Christ talking to two men who, according to Lavater, show physiognomic traits of 'sensuality'. Drawing, c. 1789, after H. Holbein.

In the text Lavater criticises the rendering of Christ for exhibiting a weak forehead and a nose exhibiting a "dull and contracted spirit". The central face shows a "rage for projects, a want of wisdom, and sensuality; the third, a "high brutal sensibility"