English painter, printmaker, pictorial satirist, social critic and editorial cartoonist (1697-1764)

concept

Men playing draughts in Button's Coffee-House, London, ca. 1720. Aquatint by S. Ireland after W. Hogarth.

William Hogarth making a drawing of his companions and himself as they shave and take their breakfast. Etching by Richard Livesay, 1781, after William Hogarth, 1732.

William Hogarth embarking on a boat in the Thames near Sheerness, accompanied by four friends. Etching by R. Livesay after S. Scott and W. Hogarth.

Twenty portraits of famous men. Engraving by J.W. Cook, 1825.

An exhibition in honour of the bicentenary of William Hogarth, 1697-1764, December 19th, 1964 to May 2nd, 1965.

From Hogarth to Rowlandson : medicine in art in eighteenth-century Britain / Fiona Haslam.

Marriage a-la-mode : a re-view of Hogarth's narrative art / Robert L.S. Cowley.

Lichtenberg's Commentaries on Hogarth's engravings / translated from the German and with an introduction by Innes and Gustav Herdan.

The battle of the pictures: between an auction house and Hogarth's studio, old master paintings are lined up in ranks outnumbering and attacking Hogarth's contemporary counterparts. Etching by W. Hogarth.

Hudibras confronts with a pistol a club-wielding crowd, including Crowdero the fiddler with a peg leg, Talgot the butcher, and Orsin with his bear. Engraving by William Hogarth.

Four judges in heavy wigs, two of them are fast asleep. Etching by W. Hogarth.

A crowd of spectators wait as Tom Idle is driven in a cart with his coffin to his place of execution and the gallows. Engraving by William Hogarth, 1747.

Men playing draughts in Button's coffee-house ca. 1720 Aquatint by S. Ireland after W. Hogarth.

A poor London street strewn with hopeless drunkards and lined with gin shops and a flourishing pawnbroker. Engraving, c. 1751, after W. Hogarth.

David Garrick in the rôle of Richard III, awakening from his nightmare in the tent with military activities in the background. Etching by W. Hogarth and C. Grignion after W. Hogarth.

In a chamber containing stuffed animals, a globe and astrological devices Hudibras, about to draw his sword, startles Sidrophel and Whacum. Aquatint by C. Rosenberg, 1799, after William Hogarth.

Don Quixote with a lance riding a horse attacks a barber. Engraving by William Hogarth.

The good Samaritan tending to a wounded man while a priest and a Levite walk on by. Line engraving by T. Cook, 1809, after W. Hogarth.

A country inn yard with passengers being crammed into a coach and electioneering and comic scenes going on in the background. Engraving by E. Riepenhausen after W. Hogarth.

A politician engrossed in reading the "Gazetteer" and burning the brim of his hat with a candle while he does so. Etching by J. K. Sherwin after W. Hogarth.

In the company of his master's daughter Francis Goodchild sings attentively from a hymn book during a church service. Engraving by Thomas Cook after William Hogarth, 1796.

Three illustrations of Roman military punishment: banishment, degrading punishment, and freemen degraded and sold into slavery. Etchings by A.M.I. after W. Hogarth.

A man (Lord Hartington) and his wife (Radicalism) having breakfast in a richly decorated room, the morning after a card party. Colour lithograph by Tom Merry after W. Hogarth, 17 October 1885.

The Beggar's opera: on trial for robbery, Captain Macheath stands in shackles in Newgate prison, while two of his lovers (Polly Peachum and Lucy Lockit) plead for his life. Engraving by W. Blake after W. Hogarth, 1st July 1790.

An insane man (Tom Rakewell) sits on the floor manically grasping at his head, while two attendants manacle his legs: his lover, Sarah Young, cries in distress, they are surrounded by lunatics at Bethlem hospital, London. Engraving by H. Fernell after W. Hogarth, 1735.

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William Hogarth

Images from the collections

Images by William Hogarth

Images featuring William Hogarth

Works from the collections

In the company of his master's daughter Francis Goodchild sings attentively from a hymn book during a church service. Engraving by Thomas Cook after William Hogarth, 1796.

Three illustrations of Roman military punishment: banishment, degrading punishment, and freemen degraded and sold into slavery. Etchings by A.M.I. after W. Hogarth.

A man (Lord Hartington) and his wife (Radicalism) having breakfast in a richly decorated room, the morning after a card party. Colour lithograph by Tom Merry after W. Hogarth, 17 October 1885.

The Beggar's opera: on trial for robbery, Captain Macheath stands in shackles in Newgate prison, while two of his lovers (Polly Peachum and Lucy Lockit) plead for his life. Engraving by W. Blake after W. Hogarth, 1st July 1790.

An insane man (Tom Rakewell) sits on the floor manically grasping at his head, while two attendants manacle his legs: his lover, Sarah Young, cries in distress, they are surrounded by lunatics at Bethlem hospital, London. Engraving by H. Fernell after W. Hogarth, 1735.

Frequent collaborators

William Hogarth

Images from the collections

Images by William Hogarth

Images featuring William Hogarth

Works from the collections

In the company of his master's daughter Francis Goodchild sings attentively from a hymn book during a church service. Engraving by Thomas Cook after William Hogarth, 1796.

Three illustrations of Roman military punishment: banishment, degrading punishment, and freemen degraded and sold into slavery. Etchings by A.M.I. after W. Hogarth.

A man (Lord Hartington) and his wife (Radicalism) having breakfast in a richly decorated room, the morning after a card party. Colour lithograph by Tom Merry after W. Hogarth, 17 October 1885.

The Beggar's opera: on trial for robbery, Captain Macheath stands in shackles in Newgate prison, while two of his lovers (Polly Peachum and Lucy Lockit) plead for his life. Engraving by W. Blake after W. Hogarth, 1st July 1790.

An insane man (Tom Rakewell) sits on the floor manically grasping at his head, while two attendants manacle his legs: his lover, Sarah Young, cries in distress, they are surrounded by lunatics at Bethlem hospital, London. Engraving by H. Fernell after W. Hogarth, 1735.

Frequent collaborators

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