing evil from the human heart; a penitent bathing in the blood and water from Christ's side; an angel locking a dragon in hell. Engraving by H. Goltzius, 1578.
Goltzius, Hendrik, 1558-1617.Date: [1578]Reference: 26626i
Pictures
A man drowning in a meandering river: right, a fire-breathing dragon looks on; left, two Catholic novices flee. Watercolour by N. Goullet, 1954.
Goullet, Nancy, active approximately 1954-1957.Date: 20th December '54 [20 December 1954]Reference: 2969255i
Part of: Adamson Collection
Pictures
Jason approaches the dragon guarding the golden fleece, and pours Medea's magic potion on it. Engraving by J. Boydell after R. Earlom after S. Rosa.
Rosa, Salvatore, 1615-1673.Date: Nov.r 2d. 1765Reference: 2815049i
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A chariot bearing Aesculapius rides above suffering humanity: representing pathology. Etching by J. Chapman, 1823, after A.D. Macquin.
M'Quin, A. D. (Ange Denis), 1756-1823.Date: August 1823Reference: 25682i
Pictures
Online
Three men ride through the sky on black, red and white lions (colours of the alchemical process); beneath, men lay sprawled among dismembered limbs. Coloured etching after etching, ca. 17th century.
Reference: 38213i
Pictures
Online
Lucifer's angels tumble out of heaven, their limbs entwined. Etching by R. Pranker, 176-.
Date: 1765Reference: 24951i
Pictures
Online
The pregnant Virgin Mary, with a dragon at her feet; representing a stage in the alchemical process. Colour painting after etching, 1772/3.
Date: 1772Reference: 38503i
Pictures
Online
A putto pours a phial into a dragon's mouth, pumping a bellows with his other hand; representing the fixing of volatile matter in the alchemical process. Watercolour painting by E.A. Ibbs.
Ibbs, Edith A.Date: 1900-1909Reference: 38820i
Part of: Splendor solis
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Online
The archangel Michael, holding a flaming sword and the scales of justice; in heaven the angels kneel before Christ; representing the Day of Judgement. Woodcut.
Reference: 25068i
Pictures
Allegorical tomb of William Cadogan, Earl Cadogan. Line engraving by N. Dorigny, 1736, after C. Vanloo.
Vanloo, Carle, 1705-1765.Date: [1741?]Reference: 3069833i
Part of: Tombeaux des princes, grands capitaines et autres hommes illustres, qui ont fleuri dans la Grande-Bretagne vers la fin du XVII et le commencement du XVIII siècle ... le tout dirigé & mis au jour, par les soins de Eugene Mac-Swiny.
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Online
Jason being vomited from the dragon of Colchis's mouth after it had received a drug from Athena. Gouache painting by S.W. Kelly, 1936.
Date: 1936Reference: 17838i
Pictures
Online
Dragons and griffins around a lone flowering tree in a landscape on the outskirts of a town; representing a stage in the alchemical process. Coloured etching after etching, ca. 17th century.
Reference: 38032i
Pictures
Online
The Virgin Mary and the Christ child, with Saint Augustine, Saint George, Saint John the Baptist, Saint Stephen and an angel with a lily. Drawing by F. Rosaspina, c. 1830, after F. Francia.
Francia, Francesco, approximately 1450-1517.Reference: 11799i
Part of: La Pinacoteca della Pontificia Accademia delle Belle Arti in Bologna
Pictures
Online
Saint Ignatius of Loyola: he drives away with a stick a dragon representing the devil. Engraving.
Reference: 5565i
Books
The evolution of the dragon / by G. Elliot Smith.
Smith, Grafton Elliot, 1871-1937.Date: 1919
Pictures
Online
A nurse standing in front of the Red Cross stabs a dragon that holds the globe in its claws; representing assistance to tuberculous people from the Italian Red Cross. Colour lithograph by B. Cascella.
Cascella, Basilio, 1860-1950.Date: [1917?]Reference: 575581i

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Sketch of a dragon.

A camel surrounded by various named animals, flowers and insects, including a giraffe and flying dragon. Engraving by D. Loggan, 1663, after W. Hollar.

Vlyssis Aldrovandi patricii Bononiensis Serpentum, et draconu[m] historiae libri duo / Bartholomaeus Ambrosinus ... pr[a]efectus summo labore opus concinnauit ... cum indice memorabilium, nec non uariaru[m] linguaru[m] locupletissimo ... ; sumptibus M Antonij Berni[a]e bibliopol[a]e Bononiensis.

Bellerophon slaying the Chimera; representing the defeat of heresy (Protestantism) in Belgium by Ferdinand of Spain. Etching by T. van Thulden, c. 1640, after P.P. Rubens, 1635.

Aesculapius, transformed into a dragon, embarks from Epidaurus on to a ship bound for Rome following the request from the Roman ambassadors that he stop the plague in Rome. Engraving attributed to Briot, 16--.

A fire-breathing dragon, with forests and mountains behind. Gouache by Francesca, 1973.

The mystic marriage of Saint Catherine of Alexandria to the Christ child; Saint Joseph looks at angels who bear attributes of Saint Barbara and Saint Margaret. Drawing by F. Rosaspina, c. 1830, after A. Tiarini.

The woman clothed with the sun is attacked by a seven-headed dragon; her child is ejected up to God: representing the 12th Book of Revelation. Engraving.

Christ winnowing evil from the human heart; a penitent bathing in the blood and water from Christ's side; an angel locking a dragon in hell. Engraving by H. Goltzius, 1578.

A man drowning in a meandering river: right, a fire-breathing dragon looks on; left, two Catholic novices flee. Watercolour by N. Goullet, 1954.

Jason approaches the dragon guarding the golden fleece, and pours Medea's magic potion on it. Engraving by J. Boydell after R. Earlom after S. Rosa.

A chariot bearing Aesculapius rides above suffering humanity: representing pathology. Etching by J. Chapman, 1823, after A.D. Macquin.

Three men ride through the sky on black, red and white lions (colours of the alchemical process); beneath, men lay sprawled among dismembered limbs. Coloured etching after etching, ca. 17th century.

Lucifer's angels tumble out of heaven, their limbs entwined. Etching by R. Pranker, 176-.

The pregnant Virgin Mary, with a dragon at her feet; representing a stage in the alchemical process. Colour painting after etching, 1772/3.

A putto pours a phial into a dragon's mouth, pumping a bellows with his other hand; representing the fixing of volatile matter in the alchemical process. Watercolour painting by E.A. Ibbs.

The archangel Michael, holding a flaming sword and the scales of justice; in heaven the angels kneel before Christ; representing the Day of Judgement. Woodcut.

Allegorical tomb of William Cadogan, Earl Cadogan. Line engraving by N. Dorigny, 1736, after C. Vanloo.

Jason being vomited from the dragon of Colchis's mouth after it had received a drug from Athena. Gouache painting by S.W. Kelly, 1936.

Dragons and griffins around a lone flowering tree in a landscape on the outskirts of a town; representing a stage in the alchemical process. Coloured etching after etching, ca. 17th century.

The Virgin Mary and the Christ child, with Saint Augustine, Saint George, Saint John the Baptist, Saint Stephen and an angel with a lily. Drawing by F. Rosaspina, c. 1830, after F. Francia.

Saint Ignatius of Loyola: he drives away with a stick a dragon representing the devil. Engraving.

The evolution of the dragon / by G. Elliot Smith.

A nurse standing in front of the Red Cross stabs a dragon that holds the globe in its claws; representing assistance to tuberculous people from the Italian Red Cross. Colour lithograph by B. Cascella.