Home Exhibitions 1880 THAT: Christine Sun Kim and Thomas Mader

1880 THAT visual story

Information to help you plan and prepare for your visit to the exhibition.

Exhibition information

Poster for the Wellcome Collection exhibition '1880 THAT'. The text says "Christine Sun Kim and Thomas Mader 1880 THAT. A free exhibition exploring sign language and identity." On the right of the words 1880 THAT is a large red hand with the index finger pointing at the words.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

This exhibition is called ‘1880 THAT.’ 

An exhibition is a collection of things to look at and learn about. 

The imposing white edifice of a neoclassical 1930s building. Wellcome Collection building, Euston Road, London, UK.
Source: Wellcome Collection. © Wellcome Collection.

The exhibition is at Wellcome Collection.

The entrance to the Wellcome Collection exhibition '1880 THAT' on level 2
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

The exhibition is in Gallery 2 on level 1 of our building.

Calendar page icon showing Thursday April 17

The exhibition starts on Thursday 17 April 2025.

Calendar page icon showing date November 16

The exhibition finishes on Sunday 16 November 2025.

A pound sign that is crossed out.

You do not have to pay to visit the exhibition.

Two tickets that are crossed out.

You do not need to book a ticket. Just turn up.

Introduction to Wellcome Collection

For more information about:

  • opening times
  • accessibility
  • travel

click on this link: Visiting Wellcome Collection visual story.

Introduction to this exhibition

A photograph of a man and woman leaning behind a brick wall. They are leaning over the wall and smiling at the viewer. Both are dressed as clowns, with black hats and noses painted in purple and red.
‘What’s Left’ (production still), 2025, Photo: Benjamin Held. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

‘1880 THAT’ is an exhibition by artists Christine Sun Kim and Thomas Mader. It tells stories about:

  • Sign language and spoken language. Sign language uses hand shapes and the face to communicate instead of using spoken words.
  • The history of education for Deaf people.
  • How sign language and spoken languages are different and how they are connected.
  • In 1880 there was an important meeting that happened in Italy called the Milan Conference. A conference is a meeting where people talk about important things. Milan is the city in Italy where the conference happened. The conference was about the best way to teach Deaf peple.

164 people who went to the Milan conference could hear. Only one person at the conference was Deaf.

  • Most of the people at the conference thought that Oral Education was best for Deaf children. Oral Education means teaching Deaf children to communicate by speaking with their voices like hearing people do. Only a few people at the conference thought that Deaf children should be taught sign language instead.
  • After the Milan Conference, teaching sign language was banned in many countries. This meant that children were not allowed to use sign language in schools. This harmed the education of many Deaf people. It also harmed many Deaf people’s working and personal lives. The decision made at the Milan Conference still harms many Deaf people’s lives today.
A large sign hanging on a wall in an exhibition gallery. The sign is in the shape of a brown brick. The text says "Christine Sun Kim and Thomas Mader. 1880 THAT. 17 April - 16 November 2025."
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

The word THAT comes from a sign in American Sign Language which means ‘look at that’. THAT is in the exhibition’s name to show how much the Milan Conference in 1880 has affected Deaf people’s lives.

What is in the exhibition

A young man stands contemplating a framed drawing, hanging on a wall in front of him.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

There are different things to look at in the exhibition. These include:

  • Drawings
Two people stand in front of a suspended sculpture looking up at it. One is taking a picture on her mobile phone.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.
  • Sculptures
Two people stand infront of a wall-mounted screen watching an animated film.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.
  • Films
A circle with the letter I in the centre.

Some of the things in this exhibition talk about:

  • Discrimination against Deaf people. Discrimination is when someone is treated unfairly because of who they are.
A young man and a young woman wearing tops with Wellcome Collection logos to show they are staff,
Visitor Experience Assistants. Source: Wellcome Collection. Attribution-NonCommercial 4.0 International (CC BY-NC 4.0).

 If you need any help, you can speak to a member of our team.

Sensory information

Icon for no eating or drinking.
Breastfeeding icon.

You cannot eat or drink in the exhibition.

But you can breastfeed or bottle-feed babies.

Four people in an exhibition gallery talking in pairs.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

People sometimes speak quietly at an exhibition. But you do not have to speak quietly.

An illustration of an ear with three zigzag lines on the left of it, representing loud noise.
A drawing of a drum with a stick

There is a sculpture in this exhibition that makes a sudden drum beat sound.

A sculpture in an exhibition gallery, consisting of a large green knobbly structure made up of a cluster of noses and nostrils suspended from the ceiling. The base of the structure is flat and round and forms a drum with a drumstick attached. Immediately below the sculpture is a low raised platform.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

The sculpture is called ‘Look Up My Nose’. Every 10 minutes the drum beat will sound 4 times, pause, then sound again 4 more times. You can feel the sculpture beat if you stand nearby.

An illustration of an ear with three zigzag lines on the left of it, representing loud noise.
An illustration of a black box with two arcs at two of the opposite corners representing movement

There are two sculptures in the exhibition that move suddenly and make a loud fan noise.

A giant red inflatable arm with the index finger pointing. The arm is emerging from a hole in a wall in an exhibition gallery. In the top picture it is shown deflated and resting down on the floor. In the lower picture it is fully inflated with the pointing finger just touching the adjacent wall.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

They are called ‘Attention’ and they look like two giant red arms.

A floor plan for the Wellcome Collection exhibition '1880 THAT' showing locations of artworks and loud noises and movement.
Wellcome Collection.

A sensory map of the exhibition. The sensory map shows you where there are loud sounds and sudden movement in the exhibition.

It also shows the locations of all the artworks.

Exhibition artworks

A sculpture that consists of two brown rectangular building bricks stacked on top of each other. The top brick is embossed with the number 1880 and the bottom brick is embossed with the word THAT.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

‘1880 THAT’ is a sculpture of a brick. 

There is no memorial at the building where the Milan Conference happened in 1880. A memorial helps us to remember something very important. So the artists are using bricks to remind people of this very important event.

A large inflatable arm emerging from a hole in the wall in a corner of an exhibition gallery. The arm is fully stretched out and the back of the hand is resting on the adjacent wall.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

‘ATTENTION’ is a sculpture of an inflatable red arm with a waving hand. Inflatable means air from a fan moves through the sculpture, making it wave.

Deaf people who use American Sign Language wave their hand or point to get people’s attention. The sculpture’s hand is waving towards the Houses of Parliament, where British politicians work.

Politicians make decisions and laws that affect people’s lives. The sculpture shows how difficult it is for Deaf people to get the attention of politicians, and to be treated fairly by them.

A film still from the animated film 'F on eye' in the exhibition '1880 THAT'. The image shows a giant green nost on the floor of an apartment, as if seen through a peephole.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

‘F on Eye’ is a short animated film. An animated film is created on a computer.

The film shows an apartment door with a peephole. A peephole is a small hole you can look through to see who is outside your door. 

In the film, we look through a peephole and see a nose. The nose is a symbol. A symbol is an object that is used to represent something else.

In this film, the nose is a symbol for the people at the 1880 Milan Conference who wanted to ban sign language.

A knobbly sculpture hanging from the ceiling, consisting of a cluster of noses and nostrils. The base of the sculpture is a round flat drum with a drumstick attached. Below the suspended sculpture is a low raised platform.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

‘Look Up My Nose’ is a sculpture. It is shaped like the noses of people at the Milan Conference who wanted to ban sign language. One was Alexander Graham Bell, another was his father, Melville Bell.

Alexander Graham Bell is known for being an inventor. An inventor designs new things. Alexander Graham Bell was one of the inventors of the telephone.

The artists use the nose as a symbol to show that Alexander Graham Bell and his father ‘looked down their nose’ at sign language. To ‘look down your nose’ at something means you think that thing is not much good.

Alexander Graham Bell and his father thought that sign language was not worth learning and that speaking with the voice was better.

A framed drawing of rows of noses in a grid format. All the noses have clouds of air puffing out of the nostrils except the one in the bottom right corner which is slightly apart and drawn in profile with not puffing out air.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

'Running Gag' is a drawing of 164 noses. The noses are symbols for all the people who went to the Milan Conference in 1880 and the people that afterwards tried to ban sign language.

163 of them were hearing people. Their noses are shown blowing out air. This is a symbol that they looked down their noses at sign language.

There is one nose at the bottom right corner of the drawing that is not blowing out air. That nose belongs to the one Deaf person who was at the Conference. That person did not look down their nose at sign language.

A film still from the film 'What's Left' from the exhibition '1880 THAT'. The still shows the artists Christine Sun Kim and Thomas Mader dressed as two characters called Lefty the Salesman and Ernie from the American TV show ‘Sesame Street’.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

‘What’s Left’ is a film about two characters called Lefty the Salesman and Ernie from the American TV show ‘Sesame Street’. In 'Sesame Street', Lefty is always trying to sell strange things to Ernie secretly, against the rules. Sometimes he tries to sell letters of the alphabet.

It is a strange idea that letters or languages can be against the rules.

But after the Milan Conference in 1880, using sign language was against the rules in many places.

A large inflatable arm with the hand pointing and the index finger just touching a wall infront of the it.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

‘ATTENTION’ is a sculpture of an inflatable red arm with a pointing hand. Deaf people who use American Sign Language wave their hand or point to get people’s attention. The sculpture’s hand is pointing towards Milan in Italy. It brings our attention to the Milan Conference, and how much it affected the lives of Deaf people.

A red brick wall constructed inside an exhibition gallery. The wall has raised bricks across the surface, spelling out the phrase "I AM NOT CROSS".
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

‘NOT CROSS’ is a sculpture. It is about how sometimes people hide their true feelings.

Cross means angry.

In this example, a person can use words to say "I am not cross." But really they do feel cross. And their face shows their true feeling of being cross.

This can cause misunderstandings. A misunderstanding is when a person is confused by what someone else says to them.

Misunderstandings like this can happen in spoken and signed languages. This can make it especially hard for hearing people who are learning sign language.

A film still from the animated film 'Eye Spy' in the exhibition '1880 THAT'. The image is of a pair of transluscent male and female figures standing facing each other.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

‘Eye Spy’ is an animated film, which shows two see-through people passing a set of eyeballs back and forwards to each other.

There is a sign in American Sign Language which looks like someone is passing their eyeballs to another person. The sign means "I wish you could see the world through my eyes".

The hearing people at the Milan Conference did not see the world through Deaf people’s eyes. So they did not understand how important sign language is.

Accessibility in the exhibition

The entrance area of the exhibition '1880 THAT' showing the accessible guides display and handsets.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

You can find accessible guides at the start of the exhibition.

Front cover of the Gallery Guide for the Wellcome Collection exhibition '1880 THAT'.
Front cover of the Large Print Guide for the Wellcome Collection exhibition '1880 THAT'
The visual story guide for the Wellcome Collection exhibtion '1880 THAT'

The guides are:

  • a gallery guide with words and pictures
  • a large print guide
  • a visual story with a sensory map. A sensory map shows you things like where there is loud sound, bright lights, or seating.

There are also screens inside the exhibition showing British Sign Language videos for people who use BSL.

An information board in an exhibition with details of how to use the digital guide, On a table infront of the display board are a pile of handsets.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

There are two digital guides that you can use with QR codes to follow a highlights tour around the exhibition:

Icon for audio-described
The capital letters BSL against a black square background
  • An audio-described guide to hear what 11 artworks in the exhibition look like.
  • A British Sign Language guide of videos for people who use BSL.

The digital guides are on our website.

A hand holds a mobile phone infront of a sign with a QR code on it.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

There are 11 stops in the digital guides.

There is a number and a QR code next to each stop in the exhibition. You can scan the QR codes with your phone to get the digital guides.

To scan a QR code:

  • open the camera on your phone
  • point it at the QR code
  • click on the link that appears

If you do not know how to scan a QR code, we can help you.

An exhibition gallery space showing a white tactile line on the floor for access to the highlights tour stops.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

There is a white line on the exhibition floor. Follow the white line to get to each stop. Each stop is marked with a grey square.

The white line and grey squares have a pattern that you can feel with your feet.

The capital letters BSL against a black square background

If you want to watch the BSL guide on your phone or other device, you can:

  • scan the QR code with your phone camera
  • choose ‘Watch British Sign Language videos’.
Icon for audio-described

If you want to listen to the audio-described guide on your phone or other device, you can:

  • scan the QR code with your phone camera
  • choose 'Listen to audio'.

 Or you can listen to the audio-described guide by:

  • picking up a touch-button handset in the exhibition
  • pressing the number of the audio stop
A hand holds a mobile phone infront of a sign with a QR code on it. The QR code is also visible on the phone screen.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

You can get all the information that is on the exhibition labels and panels by scanning the QR code with your phone. The information can be read by a screen reader.

To scan a QR code:

  • Open the camera on your phone
  • Point it at the QR code
  • Click on the link for "read captions and transcripts".

If you do not know how to scan a QR code, we can help you.

Icon for wifi available.

You can use our WiFi for free. To do this you need to:

  • turn your phone’s WiFi on
  • choose Wellcome WiFi
  • tick a box to accept our terms and conditions
  • choose ‘connect’
A young man and a young woman wearing tops with Wellcome Collection logos to show they are staff.
Visitor Experience Assistants. Source: Wellcome Collection. Attribution-NonCommercial 4.0 International (CC BY-NC 4.0).

If you need help with anything, you can ask a member of gallery staff.

Accessible tours

Icon for audio-described
Icon for BSL sign language

You can book an audio-described tour. On this tour a member of our team will explain what the things in the exhibition look like. You can look on the website for dates.

If you want an audio described tour for your visit today, please tell a member of our gallery team. 

If you are a sign language user, you can book a BSL interpreted tour of the exhibition. You can look at the What's On section of our website for dates.

Relaxed opening

A young man sits on the floor in an exhibition gallery, leaning against a wall with his legs outstretched in a relaxed pose. He is wearing headphones.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

If you need additional support to enjoy this exhibition, join us for a relaxed opening. At a relaxed opening there will be:

  • fewer visitors
  • extra gallery staff to help you.
A trolley holding earphones, lappads, earplugs and dark glasses.
‘1880 THAT’ exhibition at Wellcome Collection, Photography: Steven Pocock. Source: Wellcome Collection. © Christine Sun Kim and Thomas Mader and Wellcome Collection.

At a relaxed opening you can use our:

  • cushions
  • ear defenders
  • tinted glasses
  • tinted visors
  • weighted lap pads
People sitting and lying in the chill-out space at the relaxed opening.
Jason and the Adventure of 254 visual story. Source: Wellcome Collection. © Wellcome Collection.

At a relaxed opening thre will be a chill-out room. The chill-out room has:

  • low lighting
  • soft seats
  • sensory and fidget toys

There will be a relaxed opening during the exhibition.

Relaxed openings are free. You need to book a ticket.

Here is the date and time:

Sunday, 15 June 2025, 10am-12pm

You can book your free tickets by going to this link: wellcomecollection.org/whats-on.